Domenico Scarlatti Festival, February 19-21, 1998

Abstract

This is the concert program of the Domenico Scarlatti Festival on Thursday, February 19 through Saturday, February 21, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed on Program I in February 19, 1998 were the following by Domenico Scarlatti: Sonata K. 185, F minor, Sonata K. 184, F minor, Sonata K. 193, E-flat major, Sonata K. 192, E-flat major, Sonata K. 99, C minor, Sonata K. 215, E major, Sonata K. 216, E major, Sonata K. 115, C minor, Sonata K. 466, F minor, Sonata K. 467, F minor, Sonata K. 255, C major, Sonata K. 402, E minor, Sonata K. 403, E minor, Sonata K. 105, G major, and Sonata K. 119, D major. Works performed on Program II on February 20, 1998 were the following by D. Scarlatti: Sonata for Flute and Harpsichord, K. 91, Sonata for Violin and Harpsichord, K. 90, Cantata for Soprano, Two Violins and Basso Continuo "Tinte a note de sangue," Harpsichord Sonata K. 132, Harpsichord Sonata K. 461, Sonata for Flute and Harpsichord, K. 81, and "Scritte con falso inganno," Cantata for Soprano, Two Violins and Basso Continuo. Works performed on Program III on February 21, 1998 were Diferencias sobre el "Canto del Caballero" by Antonio de Cabezon, Three Dances from the 17th Century: Chacona, Marizápalos, and Canario by A. de Cabezon, Pasacalles de primer tono from "Bailes de Comedias del Retiro" by Juan Cabanilles, Xácara by J. Cabanilles, Recercata, Fuga y Sonata No. 1 en re by Sebastiánde Albero, Sonata en fa sostenido mayor by Antonio Soler, Sonata K. 107 by Domenico Scarlatti, Sonata K. 239 by D. Scarlatti, Sonata K. 141 by D. Scarlatti, Sonata K. 208 by D. Scarlatti, Sonata K. 209 by D. Scarlatti, Sonata K. 490 by D. Scarlatti, Sonata K. 491 by D. Scarlatti, Sonata K. 491 by D. Scarlatti, Sonata K. 492 by D. Scarlatti, and Fandango by D. Scarlatti. The festival also included lectures by Roberto Pagano, Frederick Hammond, Malcom Boyd, and James Iffland. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund