Argus Quartet

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Chapman UniversityChapman University Digital CommonsPrinted Performance Programs (PDF Format) Music Performances2-25-2016New Horizons Concert Series: Argus QuartetArgus QuartetFollow this and additional works at: http://digitalcommons.chapman.edu/music_programsPart of the Music Performance Commons, and the Other Music CommonsThis Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. Ithas been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University DigitalCommons. For more information, please contact laughtin@chapman.edu.Recommended CitationArgus Quartet, "New Horizons Concert Series: Argus Quartet" (2016). Printed Performance Programs (PDF Format). Paper 1529.http://digitalcommons.chapman.edu/music_programs/1529CHAPMAN UNIVERSITY PRESENTS AS PART OF THE NEW HORIZONS CONCERT SERIES Argus Quartet February 25, 2016 CHAPMAN UNIVERSITY COLLEGE OF PERFORMING ARTS SPRING 2016 calendar highlights february February 5 University Singers Post-Tour Concert Stephen Coker, Conductor February 18-20, 25-27 A Flea in Her Ear by David Ives Tamiko Washington, Director march March 19 Musco Center for the Arts Grand Opening april April 2 Musco Center for the Arts Community Open House & Arts Festival April 7-9 Concert lntime April 8 University Choir & Singers in Concert Stephen Coker, Conductor April 15, 16, 23 The Merchant of Venice by William Shakespeare Thomas F. Bradac, Director Starring Michael Nehring as Shylock April 22-24 Opera Chapman presents: Gianni Schicchiand Suor Angelica Peter Atherton, Artistic Director Carol Neblett, Associate Director Daniel Alfred Wachs, Conductor april (cont'd) April 29 Chapman University Wind Symphony Christopher Nicholas, Music Director and Conductor may May3 Jumpin' with Stan Kenton The Stan Kenton Legacy Orchestra Mike Vax, Director Chapman University Big Band & Jazz Combo Albert Alva, Director May 4-7 Spring Dance Concert May6 University Women's Choir in Concert Chelsea Dehn, Conductor May 14 42nd Annual Sholund Scholarship Concert The Chapman Orchestra Daniel Alfred Wachs, Music Director and Conductor Chapman University Choirs Stephen Coker, Music Director The 2016 Vocal and Instrumental Competition Soloists Follow us online! @ChapmanCoPA 11 • ~ Rllm CHAPMAN •• UNIVERSITY CO LLE GE OF PERFORMING ARTS For more information about our events, please visit our website at chapman.edu/copa, call 714-997-6624 or send an email to CoPA@chapman.edu 0 P E N S M A R C H 1 9 , 2 0 1 6 ING MARCH TO MAY 2016 Tickets On Sale Now muscocenter.org Questions? 844-0C-MUSCO (844-626-8726) Musco Center for the Arts One University Drive, Orange, CA 92866 MARYBELLE A ND SEBA STIAN P. MUSCO CENTER FOR THE ARTS Chapman University CHAPMAN UNIVERSITY   Hall-Musco Conservatory of  Music and  "New Horizons Concert Series"   presents    Guest Artists in Recital:    February 25th, 2016 ▪ 8:00 P.M. Salmon Recital Hall  Program Sabina for solo violin (2008-9)                                            Andrew Norman                                                                                                             (b. 1979)    Cloud Trio (2009)             Kaija Saariaho I.  Calmo, meditato                                                 (b. 1952)            II.  Sempre dolce ma energico, sempre a tempo III.  Sempre energico IV.  Tranquillo ma sempre molto espressivo    Skronk from String Quartet (2006)                    John Frantzen                                 (b. 1964)    Selections from The Angels (2012)      Ben Phelps Spaghetti Western            (b. 1980) Ghosts and instagrams  There are no stars Mulholland Dr. This is the first movement with Adam Bhatia, trumpet     ~INTERMISSION~    CHAPMAN UNIVERSITY  President: Dr. James L. Doti Chairman Board of Trustees: David A. Janes Chancellor: Dr. Daniele C. Struppa  COLLEGE OF PERFORMING ARTS  Dean: Giulio Ongaro Associate Dean: Louise Thomas Operations Manager:  Joann R. King Assistant to the Dean:  Jean Taber Operations Administrator: Amy Rudometkin Development Coordinator: Bobby Reade Box Office & Events Communications Coordinator: Danielle Bliss   HALL-MUSCO CONSERVATORY OF MUSIC  Full-time Faculty: Amy Graziano (Chair) Peter Atherton, Robert Becker, Jeff Cogan, Stephen Coker,  Grace Fong, Robert  Frelly, Sean Heim,        Jeffrey Holmes, Vera Ivanova, Christopher Nicholas, Janice Park, Dominique Schafer, Rebecca Sherburn, Jessica Sternfeld, Nicholas Terry, Louise Thomas, Daniel Alfred Wachs  Adjunct Faculty: Albert Alva, Ron Anderson,  Bruce Bales, Mindy Ball, David Black,  Pamela Blanc,    Adam Borecki, Christopher Brennan, Joshua Brown, Francisco Calvo, Caitlin Carlos, Clara Cheng, Ruby Cheng, Christina Dahlin, Daniel DeArakal, Justin DeHart, Chelsea Dehn, Margaret Dehning,                     Kyle De Tarnowsky, Paul Floyd, Patricia Gee, Patrick Goeser, Fred Greene, Timothy Hall, Maia Jasper, Aron Kallay,  Janet Kao, Brian Kennedy, Hye-Young Kim,  Jenny Kim, Milen Kirov, Karen Knecht, Hedy Lee, Olivia Mather, Gary Matsuura, Bruce McClurg, Laszlo Mezo, Alexander Miller, Susan Montgomery Kinsey,   Yumiko Morita, Vicki Muto, Christian Nova, Mary Palchak, Ben Phelps, Lelie Resnick, Rebecca Rivera, Ryan Rowen, Thom Sharp, Lea Steffens, David Stetson, Jacob Vogel  Artist in Residence: Milena Kitic, Carol Neblett Temianka Professorship: William Fitzpatrick   William Hall Visiting Professor: Jeralyn Refeld Glass Lineberger Endowed Chair: Peter Atherton   Staff: Katie Silberman (Department Assistant), Peter Westenhofer (Operations Supervisor)  Student Employees: Sam Ek, Kate Huntley, Taylor Kunkel, Melissa Montano, & Margot Schlanger (Office Assistants); Yllary Cajahuaringa, Tyler Johnson, Kimmi Levin, Melissa Marino, Drew Petriello, Katie Rock & Anna Turkisher (Recital Managers); Daniel Academia, Sean Atkinson, Aaron Grisez, Storm Marquis, & Alan MacChiarolo (Recording Engineers). Program String Quartet No. 1: London (2009)            Nick Norton  I.  Brilliant, shimmering                     (b. 1986) II.  Largo III.  Ethereal    Leyendas: An Andean Walkabout (2001)          Gabriela Lena Frank Tarqueada              (b. 1972) Himno de Zampanos Chasqui     Testy Pony (2010)               Eve Beglarian                (b. 1958) with Chelsea Fryer, narrator       This concert is made possible through the generous support of  the  Keyboard Collaborative Arts area, and presented as part of  the  "New Horizons Concert Series." About the Artists Argus Quartet is dedicated to reinvigorating the audience-performer relationship through new and innovative concert presentations of diverse repertoire –           connecting with and building up a community of engaged listeners is at the core of the quartet’s mission.   Formed in the summer of 2013, Argus is receiving invitations from concert series throughout the United States and abroad. Recent performances include appearances at Carnegie Hall, Laguna Beach Live!, Encinitas’ Music By The Sea, the Hear Now Music Festival, Music Academy of the West, the Birdfoot Festival, and the Cello Biënnale Amsterdam. The quartet has also won several competitions including the Beverly Hills Consortium and the MTAC San Diego Competition.  Argus recently began an appointment as the Yale School of Music’s fellowship   quartet-in-residence, and is the first ensemble to be mentored by the Brentano String Quartet in that capacity.   The Argus Quartet believes that today’s ensembles must honor the storied chamber music traditions of our past while forging a new path forward. In that spirit, their repertoire includes not just staples of the chamber music canon, but also a large number of pieces by living composers. The quartet was recently awarded a        commissioning grant from Chamber Music America for a new work by composer and GRAMMY nominee, Eric Guinivan. This coming season, Argus will premiere their latest commission – a quartet by Thomas Kotcheff, winner of Aspen Summer Music Festival's Hermitage Prize. The piece will be programmed alongside       premieres of works by Andrew Norman and Ben Phelps.   Beyond its commitment to performing chamber music at the highest level, Argus aims to engage audiences in unique ways. This fall marks the inaugural season of   Argus in LA, a concert series that reimagines many aspects of the traditional concert experience. These handcrafted presentations have something for everyone: eclectic programming, world premieres, and exciting guest artists. Education and outreach are an important part of the Argus Quartet’s mission. In addition to their teaching responsibilities at Yale, next season includes residencies at the Milken School,      California State University Long Beach, and the Birdfoot Festival.      Program Notes Starting with excerpts from Andrew Norman’s “A Companion Guide to Rome,” the program explores the idea of how a composer's environment can spark their creative process.  From Kaija Saariaho’s “Cloud Trio” inspired by the Swiss Alps, to John Frantzen’s “Skronk” from New York City, all the way back up to Gabriela Frank’s Andean masterpiece “Leyendas” these works all take their inspiration from locations and are the composers’ responses to places that mean something to them.  This program also includes a preview of Nick Norton’s “London” quartet and     selections from “The Angels” by Chapman faculty Ben Phelps. Actor Chelsea Fryer will join the quartet’s cellist Jo Whang for Eve Beglarian’s hauntingly beautiful “Testy Pony.”  - Jason Barabba and Nick Norton    Sabina uses the same musical ideas as the last movement of my string trio The   Companion Guide to Rome. This material, sketched after an early morning visit to one of Rome’s oldest churches, has proven a useful vehicle for exploring the sonic range of string instruments. The viola version of Sabina was premiered by Nokuthula Ngwenyama at the      Kennedy Center as part of the Young Concert Artists Series. The cello version was premiered by Laura Usiskin on the New Music New Haven Series at Yale.  The   violin version was premiered by Todd Reynolds on the Kettlecorn New Music     series.  - Andrew Norman  http://andrewnormanmusic.com/archives/147   Cloud Trio A string trio is a fascinating ensemble. Even if its instruments come from the same family it magnifies the individual characters of each. When writing the trio, I was surprised how different it was to writing for a string quartet.  In this piece, the three instruments all have different tasks and functions, they     represent very different aspects of string playing. These tasks are sometimes very concrete: the violin tends to behave as an echo or reverberation, the viola creates new clouds next to the existing ones and the cello often has a function of a shadow to the upper instrumental lines.  Program Notes My ideas for this piece are about common textures; how to create one coherent   texture - still complex and detailed - with individual lines.  The four sections of the piece have their own colours and characters, and I leave it to the listener to imagine what kinds of clouds were their sources of inspiration. Why Cloud Trio? When composing this piece in the French Alps (Les Arcs),     watching the big sky above mountains I realized once again how rich a metaphor a natural element can be: its state or shape is so recognizable, and yet it is always    varied and rich in detail.  Cloud Trio is written for and dedicated to the Zebra Trio.  Paris, May 14th, 2010 - Kaija Saariaho  http://www.musicsalesclassical.com/composer/work/43327  Skronk from Flash for string quartet  When composing, I often take walks to clear the mind, recharge the batteries, and leave previously worked ideas to the subconscious.  Early on, I spent a lot of time in rural settings, so these walks through forests, pastures, and fields, led to works that had more linear, flowing, and expansive qualities.  Upon moving to New York City these walks became a whole different adventure leading to compositions reflecting this bustling urban environment.  Skronk, the third movement from Flash for string quartet, is one such work that in its development reflects a groove one might need to traverse the colorful and cacophonous streets of New York. - John Frantzen  The Angels: Portraits on Life in the City - String Quartet no. 1 for Trumpet and String Quartet The movements of The Angels can be played in any order and combination. Not all orders and combinations are created equal. The one presented here is the          composer’s. Different orderings can convey different meanings and emotions, and thus can be tailored to fit the performers’ mood and experiences. This should be taken into account when planning the performance. The movements are conceived as tangents to life in Los Angeles, California, where they were composed. The motivic interrelation between the movements is highly complex. Quotations abound, try and find them all! Many questions arise. Answers are fleeting. - Ben Phelps  http://www.benphelpscomposer.com/works_pages/theangels.htm Program Notes String Quartet No. 1: London I wrote this piece at the end of my time in London.  I like to think of it as a          reflection of both my impression of the city and my experience of living there.  It is dedicated to the close friends I made and those back home who I missed.  - Nick Norton    Leyendas: An Andean Walkabout for string quartet draws inspiration from the idea of mestizaje as envisioned by the Peruvian writer José María Arguedas, where cultures can coexist without the subjugation of one by the other. As such, this piece mixes elements from the western classical and Andean folk music traditions.  "Tarqueada" is a forceful and fast number featuring the tarka, a heavy wooden duct flute that is blown harshly in order to split the tone. Tarka ensembles typically also play in fourths and fifths.  "Himno de Zampoñas" features a particular type of panpipe ensemble that divides up melodies through a technique known as hocketing. The characteristic sound of the zampoña panpipe is that of a fundamental tone blown flatly so that overtones ring out on top, hence the unusual scoring of double stops in this movement.  "Chasqui" depicts a legendary figure from the Inca period, the chasqui runner, who sprinted great distances to deliver messages between towns separated from one    another by the Andean peaks. The chasqui needed to travel light. Hence, I take    artistic license to imagine his choice of instruments to be the charango, a             high-pitched cousin of the guitar, and the lightweight bamboo quena flute, both of which are featured in this movement. - Gabriela Lena Frank  http://www.musicsalesclassical.com/composer/work/27965   Testy Pony is a setting of the poem of the same name by Zachary Schomburg. I read the poem shortly before the first concert of my River Project and felt it        embodied something about my trip down the Mississippi River. Here is the text of the poem:  "I am given a pony for my birthday, but it is the wrong kind of pony. It is the kind of pony that won't listen. It is testy. When I ask it to go left, it goes right. When I ask it to run, it sleeps on its side in the tall grass. So when I ask it to jump us over Program Notes the river into the field I have never before been, I have every reason to believe it will fail, that we will be swept down the river to our deaths. It is a fate for which I am prepared. The blame of our death will rest with the testy pony, and with that, I will be remembered with reverence, and the pony will be remembered with great anger. But with me on its back, the testy pony rears and approaches the river with          unfettered bravery. Its leap is glorious. It clears the river with ease, not even getting its pony hooves wet. And then there we are on the other side of the river, the sun going down, the pony circling, looking for something to eat in the dirt. Real trust is to do so in the face of clear doubt, and to trust is to love. This is my failure, and for that I cannot be forgiven." Testy Pony is part of A Book of Days. - Eve Beglarian http://www.evbvd.com/testypony/ 

New Horizons Concert Series: Argus Quartet

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New Horizons Concert Series: Argus Quartet

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