This thesis is about work constructed with a reading of standardization and consumerism within architecture and design in domestic environment. It starts with how modernity takes over everyday life through architecture, design and art. Referring to Merzbau by Kurt Schwitters as an artistic rupture to modernism, various patterns of architectural waste used in the context of art are being explored. After a brief historical prologue, it focused on art work which are the revalue of refusal found architectural elements of the home environment. Moving on from this theoretical frame work, first primary tryout called Kapılar (Doors) and subsequently the major work called Evci is discussed looking for answers to some questions: Can an art project be sustainable also in its context? Can the audience be included to participate in the production of art or actually be a part of that piece of art? In the light of these explorations the possibilities of a future project based on constructional junkyards are going to be mentioned
