In the cultural history of Turkey, Kemalettin Bey (1870–1927)’s name and image are inseparable from the issue of national identity, its political construction and its visual representations. A well established academic discourse credits architects Kemalettin and Vedat Tek (1873–1942) for replacing, after the Young Turks constitutional revolution of 1908, the late-Ottoman, eclectic and cosmopolitan architectural culture with a new historicist, national and “modern” idiom. From a hybrid, multic..