ESRC Centre for Economic Learning and Social Evolution
Abstract
Much like Wagner himself, the eponymous hero of Tannhäuser treads a path of stark contrasts and
rapid swings. From Wartburg to the Venusberg and to the Vatican, the gifted bard transforms from
self-centered artist to seduced disciple, disillusioned devotee, hopeful lover, self-loathing pilgrim and
finally redeemed martyr. He tries everything and everything is trying. These contrasts reach a peak in
the opera‟s central episode, the song contest at Wartburg. Tannhäuser has just been welcomed at the
court, received Elisabeth‟s favor and affection, and is ready to compete for the contest‟s prize, one as
lofty as possibly the princess‟ hand. Instead of securing his reintegration to Wartburg with a brilliant
performance, however, he spoils the event with insolent remarks and the exhibitionist disclosure of
his Venusberg experience. His behavior offends his peers, scandalizes the court, breaks Elisabeth‟s
heart, and brings him to the edge of death. Why would Tannhäuser sacrifice everything for nothing
