This essay considers the implications of situating literate, postmodern poetry in a performance context. Using recordings/transcriptions of "poetry readings" by Amiri Baraka, Kamau Brathwaite, and Cecilia Vicuna, its aims are: 1) to demonstrate that each event constitutes an emergent performance; 2) to explore how the performativity draws upon classically oral dynamics6; and 3) to show how the emergent qualities of the performances are achieved through the specific means of "elaboration" and "versioning." By means of elaboration and versioning, these poems break through into performativity; literary criticism cannot be content to receive them as conventional texts but must consider their emergent dimensions.Not
