An examination of temporary cross-dressing in Taiwanese romantic comedy dramas that seeks to analyze how gender, sexuality and romance are portrayed. The following discourses will be used to demonstrate how these dramas often support heteronormative ideals: the absurdity of gender, the utilitarian cross-dresser, the idea of the true (bio)gender, the eroticization of the female body, the bivalent kiss, the Sexuality Crisis Bro trope, \u27gender does not matter\u27 as romance, and relationship dynamics
