This article discusses an area of national discourse of the early twentieth century in the central and metropolitan area of Chile, focused on illustrations regarding the post-Pacific war situation and the tension between Chile and Peru. The corpus of this analysis focuses on gender magazines circulating in central Chile, particularly in the journal Corre Vuela, following the visual speech of this magazine, which deprecates and turns exotic the Afro-Peruvian component, attributing negative aspects to it, and that circulated heavily in Chile
