Ithaca College Chorus

Ithaca College Wind Ensemble

Ithaca College Women\u27s Chorale

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Ithaca College

Ithaca CollegeDigital Commons @ ICAll Concert & Recital Programs Concert & Recital Programs3-7-2002Concert: Ithaca College Women's Chorale,Chorus, & Wind EnsembleIthaca College Women's ChoraleIthaca College ChorusIthaca College Wind EnsembleFollow this and additional works at: https://digitalcommons.ithaca.edu/music_programsPart of the Music CommonsThis Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted forinclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC.Recommended CitationIthaca College Women's Chorale, Ithaca College Chorus, and Ithaca College Wind Ensemble, "Concert: Ithaca College Women'sChorale, Chorus, & Wind Ensemble" (2002). All Concert & Recital Programs. 2609.https://digitalcommons.ithaca.edu/music_programs/2609ITHACA COLLEGE WOMEN'S CHORALE Janet Galvan, conductor Come Now, My Dearest Jewel Thomas Weelkes Tota pulchra es Maurice Durufle from Quatre Motets sur des themes Gregoriens Ah! Si Mon Moine V oulait Danser French Canadian Folk Song arr. Donald Patriquin ITHACA COLLEGE CHORUS Janet Galvan, conductor Blow, Blow Thou Winter Wind Daemon Irrepit Callidus Tres Cantos Nativos Dos Indios Kra6 John Rutter Gyorgy Orban arr. Marcos Leite Mythos Manos Hadjidakis arr. Christos Mitsakis ITHACA COLLEGE WIND ENSEMBLE Stephen G. Peterson, conductor James Miller, graduate conductor Laboring Songs (1997) Dan Welcher (b. 1948) ITHACA COLLEGE WIND ENSEMBLE AND CHORUS Rogues and Lovers Searching for Lambs The Drunken Sailor Limbo He's Gone Away Valencian ita Banuwa Janet Galvan, conductor Ford Hall Thursday, March 7, 2002 8:15 p.m. Samuel Adler (b. 1928) .. , J / ) PROGRAM NOTES AND TRANSLATIONS Come Now, My Dearest Jewel is one of many madrigal settings by Thomas Weelkes (1575-1623). '), Tota pulchra es Maria Thou art all fair, 0 Mary, and the stain of original sin is not in thee. Your vestments are as white as snow, and your face is like the sun. Thou art the glory of Jerusalem, the joy of Israel and the honor of our people. Ah! Si Mm Moine Voulait Danser is a folksong from Quebec. Translation: 0 dance, my monk dance. You don't hear the dance. Ah! If my monk would like to dance -- I would give him a cap. I would give him a sash. I would give him a rosary. I would give him a homespun coat. If he had not made a vow of poverty, I would give him other things as well. Daemon Irrepit Callidus translation: The devil sneaks expertly amidst praise, song, and dance. However amiably the devil acts, it is worth less than the heart of Jesus. Poor, passionate, undisciplined, frustrated devil. One can hear the "sneaking" in the alto and tenor parts as the basses and sopranos sing the text. The overall rhythmic agitation lends ) to the description of the text of the devil's passion, lack of discipline, and frustration. The melody and the "sneaking" goes from part to part. Tres Cantos Nativos dos Indios Kra6 was composed in 1982. It is freely based oo melodies sung by the Kra6 tribe, a group of native Brazilian Indians who live in the Xingu river area of the Amazonia forest of northwestern Brazil. Each cantos is very short. The arranger is a popular conductor, composer, pianist, and musical director in Brazil. He has performed with some of the most important popular artists and arranged popular tunes for vocal groups. His arrangements typically bring the essence of Brasilian urban popular music to the vocal music world. These tunes became known in the world of popular music before they were known in the choral world. The meaning of the text was not known by the composer. He treated the text as a group of sounds to create a mood. The Mythos was written by Hadjidakis who also wrote the music for Zorba the Greek. Hadjidakis died in 1996. This is a very popular song in Greece. It is based oo an heroic poem about Greek men. It tells two contrasting stories - one about a man who hated women and left the village and another who hated men and loved women and stayed in the village. Translation: I will . tell you a myth that we learned as children. There was a man who left and went away from the village. Since that time he has lived in the mountains only from hunting. He had a hatred toward women and never returned to his village. (New speaker) For the myth that you told me, I will tell you another. There was once a man who had no home. He had a terror and great hatred for men, but he loved all women. At the end of the piece, you hear different voices telling their own myths simultaneously. Laboring Songs is the first movement of Welcher's Symphony No. 3, about which he writes the following: "For Symphony No. 3 I have mined the deep spiritual and musical lode of the Shakers, a Protestant sect (originally called the "Shaking Quakers") that emigrated from Great Britain to New England in the mid-eighteenth century. This group, founded by "Mother" Anne Lee and two of her brothers, is now nearly extinct-chiefly because its practice of celibacy has kept its members from reproducing. As the number of converts has waned, the surviving Shakers have diminished in number to such a degree that fewer than a dozen living practitioners of the religion remained when I began to write the piece in 1997. Laboring Songs begins with a wordless melody moving in serene 4/2 and 3/2 meters, attributed to "Mother" Anne Lee herself (the very first Shaker music had no words, because words were considered to be to 'worldly'). Assigned to a solo trumpet at first, this melody draws more and more adherents to it, as the Shakers themselves were able to do, through its simple strength and purity. A second melody arrives to accompany this tune, which will later be revealed as 'Sad Days,' which contains words about the 'sorrow and anguish' of the 'Sad Days that are surely to come.' The music fills and grows out in a vigorous 2/ 4. 'Sad Days' makes its reappearance in the solo euphonium with bits of 'Shaker Life' accompanying it, and finally causes the fast meter to collapse into a state of 'suspended animation.' Three offstage flutes intone a rather primitive wordless part-song, supposedly given in dictation by an angel to its unknown transcriber. When the pulse music returns, in a slow 5/4 meter, the melody that emerges is 'Turn to the Right,' which refers both to the turning movement of the march-step and to the 'getting right with God' message. This melody is treated to a series of constantly accelerating variations, interrupted twice by the shuffle tune 'Followers of the Lamb,' first heard in the bassoons. Afte a final version of 'Turn to the Right,' Mother Anne's wordless melod returns as a benediction, with echoes of the other melodies dividing the phrases. A repeated mantra of 'Come Life, Shaker Life' concludes the work, as a throbbing meditation over the resounding final chord." Born in Rochester, New York in 1948, composer-conductor Dan Welcher has been gradually creating a body of compositions in almost every imaginable genre including opera, concerto, symphony, vocal literature, piano solos, and various kinds of chamber music. With over eighty works to his credit, Welcher is one of the most-played composers of his } generation. , In 1990, Mr. Welcher was named Composer-in-Residence with the Honolulu Symphony Orchestra through the Meet-the-Composer Orchestra Residencies Program, conducting more than thirty concerts with the Honolulu Symphony and inaugurating a series of new music concerts entitled "Discoveries 1998" under Keith Lockhart. His works for symphonic wind ensemble, notably Zion (which woo the ABA/Ostwald Prize in 1996) and Symphony No. 3 "Shaker Life" have earned him new accolades in non-orchestral venues. Dan Welcher has won numerous awards and prizes from institutions such as the Guggenheim Foundation (a Fellowship in 1997), National Endowment for the Arts, The Reader's Digest/Lila Wallace Foundation, the Rockefeller Foundation, the MacDowell Colony, Yaddo, The Bellagio Center, the American Music Center, and ASCAP. His orchestral music has been performed by more than fifty orchestras, including the Chicago Symphony, St. Louis Symphony, and Atlanta ) Symphony. Welcher currently lives in Bastrop, Texas. Rogues and Lovers is a folk song suite. It is a collection of folk song-; from the Western Hemisphere and the British Isles performed in one continuous movement. It received its premiere performance at the Florida Music Educators Association Convention in January of 1996. The introductory movement is an Irish folk song written for woodwinds only. Its rhythmic character is similar to that of South American folk dances, atypical of its Irish heritage. It is followed by the sea chantey, "The Drunken Sailor." The third tune is a happy dance from the Caribbean, "Limbo." "He's Gone Away" is an Appalachian folk tune set for a chorus. "Valencianita" is typical of South American folk dances, alternating between 3/4 and 6/8. "Banuwa" is a Liberian folk tune that employs African rhythms. Samuel Adler was born in Germany and came to the United States at the age of 11. He has had a career as a conductor, composer, author, and professor. For many years, he was a professor of composition at the Eastman School of Music in Rochester, New York. ITHACA COLLEGE WOMEN'S CHORALE Janet Galvan, conductor William McLain, graduate conductor Soprano I Alto I Donata Cucinotta Meredith Allen Erika Eddy Hollis Bowen Meghan Galloway Soprano 1-11 Jennifer Hawe Lauren Ash-Morgan Amanda Hick Julie Bickford Teri Kowiak Elizabeth Davis Rebecca Kutz Carrie Erving Jill Trask Whitney Guy Rebecca Winston Maggie Kier Hanson Lisa Yoo Megan Kohler Kristin Zaryski Donna Mathis Amanda Zawadzki Rebecca Minor April Rejman Alto 1-11 Jessica Russell Rebecca Cesario Alyssa Schwitzer Amanda Ginovsky Kiera Smialek Stephanie Lyon Barbara Vultaggio Caitlin Mathes Alicia W ehle Shana McCarty Megan Young Beth Reichbott Lauren Zito Alto II Soprano II Laurel Carnes Mae Beatty Shelley Facente Elizabeth O'Brien Megan Gebert Shannon Tobia Abigail Irwin Ana Withiam Kristine Jones Bora Yoon Sarah Lewandowski Elysa Lindsay Soprano II-Alto I Erin McCully Alice Biss Kelly Nixon Christine Dunn Julia Pfeiffer Melanie Fishman Kristin Sharkey Andrea Grace Hayden Emily Phillips Danielle Santiago Callie Shrader ) ) (~ I \ ITHACA COLLEGE CHORUS Janet Galvan, conductor Soprano I Sara Barasch Denise Crawfort Kim Dulchinos Mary Edwards-Ransom Kara Gavagan Jennifer Hasselhan Elizabeth Ingram Jaclyn Hird Kristina Lafever Aria Montcrieff Jennifer Roth Sarah Ryan Mea~an Sherwood AmntaSingh Sarah Tree Soprano II Dominic Ayuso Jennifer Broner Caitlin Cisler Sarah Dewey Krista Donough Susan Dautner Alison Heitner Rebecca Hession Megan Hofmann Allison Holst-Grubbe Alison LaGarry Amber Moriarty Kimberly Santora Erin Schubmehl Sara Shissler Christine Smith Alix Sternberg Kristin Triantafillou Alyson Whelan Alto I Debra Ablezer Jayne Agyepong Lauren Avellino Nicole Barnum Kimberly Buczek Melanie Bulawa Heather Cray Kiersten Cunningham Maria Fulgieri Jaime Gould Jennifer Klauda Kristina Little Kara McGraw Kelly McCarthy Elena Pardo Megan Peppers Shirah Po1fock Laura Pratt Lindsey Rondeau Laura Schettine Jessica Shore Jennifer Stepien LeeAnn Sutton Angela Tennis Mary Walker Alto II Ann-Marie Amedro Stacey Bellott Beth Biersdorf Alison Blanchard Clarissa Brundage Jennifer Coleman Lauren Dillon Jillian Fisher Mary Gardner Amanda Gillespie Diana Hall Erica Hallock Amy Johnson Leah Jones Katie A. Jurewicz Natasha Keller Christine Kothe Lauren Martin Erin Meade Tamara Nelson Lauren Oakley Stephenie Overton Juha Pfeiffer Elisa Spadaro Jamie Strefeler Holly Worley Lisa Zuccaro Tenor I Daniel Baker Andrew Benware Roger Grant Michael Hoskyns Elliot Iocco Adam Klock Andrew Marsh Aaron Tveit Tenor II Rocco Carbone Andrew DenBleyker Mike DeSaye Chrstopher Franklin Justin Friedman William Hall Jeremy Harting Andrew Hoesl Jon Petronzio Jeff Rubin Stephen Solook Peter Stevens Daniel Vezza Baritone Nick Cantrell Nick Cleveland Sean Donnellan Frank Cook Chris Floro Jared Eddy Neil Fronheiser Jesse Hazzard-Watkins Matthew Hill Scott Hoffman Colton Hubbard Nathan Lincoln-DeCusatis Jason Macy Paul Mills Robert Morris Ryan Muehlbauer Tucker Post Dan Richards Michael Rastafin Jeff Squire Peter Stevens Eric Swanger Ben Willmott Bass Brian Connolly Michael Furstoss Curt Greenwood Brian Jack Christopher Lipe Chris Loxley David Minot Raymond Mueller James Napoli Michael Nyby Kevin O'Neill Joseph Prosch Ian Rafalak Evan Riley Daniel Sender Mike Simon Christofher Thaw Michae Treat Accompanists Allison Blanchard Kristina Lafever Lisa Zuccaro ) ITHACA COLLEGE WIND ENSEMBLE Stephen Peterson, music director James Miller, graduate conductor Piccolo Andrew Benware (I Doug Han Jimmy Dawson* / Timothy Harkcom Flute Jesse King Tamara Nelson Cassandra Large Melody Parker Jen Trimble* Horn Katie Curran Oboe Kira Kamensky Colin Bauer Joshua Phillips* Aaron Jakubiec Kim Santora Caroline Radice* Karl Siewertsen Bassoon Trombone Nick Cantrell Nicola McLean* Amanda Ginovsky Jay Silveira Stacy Motquin* Bass Trombone E flat Clarinet Mark Walsh ~ I Therese Stiokas / Euphonium Clarinet Matthew Feinberg Gina Belculfine Michael Stephenson* Eric Callahan Bari Doeffinger Tuba Byron Ford* Mason Daffinee* Diana Hall Christian Carichner Kristin Rightnour Timpani Bass Clarinet Mary Gardner David Minot Percussion Alto Saxophone Laura Bilodeau Brian Connolly Luci Curry Erik Donough* Patrick Gehlhoff* Thomas Kline Tenor Saxophone Patrick Roland ) Joel Diegert Double Bass Brian Krauss Baritone Saxophone Anthony Balester Piano Dan Coe Trumpet David Baird * denotes principal 

Concert: Ithaca College Women\u27s Chorale, Chorus, & Wind Ensemble

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Concert: Ithaca College Women\u27s Chorale, Chorus, & Wind Ensemble

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