This study focuses, within structured sanctuaries, on the composition of assemblages and the distribution of the different categories of artifacts in cult places during the second Iron Age. First, the purpose of the study is to revisit the evolutionary vision of metal objects related to specific sacred architectures. The second objective aims to investigate the assemblages of different architectural units within sanctuaries. In order to identify recurring gestures and preferential places of deposit, the study compares the spatial distribution of specific artifacts. Finally, the combination of both methods intends to provide a better understanding of the deposit practices among the different sanctuaries architectural entitie
