An Exploration of Self-Construction Through Buddhist Imagery in Maxine Hong Kingston\u27s the Women Warrior

Abstract

Buddhist imagery in The Woman Warrior can be interpreted as part of a Buddhist journey, a journey to observe and realize the nature of the self as mutable and indefinable this concept of self becomes transcendent through the novel to the reader by a participatory process which calls for insight beyond the illusion created by the narrative itself. Through an exploration of Buddhist inspired images - silence, seated mediation, the concept of the self as observer, koan, martial arts, the role of suffering and even aspects of transmigration and time - the struggle or journey to define a self transcends the idea of cultural identity and linear narrative that adds to existing critical discussions of the tex

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