The history of the study of Oral Literature has been covered well by John Miles Foley in his Introduction to Oral Traditional Literature (1981b), and also in his Introduction to Oral-Formulaic Theory and Research (1985), which includes a monumental annotated bibliography to the subject. I do not intend to recapitulate what he has already done so admirably; all the material is there, and his comments are even-handed and exemplary. There are, however, several general observations which it would perhaps be fitting to make at this juncture in the study of Oral Traditional Literature, which is marked by the inauguration of a new journal devoted to Oral Tradition. Perusing Foley's works just mentioned, one is immediately struck by the number of language traditions and cultural areas in which the "oral theory" is now discussed, and by the diversity of forms and problems included in the study of "oral traditional literature." This is an exciting development; it is also sobering, because it carries with it a mandate to be clear in our notion of what we mean by oral traditional literature.--Page 467.Albert B. Lord (Harvard University, Emeritus) truly needs no introduction for anyone working in the field of oral tradition. His comparative research, especially The Singer of Tales (1960), in effect established the Oral Theory as a method subsequently applied to dozens of different traditions. He is near completion of a sequel to that landmark volume
