Egbert, W. Grant

Fried, Jerome A.

Nye, Gertrude Houston

Quarles, James T.

Van Hoesen, Carl

English

Ithaca College

Ithaca CollegeDigital Commons @ ICAll Concert & Recital Programs Concert & Recital Programs6-20-1919Recital: James T. Quarles, organJames T. QuarlesGertrude Houston NyeW. Grant EgbertCarl Van HoesenJerome A. FriedFollow this and additional works at: http://digitalcommons.ithaca.edu/music_programsPart of the Music CommonsThis Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted forinclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC.Recommended CitationQuarles, James T.; Nye, Gertrude Houston; Egbert, W. Grant; Van Hoesen, Carl; and Fried, Jerome A., "Recital: James T. Quarles,organ" (1919). All Concert & Recital Programs. 2128.http://digitalcommons.ithaca.edu/music_programs/2128CORNELL UNIVERSITY SIX HUNDRED AND FORTY-FIFTH ORGAN RECITAL BAILEY HALL FRIDAY. JUNE 20. 1919, FOUR-THIRTY O'CLOCK, P. M. t,pedal lbcital for wedt nf t,emt-Qfmte1111tal SONATA I, IN D MINOR, OPUS 42 (Request) I. Largo e maestoso--Allegro Alexanclre Guilmant 1837-1911 II. Pastorale--Andante quasi allegretto III. Allegro assai This splendid Sonata is generally regarded as Guilmant's best work. It is also published as a Symphony for organ and orchestra. The first movement opens with a stately Largo leading directly into the Allegro, the first theme of which is given out by the pedals alone, then by the full organ. A second theme follows, forming a decided contrast to the first. These two subjects form the basis of the entire movement, and are elaborated with great skill and judgment. (The second movement is exceedingly quaint and reposeful ; a happy effect is produced by the interpolation of the distant strains of a chorale. The final movement is written with great dash and vigor, and forms a brilliant and highly effective end to the work.) SERENADE Camille Saint-Saens VIOLIN, VIOLA, PIANO AND ORGAN Saint-Saens was born at Paris in 1835, and has been called the dean of the French School. (He is versatile, and has written success-fully in nearly all musical forms.) He is a lso a poet, astronomer and biologist, as well as musician. This charming number, for this rather unusual combination of instruments, shows his skill in using each instrument in its characteristic idiom. L'ORGANO PRIMITIVO P i etro A. Yon In this humorous work the talented organist of St. Francis Xavier, New York City, after a visit to the Crosby-Brown collection of musical instruments in the Metropolatan Museum of that city, writes for an old broken organ which has but one stop that will play, MELODY FOR THE BERGHALL BELLS, OPUS 65b - Jean Sibelius Jean Sibelius is one of the most important musica). persona lities of the present generation. He was born at Travastehus, Finland, in 1865, and is at present director of the Conservatory of Helsingfors. His music is all very much influenced by the Finnish folk-lore, which has many characteristics peculiar to itself. This melody was written for the bells of Berghall Church. ANDANTE, FROM PIANO QUARTET, OPUS 10 , - Leon Boellmann 1862-1897 VIOLIN, VIOLA, VIOLONCELLO, PIANO AND ORGAN Leon Boellmann was born at Ensisheim, in Alsace, but received his musical education largely under Gigout at the Ecole de Musique Religieuse in Paris. He was for a number of years organist at the Church of St. Vincent de Paul, Paris. He was a very successful com-poser. This Andante is from the Quartet for piano and s trings, a prize composition. The organ part is written by the organist. FINLAND IA Jean Sibelius Finlandia is in the nature of a National Tone-poem, depleting the longing of the Finns for their freedom from a foreign yoke. PROFESSOR JAMES T. QUARLES, Organist. assisted by MISS GERTRUDE HOUSTON NYE, Pianist MR. w. GRANT EGBERT, Violinist MR. CARL VAN HoESEN, Viola MR. JEROME A. FRIED, '10, Violoncello 

Recital: James T. Quarles, organ

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Recital: James T. Quarles, organ

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