For visual arts criticism, there was a moment when it was thinkable that the value construction paradigm represented by the historical model had been discredited by the combined effects of postmodernism and globalization. The fact is, however, that both the host of projects which are picked up by Critique d’art contributors, and the subjects they have chosen to crystallize their ideas, show that this history has once more become the questioning factor, tool and major challenge of many books a..
