The work that Gadda prepared for publication from the series of broadcasts on Louis XIII-XV of France during 1952 has largely been overlooked by critics.
It is the aim of this article to show that, although there are certain unusual features in the text of I Luigi di Francia
which arise from its origins in radio scripts, the work is recognisably Gaddian in its main stylistic and thematic concerns. In tracing some of the
background to the text, due acknowledgement is made of the scholarly work already done on the history of the text by Gianmarco Gaspari,
the compiler of the Notes on this text for the Garzanti edition of Gadda's Opere; Gaspari's implied conclusion that this is not the least Gaddian of the author's work, and his important conclusions about the degree to which the work was based on
source material, offers the opportunity here for an analysis and explicit statement of the nature of the text and of its reflection of significant points in the span of Gadda's writing
