Tese de doutoramento em Estudos de Cultura (Cultura Inglesa), apresentada à Universidade de Lisboa através da Faculdade de Letras, 200

Sampaio, Paula Sofia Ramos de Sousa, 1972-

English

Repositório da Universidade de Lisboa

Reading literature today: a study of E. M. Forster s and George Orwell s fiction

(1973b) [1927] Review of Aspects of the Novel

(1993a) [1983] “The Field of Cultural Production, or: The Economic World Reversed”,

(1993b) [1986] “Field of Power, Literary Field and Habitus”,

(1993c) [1986] “Principles for a Sociology of Cultural Works”,

(1993d) [1988] “Flaubert’s Point of View”,

(1996b) “Media Dialogue: A Reply”,

(1996b) “Media Dialogue: Reading the Readings of the Readings…”

(1996b) “New Ethnicities”, in Stuart Hall: Critical Dialogues in Cultural Studies, David Morley and Kuan-Hsing

(2000a) [1946] “Why I write”, in Essays,

(2000b) [1935] A Clergyman’s Daughter,

(2000c) [1936] Keep the Aspidistra Flying, London: Penguin,

(2000d) [1949] Nineteen Eighty-Four, London: Penguin,

(2001a) [1937] The Road to Wigan Pier, London: Penguin in ass. with Martin Secker &

(2001b) Orwell and Politics: Animal Farm

(2001c) Orwell in Spain: The Full Text Of Homage To Catalonia With Associated Articles, Reviews And, Peter Davison (ed.), with an Introduction by Christopher Hitchens,

(2001d) Orwell's England: The Road To Wigan Pier In The Context Of Essays, Reviews, Letters And Poems, Peter Davison (ed.) with an Introduction by Ben Pimlott,

(2001e) Orwell And The Dispossessed Down And Out In Paris And London

(2001f) George Orwell, The Complete Novels: Animal Farm; Burmese Days; A Clergyman's Daughter; Coming Up For Air; Keep the Aspidistra Flying and Nineteen Eighty-Four,

[1905] Where Angels Fear to Tread,

[1907] The Longest Journey,

[1908] Room with a View,

[1910] Howards End,

[1924] A Passage to India,

[1924] Review of A Passage to India,

[1927] “The Novels

[1934] “Peter Burra’s Introduction to the Everyman Edition”

[1934] Burmese Days, London: Penguin,

[1945] Animal Farm: A Fairy Story London: Penguin,

[1945] Review of Animal Farm,

[1947] Collected Short Stories,

[1955] “George Orwell and the Politics of Truth” in Raymond Williams, George Orwell: A Collection of Critical Essays,

[1957] “Orwell: History as Nightmare”,

[1958] Culture and Society 1780-1950, Harmondsworth: Penguin/ Chatto and Windus.

[1961] “Orwell Looks at the World” in Writers and Politics, London: Chatto and Windus.

[1966] A Theory of Literary Production,

[1969] “Ideology and Ideological State Apparatus: Notes towards an

[1971] “A man’s man”

[1971] “Corydon in Croydon”

[1973] “Editor’s Introduction” to Howards End,

[1975] “Macherey and Marxist Literary Theory”, Against the Grain: Essays 1975-1985, London and

[1976] Keywords: A Vocabulary of Culture and Society,

[1979] Distinction: A Social Critique of the Judgement of Taste,

[1980] Arctic Summer,

[1986] “The Future of Cultural Studies” in The Politics of Modernism: Against the New Conformists, edited and introduced by Tony Pinkney,

[1992] The Rules of Art: Genesis and structure of the Literary Field, trans. Susan Emanuel,

[1993] “Re-Presenting the National Past: Nostalgia and Pastiche in the Heritage Film”,

[1993] Culture and Imperialism,

[1996] David Lean: A Biography,

[2003] George Orwell,

[2003] Orwell: the Life,

A Case for George Orwell?”, The Twentieth Century,

A Cave of My Own’:

A Critical Commentary on E.M. Forster’s A Passage to India,

A Disconnected View: Forster, Modernity and Film”

A Life,

A Passage to Forster: Reflections on a Novelist” in Malcom Bradbury (ed.) Forster: A Collection of Critical Essays,

A Passage to India

A Passage to India: Epitaph or Manifesto?”

A Room with a View: A Play, adapted from the novel by

A Routledge Literary Sourcebook

A Short History of Cultural Studies,

A Survey of Anglo-Indian Fiction, London:

A thief in the night: stories of feminism in the 1970s at CCCS”,

A Writer’s Life”,

After Dialectics: Radical Social Theory in a Post-Communist World”,

After Theory,

Against Human Rights”,

Allegories of Empire: The Figure of Woman in the Colonial Text,

An Introduction to Alain Badiou’s Philosophy”,

Animal Farm/ Nineteen Eighty-Four: A reader’s guide to essential criticism,

Aspects of the Novel,

Base and Superstructure

Being and Event,

Bourdieu’s Refusal”, in Nicholas Brown and Imre Szeman (eds), Pierre Bourdieu: Fieldwork in Culture,

Bourdieu’s Work on Literature: Contexts,

Brian Loughrey and Nahem Yousaf (eds)

British Cinema in the 1980s: Issues and Themes,

British Cultural Studies,

Burdens of History: British Feminists, Indian Women, and Imperial Culture,

Cardiff University. “Macherey, Pierre”. The Literary Encyclopedia, http://www.litencyc.com/php/speople.php?rec=true&UID=2851, last accessed 12/01/2006. 382

Chronicles of the Raj: A Study of Literary Reaction to the Imperial Idea towards the End of the Raj, London and Basingstoke:

Colonial Queer Something”

Conjuring Leviathan: Orwell on the State”,

Conservatism, Nationalism and Imperialism”, in Politics and Ideology: A

Criticism and Ideology: a study in Marxist literary theory,

Cultural Studies and its theoretical legacies”, in David Morley and Kuan-Hsing Chen (eds.) Stuart Hall:

Cultural Studies and the New Populism”,

Cultural Studies vs Political Economy: Is Anybody Else Bored with This Debate?”

Cultural Studies,

Cultural studies, modern logics, and theories of globalisation” in Angela McRobbie (ed.) Back to reality? Social experience and cultural studies,

Culture and Power”, Stuart Hall interviewed by Peter Osborne and Lynne Segal,

Culture of Fear: Risk-taking and the Morality of Low Expectation,

Culture/Metaculture, New Critical Idiom Series,

Decency versus Ideology :The politics of George Orwell,

Defending Cultural Criticism”,

Did Somebody Say Totalitarianism? Five Interventions in the (Mis)use of a Notion,

Does Cultural Studies Have Futures? Should It? (Or What’s the Matter with New York?): Cultural studies, contexts and conjunctures”,

E.M. Forster’s India, Foreword by

Editor’s Introduction: Pierre Bourdieu on Art, Literature and Culture”,

Education, Ideology and Literature”, in Tony Bennett, Graham Martin, Colin Mercer and Janet Woollacott (eds) Culture, Ideology and Social Process: A Reader, London, Guildford and Worcester: Batsford Academic and Educational Ltd in association with The Open

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Reading literature today: a study of E. M. Forster s and George Orwell s fiction

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