This paper re-appraises the role of analogue computers within electronic and
computer music and provides some pointers to future areas of research. It
begins by introducing the idea of analogue computing and placing in the context
of sound and music applications. This is followed by a brief examination of the
classic constituents of an analogue computer, contrasting these with the
typical modular voltage-controlled synthesiser. Two examples are presented,
leading to a discussion on some parallels between these two technologies. This
is followed by an examination of the current state-of-the-art in analogue
computation and its prospects for applications in computer and electronic
music