Program for the first annual RISD Cabaret held in Memorial Hall. Design and layout by Justin Kerr.https://digitalcommons.risd.edu/liberalarts_cabaret_programs/1000/thumbnail.jp

Bach, Nancy

Barnhill, James O.

Bishop, Sarah

Borok, Mark

Bull, Jennifer

Cho, Vivienne

Clarke, Walter

Coelho, Malcom

Crawford, Martha

Dimanche, Rene, Jr.

Firth, Heather

Frishmann, Karen

Guttman, Edward

Heerens, Holly Su

Hurwitz, Lisa

Kerr, Justin

Ockerse, Susan

Offutt, Treva

Overman, Steve

Pearson, Josh

Provost, Caroline

Reische, Cara

Ross, David

Ross, Richard

Scagnetti, Paul

Sklar, Andrew

Wasil, Jean

White, Marguerite

Whitney, Beth

Wodkowski, Michael

English

Rhode Island School of Design

Rhode Island School of DesignDigitalCommons@RISDPrograms RISD Cabaret 1987-2000Winter 11-18-1987From St. Petersburg to Krushchev's BootJames O. BarnhillRhode Island School of DesignJustin KerrRhode Island School of Design, jkerr@alumni.risd.eduEdward GuttmanRhode Island School of DesignCaroline ProvostRhode Island School of DesignJennifer BullRhode Island School of DesignSee next page for additional authorsFollow this and additional works at: https://digitalcommons.risd.edu/liberalarts_cabaret_programsPart of the Acting Commons, Art Education Commons, Dance Commons, Fashion DesignCommons, Fine Arts Commons, French Linguistics Commons, German Language and LiteratureCommons, History Commons, Modern Literature Commons, Music Commons, Other Arts andHumanities Commons, Other French and Francophone Language and Literature Commons, OtherLanguages, Societies, and Cultures Commons, Other Theatre and Performance Studies Commons,Performance Studies Commons, Playwriting Commons, Russian Literature Commons, and theTheatre History CommonsThis Book is brought to you for free and open access by the RISD Cabaret 1987-2000 at DigitalCommons@RISD. It has been accepted for inclusion inPrograms by an authorized administrator of DigitalCommons@RISD. For more information, please contact mpompeli@risd.edu.Recommended CitationBarnhill, James O.; Kerr, Justin; Guttman, Edward; Provost, Caroline; Bull, Jennifer; White, Marguerite; Bach, Nancy; Overman,Steve; Pearson, Josh; Wasil, Jean; Borok, Mark; Cho, Vivienne; Frishmann, Karen; Firth, Heather; Hurwitz, Lisa; Offutt, Treva;Whitney, Beth; Bishop, Sarah; Ross, Richard; Reische, Cara; Clarke, Walter; Dimanche, Rene Jr.; Ross, David; Coelho, Malcom; Sklar,Andrew; Wodkowski, Michael; Ockerse, Susan; Scagnetti, Paul; Crawford, Martha; and Heerens, Holly Su, "From St. Petersburg toKrushchev's Boot" (1987). Programs. 1.https://digitalcommons.risd.edu/liberalarts_cabaret_programs/1AuthorsJames O. Barnhill, Justin Kerr, Edward Guttman, Caroline Provost, Jennifer Bull, Marguerite White, NancyBach, Steve Overman, Josh Pearson, Jean Wasil, Mark Borok, Vivienne Cho, Karen Frishmann, Heather Firth,Lisa Hurwitz, Treva Offutt, Beth Whitney, Sarah Bishop, Richard Ross, Cara Reische, Walter Clarke, ReneDimanche Jr., David Ross, Malcom Coelho, Andrew Sklar, Michael Wodkowski, Susan Ockerse, PaulScagnetti, Martha Crawford, and Holly Su HeerensThis book is available at DigitalCommons@RISD: https://digitalcommons.risd.edu/liberalarts_cabaret_programs/101I>cA1-n<:'r(:3[=53E/\O KIFY} §§§§§§§§&:IL<D<D<D Mb ./ , sx \ t{W71-./I ;/m \= *.\@\Ti=\B1.o|< 7'1\U*:l_'W]E??? ‘”5::3 @>’,_4'@§’\,_J¢-@V ‘Q \» 5‘ "l/F2; \\“; ;/  J A av A\\‘ y ‘ ‘\.._,/GBAP \,3‘: 0 0 =-;:_I,ii‘‘#"-=§“1,*-'3?‘\_/-\ §‘\Q -$2., vf‘ .1» |A /1' f " 198'? ii;1?=\¢v >5 > L% %W X, M1"H A  Nfl“ '8)é‘ 1 _’-\‘,~'—J“ \~33-if,4‘"""*-*~*"*--"11;,_, _A/‘\‘ InIIE1f‘\‘\P _x_\,\z ‘\ _’é ‘Is.' Q s ."'v,v\ *3I97’ ii‘/mu>m>7%\>\N\l§=. I1  \@%@ Vfllt " GABAHET 1- 9'6'7_ uThe Cellar in the Tapat theRhode Island School of DesignPresentsFROM ST. PETERSBURG TO KRUSHCI-IEV’S BOOT”The cast and crew gratefully acknowledge the nancial support of the Undergraduate Board of TheA Cabaret Rhode Island School of Design. Also we wish to express our appreciation to: Stephen Copel andMcmorill Hall NOV¢mb¢l' 13-22, 1937 ' the Media Services Center, Ewa Lenk, Karen Kovacik, Sanda Eretescu, Prof. Sam Driver, Prof.Edward Dwyer, John Lucas, Stephanie Meriihew, Herminio Pinque, Prof. Barbara Monahan, TheCostume Collection of New York, Fred White, and Ronald Swanson.Directed by Iames O BarnhillLiterary Consultant. Szymon BO]kO M U S I CChoreography: Iulie StrandbergCostumes: Iean Wasil Piano' Rod LutherStage Design. George Gakidis, Andrew Stewart Ba” Prcswn McchnlmTrumpet: Al BasileStage Managers: Patrick Donavan, Diane KatzenmeyerProduction Supervisor George SpelvinProgram Design: Iustin Kerr Poster Design: Stephanie MilanowskiPaul ScagnettiElena von MollerLogo Design: Stephanie Milanowslu Stage Construction: George GakidisAndrew StewartCostume Construction. Olivia Eaton Properties. Marley RogersSusan Becker Isabelle LaeyendeckerLisa HurwitzLamps Paul Scagnein Rehearsal Piamst. Iules Cohen  ,£‘%- ‘Kc,¢=*-*\~ ~‘>'~3%xQ.‘’Q§ ‘Q' HO.-4-.8/\/'\'l=".§FOA-.FI‘1El/1A - ‘ ". "\,\ -' --4 _C O E‘ A K VI s1rmsmurrs\~\vls=~AAARArwW>TRAY DOGT D8 i011-1<>1c>.‘q‘lit.Q<vs-1,5g:‘fr--m£D-->0-->_'_-<KO--0From Victor Shklovsky's "Mayakovsky and His Circle": The windows are boarded up forever.What is out there - frost or storm?...The Stray Dog was located on Mikhaylovskaya Square in a rear court- }1(_E:'c°:solt?:yard. It would have been all right to come in through the street entrance, but it Ywas essential to meet in a basement, and the basement had to be in a rear court-yard. This was the center of the city. Steps down and arches; the arches deco- Fmm Tamara 1(;;_;5avim'$ "Th¢;m-¢ Street";rated by Sudeykin. A replace and the windows were blocked by furniture. Thiswas Wh¢Y¢ P¢°P1¢ m¢t- It had b¢¢n 3 thltcal °r8a"iZ3ti°n- O1'i8ina"Y> 31¢)’ ...Comparatively few amongst the artists had been to the Front. We stillhad, in all likelihood, wanted to revolutionize the theater, but they ended up cQnti[1u¢d [Q m¢¢t at th¢ Wandering D05 [Stray Dog] an artistic club, distinctlydrinkingwine.' ' ' 'Bohemian, as its name suggests. Artists ofa permanent )ob and steady habits,Khlebnikov whispered his poetry here. In the second room, the one with ;¢1ativ¢ Philistims Qfth (jast t ' ' d b l'ttl h W d; ' D Ae, pa nonize ut 1 e t e an rmg og. ctors11° F¢Pl3¢¢» Anna And1'Y¢Vm Akhmawva Sat in 3 black dI¢$$- hectically making a precarious living, musicians ofprospective fame, poets andWearealldrinkin com 'ons I "B P1111 , 1§¢Iv1<>11$ Womm muses, and a few aesthetes gathered there every night. And when I say muses, Iow sa we are toge er!On the walls - owers and birdsAre languishing on clouds.\1 “FT8./'TP'HéA ETY"iA/IM BI HI BHallu-CFI KTAK/\H-4-0iii_T_l_-1E BAT1908-rn--tn(DG,»r-I1908 'would like to warn offany possible misconception towards this lovable species, rccimd thcir nnw Pocmsi and son“ nights nothing n3PP¢n¢d °n th¢ $tag¢-some ofunusual attire, but not failing to give expression to a distinct personality; Tnnn tnn nost wnnld ml“? 3 guitar and Sing» and Whm 11¢ ¢am¢ I0 8 W0l1I'it¢there was no affectation and no tiresome cliche in the manner of the fair mem- Song a1ll°in¢d in 31¢ maini "Oh, M9-Tia» Oh, Mafia, h°W $W¢¢t i$ ihi$ W0f1d- "b¢r$ Qfth dub, wh¢th¢[ QfsQm¢ Sgdaj standing Q; now; I danced for them one night to the music ofCouperin, the Cuckoos andI had been brought there for the rst time by a friend, a painter, in the year D°nnn°$ and llh¢ Chim“ °fCYIh¢l'¢a> not On th¢ $t3g¢> but in 31¢ midst Ofb¢f0r¢ d1¢ war, My f¢¢¢p()n Q1] this omasion had 3 ¢¢1-min so|¢mnity_ 1 was them, within a small space encircled by garlands ofesh owers. The choice thehoisted up in my chair and, slightly embarrassed, acknowledged the cheers. This Pb?“ had “'1'itt¢n thdr madfigals Y0 Tm, and $°m¢ '¢$h 0f1¢$ W¢I'¢ m3d¢ and1-ima] was ¢quiva1¢m m batowing on m¢ 31¢ frccdom ofthc “Hat; and, though recited at supper. Quellcorairon vausfaitcs zclorc, Madame, summed up a mannot qualied for a Bohemian, I felt the place congenial. It was a cellar ofa big of the world for in their zeal to make this evening select the Wandering Dog hadhouse, and originally used for storing rewood; Soudeikine had decorated it - invimd son“: distinguish“ gn¢$t$» 3m°ng$t th¢m 3 81¢“ ffild Ofmi, Wh0S¢Tm-mglia and pamalom, Sm¢;-aldjna and Brigdla and Carlo Gozzi himsclfsmilcd British dislike of the demonstrative kept him looking at his watch, while my poetsand g;-ima¢¢d from 31¢ wa1]s_ For th¢ most part thc cmcrtainmmts mm “mt, exerted themselves in recitations, and asking me how long I meant to stay withhearsed ones. Acclaimed, an actor would come forward and give ofwhat his tn¢5¢ nn¢1'°b¢$- 77” W“"d"'i"J D05 1ing¢F¢d thmllgh th¢ War» dragging its imP¢'mood suggested, ifat all in a mood for doing so. The poets, always amenable, Cnnions ¢’n$t¢n¢¢ nP t° n‘1¢ $¢¢°nd War °f'lh¢ R¢V°l\1ti0I1-Qi  iIJEIIEJl3|.i.l , 3BLUE BLOUSE1923-1929DjgFrom a Press announcement: Russky Artist(Russian Artist) Moscow, The stage here is so convenient that one can use it to tr out son in difY 85 'March 2, 1908: ferent styles and then take the successful ones before larger audiences. Ofcourseall of this lies ahead; in the meantime, a group ofartists who banded together ’On February 29, at 11 PM the opening of the intimate circle of the "Le- '. ., some time ago wishes to have its own intimate club without cards ortuchaya mysh " (The Bat) took place. The goal of the circle is to be a place of re- The decoration of the club was worked on b th ' S’y e artists imov, Egorov, thepose for its members and, at the same time, a studio for trying out experiments in scul tor And; <1 h , Th ' ' 'p eev, an ot ers e premises impart a very cozy feeling.the different arts, primarily dramatic since the I1'18)Ol'lty of the members are actors All best wishes for the realization of the circle's ambition.in the Art Theater. But artists from other stages as well as several painters, musi-cians, singers, and writers have also joined it. DThe circle is made up ofonly 40 members so that the premises are quitesmall. They consist ofa cozy cellar in which there is a sufficiently wide stage and Q)an auditorium with a seating capacity of60.The idea of the cabaret belongs to the artist of the Art Theater N .F. Balievwho followed the example ofthe Parisian cabaret, such as the "Cabaret des qQuatr'z' Arts" where artists gather to ether and where after a mu ofbeer or8 Spunch one of the artists mounts the stage and sings couplets about topical issues lor declaims verses ofhis own composition.'4s-‘-<71iiPROGRAMACT ONEFROM "_RECORDSONTI-IE"STRAYDOG"CABARE'I‘IO Y DOG"CompanyCara ReischeFRENCH CAN CANDance Company: Jennifer Bull, Vivienne Cho, Martha Crawford, KarenFrlshmann, Heather Frith, Lisa I-Iurwitz, Treva Oifutt, Caroline Provost,KONSTANIIN BALMONT A POEM, “SHE RESTS”‘ Bsth WhitneyEdward Guttman I1:. v1':NsKn PARODY ON BALMQNT YULYA SONGS CF RUSSIAN STREET URCHINSCaroline Provosta Sarah BishopMIRRA LOKHVITSKAYA A PQEM* “DEEP SPACES”Jennifer Bull‘ANNA AKHMATOVA POEMS, “HE LOVED THREE THINGS”BLUE HEAVEN”. “I WONT BEG FOR YOURWritten and Performed by Sarah BishopLQVE" ' ALEKSANDR awn A POEM FRAGMENT, “UNKNOWN LADY”,1. ANDCAME TO HIM AS A GUEST”~- Richard RmMarguerite WhjtgOKUDSHAVA someFRENCH AND POLISH CABARET SONGS‘ "°a“‘¢' ""1"Nancy BachA—“_r—LYDIA ZINOVIEVA-ANNIBAL READINGS FROM HER DIARY,TOULOUSE-LAUTREC AND AUBREY BEARDSLEYMartha C1‘aWf°1‘d. Steve Overrnan, Josh P PUPP4&—*“THIRTY THREE ABOMINATIONS”.an-son. Jean was“Beth Whitney and Cara ReischeFYODOR SOLOGUB A STORY FRAGMENT, ETIYMark B°1‘0k. Martha Crawford, and “t'lI1‘:Inan-aEP tor DEMON.4‘Al.til‘Le; DANCE BASED UPON THE DANCES OF AMARAT KARSJean AVINAcostumg designs by Susan Becker andazhvi Eatdesign by Karsavlni on based on an originalANION cmzxnov MONOLOGUE FROM “THEWalter Clarke SEAGULLACTTWOTHE NEW ORDERVLADIMIR MAYAKOVSKY OPENING SCENE FROM “THE BEDBUG' (1929)Company" ISAAK BABEL ‘A LETTER'Michael WodkowsklISAAK BABEL A SHORT STORY, “QLD SHLOIME. ALEKSANDR BLOK FRAGMENTS FROM “THE SCYrH|ANS'Rene Dimanche. Jr.VLADIMIR MAYAKOVSKY POIEMS, “WHAT ABOUT YOU?” ANDYOU”David RossFILM SEGMENT FROM “VICTORY OVER THE SUN" AND '1-1-11;THE PUBLIC TASTE" BY THE FWalte Clark , M UTURIST51r e alcolm Cfcilho, Rene Dlmanche, Jr., David Ross, Richard88 and Andrew SklarIntermission -David Ross. Richard Ross and Rene Dlmanche. Jr.VLADIMIR SOLOVEV A POEM, 'PANMONGOLlSM'Translated and read by Mark BorokVLADIMIR MAYAKOVSKY POEMS, ‘TO ANSWER‘, “LILlCHKA' AND ‘ORDERNO 2 TO THE ARMY OF THE ARTS’David RossVELEMIR KHLEBNIKOV POEM. “INCANTATION TO LAUGHTER'Mark Borok. Malcom Coelho. Susan Ockerse. Davld Ross and othersRussian. English. and French InterpretationsSONGNancy BachMAXIMILIAN VOLOSHIN TWO POEMS. ‘TERROR’ AND ‘PEACE’Walter ClarkeANNA AKHMATOVA POEM FRAGMENTS, “A POEM WITHOUT A HERO‘RUSSIAN DANCEAND"REQUIEM'Marguerlte WhlteBased upon A. Borod|n's 'PoIovetsIan Dances‘The Dance Com!->0"VSilhouette of Olga Glebova Sudelklna by Susan BeckerTURE AND“THE GREAT STRENGTH OF SOVIET LITERAMIKHAIL ZOSCHENKO THE HOUSING CRISIS‘NWA KHRUSHCHEVAndrew Skl~ F AorART LIES IN A HIGH IDEOLOGICAL AND ARTISTIC LEVEL (PORTIONS OSPEECH DELIVERED ON MARCH 8TH, I°°3>Rene Dlmanche, Jr.MIKHAIL ZOSCHENKO ‘TOOTH TROUBLE‘, “THE GLOBE‘Caroline Provost.KAYA"_ JOSEPH enoosxv POEM, AUTUMN IN NORENS_-_A; 5 , Steve OvermanNIKOLAI ERDMAN TWO BRIEF SCENES FROM “THE SUICIDE 'ISusan Ockerse and Paul ScagnetBRODSKY IN COURT"(A SHORT DIALOUGE)ALEXANDER VERTINSKY CABAREI SONGVlvlenne ChoFRENCH CABARET SONG,'LES VIEUX MESSIEURS"Two old boysA BIO-MECHANICAL LESSONThe Dance Companyosn> MANDELSHTAM POEMS. ‘TSARSKOE SELO' ‘. THE POLYPHONIO"*5 ENDCHORD or euzrs VOICES‘ AND “LENINGRAD",_ . 1 I. <=- ~,_Martha CrawfordDANIIL KHARMS MINI STORIESI S’ .fI'_;HoIIy Su Heerens. Malcolm CoeIho. Caroline Provost and Heather FrItI'r '' ''33.-.3‘,,,.¢.='‘/~:‘2:‘.>_’ .'I' \ THE CELLAR JIN THE TAPCAJBAJRETMENU1 SIBERIAN PELMENI , WITH BEEFBLINCHIKI , CREAM CHEESE AND SMETANA SAUCEVARENIKI , WITH CHERRY CREAM SAUCECOFFEE , TEA ,APPLE IUICEINOVEMBER 1s - 22 , 1987 »I/r\\v\‘@51$djwmuulaQ '/r -Q-I?‘-- C11»i iii‘-iiiL Q VZEW7 7"’ '7 ” 7 ~- ~71 .. 7 _, \ \\i i /THE STRAY DOG CABARETMENUSUNDAY, 27 OCTOBER 1912VICTUALSDOGMEAT MEATBALLS VVITHPOTATOES ......................................................... ..4O KOPECKSCOLD PIGLET WITH HORSERADISHAND SOUR CREAM .......................................... ..4O KOPECKSCOLD STURGEON SAUCE PROVENCALE ..... ..75 KOPECKSSTEAKWITH VEGETABLES .............................. ..75 KOPECKS

From St. Petersburg to Krushchev\u27s Boot

https://digitalcommons.risd.edu/cgi/viewcontent.cgi?article=1000&amp;context=liberalarts_cabaret_programs

From St. Petersburg to Krushchev\u27s Boot

Abstract

Similar works

Full text

Available Versions

Rhode Island School of Design