The present work deals with the production of the contemporary British novelist Penelope Lively. The aim is that of tracing an outline of the author and her several novels through a problematizing approach. Features both of the novelist and her works will be discussed against some literary theories in order to foreground contemporary issues about fiction writing

Lottini, Annalisa

Electronic Thesis and Dissertation Archive - Università di Pisa

  Università degli Studi di Pisa Facoltà di Lingue e Letterature Straniere   Tesi di laurea    Lively Landscapes of Literature     Candidata: Annalisa Lottini Relatori: Prof.ssa Roberta Ferrari Prof.ssa Silvia Bruti   Anno Accademico 2005-2006 ii Index Introduction …………………………………………………… p. iv - General outlook: purpose and boundaries of the work ………….. p. iv - List of abbreviations …………………………………………….. p. vi - Chronology ……………………………………………………… p. vii   1. Chapter One: Life and works …………………………………. p. 1 1.1. Who is Penelope Lively …………………………………... p. 1 1.2. Weltanshauung …………………………………………… p. 6 1.3. Lively's genres ……………………………………………. p. 10 1.3.1. Children's fiction …………………………………… p. 10 1.3.2. Fiction ……………………………………………… p. 13 1.3.3. Short stories ………………………………………... p. 17 1.3.4. Non-fiction …………………………………………. p. 18 1.3.5. TV, radio and journalism …………………………... p. 19 1.4. Acknowledgements ………………………………………. p. 20   2. Chapter Two: Trying to find a place in the literary landscape ... p. 21 2.1. Hating labels and definitions ……………………………... p. 21 2.2. Realism(s) ………………………………………………… p. 23 2.3. Postmodernist?  …………………………………………… p. 31 2.4. Metafiction and historiographic metafiction ……………... p. 46 2.5. Feminist reading ………………………………………….. p. 52 2.6. Lively('s) place(s) in the literary landscape ………………. p. 57   3. Chapter Three: Themathic threads in Penelope Lively’s novels p. 59 3.1. Subjective nature of reality ……………………………….. p. 59 3.2. Complexity of time ……………………………………….. p. 61 3.2.1. Time and literature …………………………………. p. 67 3.2.2. Time in Lively’s novels ……………………………. p. 73 3.2.3. The past …………………………………………….. p. 78 3.2.4. Memory: the personal past …………………………. p. 91 3.2.5. History ……………………………………………... p. 100 3.3. Life ………………………………………………………... p. 107 3.3.1. Life's seasons: childhood, adulthood, seniority ……. p. 108 3.3.2. Love ………………………………………………... p. 115 3.3.3. Death ……………………………………………….. p. 120 3.3.4. Choice and contingency ……………………………. p. 124 3.4. Nothing is ever as it seemed ……………………………… p. 129    iii4. Chapter Four: Style, narrative technique and creative process .. p. 131 4.1. Style ………………………………………………………. p. 131 4.2. Narrative technique ……………………………………….. p. 137 4.3. Creative process …………………………………………... p. 144   5. The word city: a contrastive study between Penelope Lively's City of the Mind and the British National Corpus …………..…  p. 146 5.1. Introduction ………………………………………………. p. 146 5.2. City of the Mind …………………………………………... p. 148 5.3. Occurrences of city in BNC ………………………………. p. 155 5.4. Occurrences in City of the Mind…….…………………….. p. 162 5.5. Conclusions ………………………………………………. p. 165   Appendix ……………………………………………………… p. 166 - Interviewing Penelope Lively …………………………………… p. 166 - Occurrences of city in BNC..…………..………………………… p. 179 - Occurrences of city in City of the Mind …………………………. p. 192   Bibliography …………………………………………………... p. 202 - Situation of the studies on Lively's works ………………………. p. 202 - Lively in Italy ……………………………….…………………... p. 205 - Primary works …………………………………………………... p. 207 - Secondary works ………………………………………………... p. 208 - Webliography …………………………………………………… p. 216   Acknowledgements …………………………………………… p. 218          iv Introduction  General outlook: purpose and boundaries of the work. The present work is aimed to contribute to the discovery – indeed it is still a discovery for the Italian public – and to the appreciation of a skilled contemporary writer: the British and several times awarded Penelope Lively. When elaborating the plan of the work, at the very beginning of my researches, I thought that I should try to present the most complete account of Lively and her production. However, I had to face the fact that it was practically impossible to tackle each of her works. In consideration of the great amount of novels – and not only, as we will see – written by Lively, I had to narrow my field of work. So in the first place I decided to focus on her adult production, excluding the juvenile and the short stories one. In the second place, I decided to concentrate only on some of her novels; those that could better support my analysis. The first chapter deals with Lively's life and works. The Weltanshauung which guides her operating, the acknowledgements she received. It is a rather descriptive chapter which lays the foundation for the ensuing parts.  vThe second chapter is an exploration of some critic issue regarding writers classification and more in particular how Mrs. Lively can be classified. Although she does not believe in categorization, we will look at the main labels that have been attached to her name providing some personal consideration.  The richness and vastness of her production will be shown in the fourth chapter. There you will find a review of the main threads which run through her works. Whereas the subsequent chapter will tackle the subject of her stylistic features and narrative technique. A small section will be dedicated to her personal creative process. Finally, chapter five will attempt a linguistic analysis of one of her novels, City of the Mind. A rather complex text that was particularly suited for a corpus-based study and that concentrate on the characterization of the city in the work. In September I had the chance and the luck to meet Mrs. Lively in her London house and to interview her. The transcription of our interview is included in the Appendix, which also hosts the list of occurrences for the word city germane to the analysis of chapter five. An introduction to the bibliographical situation of the studies and the works upon Lively and the customary bibliography ends my work. Due the relative low knowledge of Lively’s novels in our country I thought that it could be useful to briefly summarize her editorial situation.  vi List of abbreviations  AM According to Mark CM City of the Mind CS Cleopatra's sister HW Heat Wave MIU Making It Up MT Moon Tiger OJ Oleander, Jacaranda PH Perfect Happiness RL The Road to Lichfield SW Spiderweb TP The Photograph TT Treasures of Time TWK The Whispering Knights Making Making It Up  unpublished talk, courtesy of Mrs. Penelope Lively. Writer The Writer as Reader  unpublished talk, courtesy of Mrs. Penelope Lively.     vii Chronology  1933 Penelope Low, daughter of Roger Vincent and Vera Maud (née Reckitt, now Greer) Low, born 17 March in Cairo, Egypt. 1945 Parents divorce. Moves to London to live with paternal grandmother. 1946-1949 Attends boarding school in Stratford, on the coast of Sussex. 1951 Enters St. Anne's College, Oxford. 1954 Receives B.A. degree in history from Oxford. 1954-1957 Works as a research assistant at St. Antony's College, Oxford. 1957 Marries Jack Lively, an Oxford research fellow in politics. 1958 Daughter, Josephine, born. 1961 Son, Adam, born. 1970 Publishes first book, Astercote, a children's novel. 1971 The Whispering Knights; The Wild Hunt Of Hagworthy. 1972 The Driftway. 1973 The Ghost of Thomas Kempe (wins Carnegie Medal). 1974 The House in Norham Gardens. 1975 Going Back; Boy Without A Name. 1976 A Stitch in Time (awarded with Whitbread Award); The Stained Glass Window; Fanny's Sister; The Presence of the Past: An Introduction to Landscape History.  viii1977 The Road to Lichfield. 1978 The Voyage of Qv66; Fanny and the Monsters; Nothing Missing but the Samovar, And Other Stories (wins Southern Arts Literature Prize). 1979 Treasures of Time (wins Arts Council National Book Award). 1980 Fanny and the Battle of Potter's Piece; Judgement Day. 1981 The Revenge of Samuel Stokes. 1982 Next to Nature, Art. 1983 Fanny and the Monsters (Three Fanny Stories); Perfect Happiness. Introduction to Ivy Compton-Burnett: Manservant and Maidservant, Oxford University Press. 1984 Uninvited Ghosts and Other Stories; Dragon Trouble; Introduction to Ivy Compton-Burnett: A Father and his Fate, Oxford University Press; Corruption, and Other Stories; According to Mark (shortlisted for Booker Prize). 1986 Pack of Cards, Stories 1978-86. 1987 Debbie and the Little Devil; A House Inside Out; Moon Tiger (wins Booker Prize). 1988 Introduction to Edith Wharton: The Age of Innocence, Virago. 1989 Passing On. Lively receives the Order of the British Empire. 1991 City of The Mind. 1992 Judy and the Martian. 1993 Princess by Mistake; Introduction to Lewis Carroll: Alice's Adventures in Wonderland, Everyman; Cleopatra's Sister. 1994 The Cat, the Crow and the Banyan Tree; Oleander, Jacaranda: A Childhood Perceived.  ix1995 Good Night, Sleep Tight; Two Bears and Joe; Staying With Grandpa; A Martian Comes to Stay; The Disastrous Dog. 1996 Lost Dog and Other Stories; Introduction to Willa Cather: My Antonia, Dent; Introduction to The Mythical Quest: in search of adventure, romance & enlightenment, British Library; Heat Wave; Egypt: antiquities from above [essay]. 1997 Beyond the Blue Mountains; Ghostly Guests; re-telling of Goldilocks and the Three Bears; introduction to Henry James: What Maisie Knew, Everyman. 1998 One, Two, Three . . . Jump; Spiderweb. Her husband, Jack Lively, dies. 1999 Introduction to Elizabeth Bowen: The Little Girls, Vintage. 2001 A House Unlocked; In Search of a Homeland: the story of the Aeneid; New Writing 10; foreword to Hal Bishop: Rachel Reckitt: where everything that meets the eye, a retrospective, Somerset County Museum Service. Lively receives the Commander of British Empire. 2002 A Martian in the Supermarket. Foreword to Birdie Johnson: Reflections: life portraits of Exmoor, Dulverton & District Civic Society. 2003 The Photograph. 2005 Making It Up; “The Essential and Eternal” in Greenway, B. (edited by) Twice-told children’s tales: the influence of childhood reading on writers for adults, Routledge.      

Lively Lanscapes of Literature

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