One thing the articles in the list of contents for this issue of Critique d’art certainly do is raise a question that is either explicit or implicit: where are we writing from? From New York, Prague and Warsaw, Paris, Teheran and Johannesburg, but also from a museum or a theatre? The movements of artists, critics and researchers are no longer conveyed by assimilations, but by the multiplication of diverse voices and, in a way, by the increased accessibility at the heart of sensibility, imagin..
