Conference paper presented March 25-26, 2011.This paper examines an album of photographs of the visit of the Royal
Princes Albert Victor and George of Wales to the British colony of Hong
Kong in 1881-1882. As an official commission of the Governor-General Sir
John Pope-Hennessy, the Austrian photographer, Baron Raimund von
Stillfried, endeavoured to satisfy his patron's demand for a deluxe
souvenir of the royal visit. This case study emphasizes the potential of
official commissions to embarrass their colonial masters and render the
mechanisms of colonial bureaucracy open to public scrutiny. As the full
financial cost of the commission became known, the subsequent public
scandal threatened to compromise the photographs' intention as
testaments of colonial order and authority. The controversial history of
this commission effectively ensured the photographic album's burial in
colonial archives as a compromised document of state maladministration.
To borrow Christopher Pinney's recent term, it provides a salient
reminder of the potential 'poison' of photography for the operations of
colonial governance. This paper highlights the hazards of photography
for the purposes of colonial officials and the potential of colonial
archives to reveal alternative histories of photography's unruly
relations with colonial and institutional power.Conference supported by the Samuel H. Kress Foundation, the NYU
Humanities Initiative, the IFA Visual Resources Collections, and
Princeton University, Department of Art and Archaeology, Visual
Resources Collection