La manzana de piedra, an unpublished play by Angel, fits into the category of texts
that explore “writing beyond the ending” (Rachel Blau DuPlessis). It unmasks and deconstructs
cultural forms responsible for women’s oppression while reformulating a new feminine
subject, free of the constraints imposed by family, community and tradition. “Barbazul” and
the forbidden chamber motif provide the subtext for the exploration of domestic violence as
experienced by women generation after generation. Virginia Woolf’s room of one’s own, on
the other hand, represents for Angel the possibility of a transgressive, creative and critical
space where women can propose their own way of being and doing in today’s world. (LG,
Article in Spanish