Biting Tongues is a short, character-driven novel set in South East England
in 2001. Central to its narrative present is the recovery of 27-year old Adam
Strange from a 13-year coma and its repercussions on his mother, Peggy,
his father, Bill and his sister, Jess. Although his recovery is initially
welcomed, old tensions resurface to force a re-evaluation of each of the
four central characters’ senses of self and personal relationships,
especially as the truth of the coma, and of events surrounding it, begin to
emerge. The narrative is interspersed with segments depicting each
character’s personal history and the events leading up to and following
Adam’s coma. It is a novel of fragile identities and of alienation, not only of
each character from another and from contemporary society, but also of
inward alienation from perceived morals, values and sense of self.
Critical Theory as Creative Tool describes the process of adapting Mikhail
Bakhtin’s theories of double-voiced discourse and polyglossia to develop
an editorial tool for critiquing an earlier draft of Biting Tongues which has
assisted in creating the draft submitted here. It investigates why such an
adaptation is relevant to structural problems posed by themes and content
in Biting Tongues and evaluates the strengths of its implementation.
Primarily using Bakhtin’s essay ‘Discourse in The Novel’ and the chapter
‘Discourse in Dostoevsky’ from Problems of Dostoevsky’s Poetics (1984),
this dissertation also uses the work of other Bakhtinian scholars and
counterpoints the main argument with a structuralist reading of the theory
of free-indirect discourse
