University of New Hampshire Scholars\u27 Repository
Abstract
Theodor Adorno is an influential figure in cultural studies, philosophy, and musicology. However, a re-examination of Adorno\u27s framework in the context of contemporary media studies is necessary because audio production and distribution technologies have changed dramatically since Adorno\u27s time of writing. In this thesis, I apply Adorno\u27s critical framework to the electronic artist Owl City. In doing so, I enhance Adorno\u27s model of analysis in order to allow for both regressive and progressive interpretations of contemporary music culture. I argue that social media facilitate a more efficacious culture industry, and that digital media facilitate a progressive form of escaping from the culture industry\u27s oppression
