Decolonising the Eerie: Satyajit’s Bhooter Raja (the King of Ghosts) in Goopy Gyne Bagha Byne (1969)

Abstract

This paper is a critical investigation of the socio-political situation of the Indianised spectral king (Bhooter Raja) in Satyajit Ray’s Goopy Gyne Bagha Byne (1969) and also of Ray’s handling of the marginalised in the movie. The movie is read as an allegory of postcolonial struggle told from a regional perspective. Ray’s portrayal of the Bhooter Raja (The king of ghosts) is typically Indianised. He deliberately deviates from the colonial tradition of Gothic fiction and customised Upendrakishore’s tale as a postcolonial narrative. This paper focuses on Ray’s vision of regional postcolonialism