This paper presented at the 2010 ADSA Conference held at the Australian National University draws upon my practice based research submitted for a Master of Animateuring (Cross Modal Performance) at the faculty of the Victorian College of the Arts- Melbourne University. Aviary which premiered at the Living Museum of the West in 2006 (a visual space-specific performance during which only one word was uttered) was used as an exemplar of my practice revealing how ontological terror can only be artistically represented through carefully chosen veils, two of which can be made explicit through an analysis of the aesthetic conventions of the liminal uncanny and the traumatic sublime. <br /