The male homoerotics of Shakespearean drama: A study of The Merchant of Venice, Twelfth Night, and Othello

Abstract

This study seeks to both challenge and complicate the assumed heteronormativity of Shakespeare\u27s The Merchant of Venice, Twelfth Night, and Othello. Reading and analyzing these texts in such a manner provides the only means to access and interpret the homoerotics embedded deeply within them in a meaningful way that, in turn, enhances traditional understanding of Renaissance England

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