The thesis examines aspects of interior decoration in Sydney c1920-1940 with
particular reference to gender and modernism. The role Australian women played in
producing and promoting modem art and design in this period has received considerable
attention, but there has been no study of their interest in interior design. The thesis does
not aim to provide a comprehensive history of interior decoration per se, but examines the
interaction between socially-constructed definitions of femininity, modernity and decorative
art and design