Balinese Hindu community who routinely carry out religious activities can not beseparated with a work of art as one of the ingredients. The interdependence in theimplementation of art as a religious ceremony with the ingredients necessary tostandardize the feasibility terhap art objects are used as ingredients. The artwork isused as a Means of religious rituals in temples, merajan, and corrected, Is a set ofsuch sacred
pengawin; tedung agung / robrob, Kober, and umbul-umbul. This studyaimed to discover
the identity of species differences in standard shapes, sizes and colors Tedung agung / Robrob, Kober, and umbul-umbul used as a means of religiousrituals (sacred)
with a fropan as decoration / ornament.
Preservation of traditional art through the depiction of mythological Creatures
In pengawin always be explored and developed to avoida clash with newcomers arts. In
the tradition of functional art means art for religious ceremonies as well as ocalfunctions
relating to the customary habits Balinese Hindu community.
The approach or methodology rationality of knowledge (epestemologi) which
provides sharpening the distinction between culture And mentality approach to map the value a sappreciation of life together on the basis of which is deemed good, beautiful
and fundamentally correct can be a way to know what types of shapes, sizes and colors tedung agung/ robrob, kober, and umbul-umbul. Compilation or collection of data
arranged regularly obtained from komporasi through surve the field, interviews, and
literature study. The accuracy and validity of data obtained from sources by the same method from different sources and places.
Keywords: Temple, Pengawin, Tedung Agung / Robrob, Kober, Umbul-umbul, and the
Sacre
