The idea of 3-H art education by the author is neither a product guided by deep philosophical thoughts nor one generated by lofty pedagogical theories. In fact, it is all based on so called empirical findings while I taught at elementary schools for 14 years and also on empirical rules found in the process of reviewing outstanding classroom practices while I served at Hiroshima Prefectural Board of Education. In spite of that, why is this supported so widely? This reconsideration aims to confirm afresh and further consolidate the meaning of this conceptual model