Bilje za sadnju odabiru projektanti u suglasnosti s naručiteljem-investi-torom, komu treba ukazati na realnost njegovih zahtjeva.
Kod prosudbe odabira bilja za parkove-perivoje projektrant se mora pridržavati nekih temeljnih stručnih postavki, koje u konačnosti određuju uspjeh u ralizaciji projekta:
1.Ekološki uvjeti za uzgoj bilja, jer bez njih nećemo postignuti željene rezultate bez obzira na uloženi trud i sredstva.
2.Funkcionalnost ili namjena biljke, biljne skupine u prostoru. To znači da posađena biljka ili biljna skupina nije slučajnost što je u nas česta praksa već promišljeni čin u stvaranju kompozicije cjelovitog prostora.
3.Estetski ili likovni čimbenik, što je u stvari dio namjenskog. Nekada je on bio dominirajući u klasicizmu struke, ali modernizmom, točnije suvreme-nim gledištima više nije odlučujući.
4.Ekonomičnost izgradnje i njegovanja, jer što nam vrijedi lijepo zamišljen perivoj ako nemamo potrebna sredstva za njegovu izgradnju ili njegovanje.
5.Genius loci, što znači da moramo osjetiti kakve biljke, kakav izraz traži određeni prostor.
Gornji zahtjevi ostvareni u praksi daju sliku o projektantu. Po njima se, odnosno uspjehu projekata, razlikuje pravi majstor od onoga koji luta u struci.
Kod obnove tzv. povijesnih vrtova-parkova odbir ja jasan. Moramo saditi bilje koje je tu nekoć raslo u odgovarajućim perivojnim oblicima.
Narudžbu bilja za sadnju, odnosno dobavu bilja na osnovi utvrđenih krite-rija obavljaju izvođači radova. Osnovno je imati ili pronaći dobar rasadnik. Ipak, to je druga problematika.Plants are selected for planting by designers in agreement with the orderer – investor who must be advised on the justification of his demands.
In selecting plants for parks and gardens the designer must respect some basic professional criteria, which determine the final success of the project.
Ecological conditions for plant growing since without them the desired results will not be achieved regardless of the invested work and money.
1.The functionality of the purpose of a plant or group of plants in a space. This means that a plant of a group of plants in a space are not a coincidence (which is a frequent practice with us) but a well planned activity to create compositions in an integral space.
2.The aesthetic or plastic factor, which is in fact a part of the purpose. It used to be domineering in the classicism of the profession but today it is not decisive any more.
3.Economy in designing and maintaining because what is the use of a beautifully designed garden in there are no funds needed for its creation and maintenance.
4.Genius loci, which means the feeling for the plants and forms suitable for a certain space.
The above requirements, effected in practice, give a picture of the designer. The true master is known by successful designs.
In renewing historical parks and gardens the selection is simple. Plants that were once grown in the place must be used in adequate forms.
Plants are selected on established criteria and orders made by the contractors. It is essential to find a good nursery, which is another problem
