Andree E. Martin, flute; Sally Rowsell, pian

Bach, Johann Sebastian, 1685-1750

Martin, Andree E.

Memorial University Newfoundland Digital Archive Initiative

-Donald F. Cook Recital Hall M.O. Morgan Music Building Sunday, 21 March 1993 at 8:00p.m. Andree E. Martin, flute Partita in a minor, BWV 1013 Allemande Sarabande Corrente Bilitis Sally Rowsell, piano Pour invoquer Pan, diev du vent d'ete Pour que Ia nuit soit propice Pour Ia danseuese aux crotales Pour remercier Ia pluie au matin Poem Sonata "Undine" Op. 167 Allegro Intermezzo Andante tranquillo Finale Ballade pour flute et piano INTERMISSION J.S. Bach (1685-1750) C.A. Debussy (1862-1918) C. T. Griffes (1884-1920) C. Reinecke ( 1824-191 0) F. Martin (1890-1974) Presented in partial fulfilment of the requirements for Music 455B. Meiilorial University of ~ewfoundland PROGRAMME NOTES Partita in a minor BWV 1013 J.S. Bach Unfortunately there exists no original manuscript of this Partita in Bach's handwriting. The only surviving copy dates from the early 1720's under the title, Solo pour Ia flute traversiere par J.S. Bach. It has not yet been possible to determine for which instrument the Partita was originally intended. Due to the unbroken chain of sixteenth notes, however, which run from the beginning to the end of the Allemande, scholars have been led to believe that the work was written for a stringed or keyboard instrument. Bilitis C.A. Debussy Claude Debussy based the evocative movement titles of his work Bilitis on the lyric cycle published in 1894 by his friend Pierre Louys. Louys claimed in the publication that the poetry was translated from the Greek. According to his preface, Bilitis lived in the 6th century B.C. and the poems were engraved on her tombstone. Shortly after the publication of the work, it was discovered the poems were written by Louys himself. Debussy composed three independent works based on the poems of Louys. One of the works entitled Six Epigraphes Antiques, was scored for piano for four hands. Bilitis for flute and piano is an edition of Six Epigraphes Antiques. Poem C.T. Griffes Originally written for solo flute with orchestral accompaniment, Poem was transcribed for flute and piano by the eminent flutist Georges Barrere. Barrere premiered the work in 1919, one year after it was composed. Charles Griffes, an American composer, wrote the romantically inspired Poem in a period where he was experimenting with the diverse colours and free form which characterized impressionistic • IDUSlC. Sonata Undine Op. 167 C. Reinecke Gifted also as a painter and poet, Carl Reinecke was well-known in such musical capacities as a teacher, pianist, conductor, administrator and composer. The Undine Sonata for flute and piano tells the story of the water nymph, Undine, who falls in love with a mortal and is granted a human soul. When the mortal deceives her, Undine is snatched back into the waters, returning only to kill him with a kiss. Ballade pour flute et piano F. Martin In .1938, the Swiss-born composer Frank Martin began composing a series of Ballades for solo instruments (flute, saxophone, piano, trombone and cello) with either piano or orchestral accompaniment. The Balla de for flute and piano was written in 1939 and orchestrated 1941. Although this work was begun after the composer's immersion into dodecaphonic composition, one can hear impressionistic and jazz-like elements throughout. 

Andree E. Martin, flute; Sally Rowsell, piano

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Andree E. Martin, flute; Sally Rowsell, piano

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