The problem of this study is to reveal how striving for superiority on the major character. The objectives of the study are to analyze the movie based on the major character in Zack Snyder’s 300 movie based on Individual Psychological

Analysis. The study is a literary study, which can be categorized into a qualitative study. The object of this study is Zack Snyder 300 movie. The data sources are

primary and secondary data sources. The primary data sources the movie 300 script and the secondary data are related to the primary data that support the analysis such as some books of psychology and website related to the research. The method used for collecting data is library research and documentation. The technique of data analysis is descriptive analysis. Based on the analysis, the writer draws some conclusions as follows: first, Zack Snyder’s 300 movie tells about the major character as king Leonidas is

strive for his superiority to go out of his condition. Second, every people has many ways to striving for superiority. In 300 movie, the major character, king

Leonidas does some efforts to strive his superiority that represents a case study of individual psychology

Afada, Rahmat Rozin

UMS Digital Library - Selamat datang di UMS Digital Library

 STRI A   SVING FOZN INDIVSubmitteCHOOL OMUHAMR SUPEACK SNIDUAL PREd as a Partfor Gein ERAHMF TEACHMADIYAi RIORITYDER’SSYCHOSEARCH ial Fulfillmtting Bachnglish Dep by:AT ROZA 320 060 ING  TRAH UNIVER2011 Y OF KI 300 MOLOGICA PAPER ent for thelor DegreartmentIN AFADA106 INING ANSITY OF  NG LEOVIE : L APPR e Requireme  D EDUCASURAKARNIDAS INOACH ent TION TA  ii  APPROVAL STRIVING FOR SUPERIORITY OF KING LEONIDAS IN ZACK SNYDER’S 300 MOVIE : AN INDIVIDUAL PSYCHOLOGICAL APPROACH Research Paper    Written by : RAHMAT ROZIN AFADA A 320 060 106   Had been Approved by :        Consultant I                      Consultant II   Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed.     Titis Setyabudi, S.S. M.Hum.     iii  ACCEPTANCE  STRIVING FOR SUPERIORITY OF KING LEONIDAS IN ZACK SNYDER’S 300 MOVIE :  AN INDIVIDUAL PSYCHOLOGICAL APPROACH   Accepted by the Board Examiners School of Teacher  Training and Education Muhammadiyah University of Surakarta on February, 2010  The Board of Examiners: 1. Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed. (  ) Chairperson 2. Titis Setyabudi, S.S. M.Hum.  (  ) Member I 3. Drs. Abdillah Nugroho, M.Hum.  (  ) Member II   School of Teacher  Training and Education Dean,    Drs. H. Sofyan Anif, M.Si. NIK. 547    iv  TESTIMONY  Herewith, I testify that in this research paper there is no plagiarism of the previous literary work which has been raised to obtain bachelor degree of a university, nor there are opinions or masterpieces which have been written or published by others, except those which the writing are referred in the manuscript and mentioned in bibliography.  Here later, if it is proven that there are some untrue statements in this testimony, hence I will hold fully responsibility.  Surakarta    Surakarta, Oktober 2011   The Writer    Rahmat Rozin Afada         v  MOTTO  ? Segala sesuatu yang indah berasal dari hal yang sederhana. ? Do and pray !                vi  DEDICATION     For: Allah SWT, the creator of universe Thanks for giving me chances to be a good moslem  My beloved Parents Thanks for your loves, supports,prays and great patience  My Family Thanks for your supports and spirits  All who have supported me Thanks for your supports             vii  ACKNOWLEDGMENT Alhamdulillahirobbil’alamin, praise and gratitude for Allah SWT, the Glorious, the Lord, and the All Mighty, who has given opportunity and bless for the researcher  to finish the research paper entitled “Striving for superiority of king Leonidas in Zack Snyder’s 300 movie : an Individual Psychological Aproach”. Greetings and invocation are presented to the Prophet Muhammad SAW, who has guided mankind to the right path blessed by the Lord. The writer would like to express his  sincere gratitude for all of people who give contribution to make this research paper more completely. Without their contribution, the writer is likely impossible to finish it. Therefore, in this opportunity he would like to express his  special and deepest gratitude and appreciation to: 1. Drs. H. Sofyan Anif, M. Si. as the Dean of the School of Teaching  Training and Education. 2. Titis Setyabudi, S.S. M. Hum. as the Chief of English Department in Muhammadiyah University of Surakarta. 3. Dra. Dwi Haryanti, M.Hum. as the writer’s Academic Consultant of Teaching  Training and Eduacation. 4. Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed. as the First Consultant, for the greatest guidance, attention, and motivation from the beginning up to the completing of the research paper.  viii  5. Titis Setyabudi, S.S. M.Hum. as the Second Consultant who has improved the writing of research in order to make this research paper more interesting to read in correct sentences. 6. All the lectures of English Department, for knowledges and lecturing. 7. All the librarians whose place has been visited by the writer to get references. 8. Beloved parents, for great patience, supports, gives attention, prayer and motivations 9. His  family, mas Jihan, mas Rahmat, mbak Nur, mbak Wati, Jasmin and Nabil, for always standing beside the writer and supporting him. 10. His  beautiful love, Ratna who support him every time.  11. His ride “My legend” who pick him up any time, every where. 12. His  best friends, Komeng, Fahmi, Boge for helping and facilities. 13. His  best friends, in campus Kepet, Udin, Ogy, Eni, Irwansyah who always support, accompanies, and spend bad and good time. Finally, the writer realizes that this research paper is still far from being perfect and still needs many improvements. However, the writer hopes this research paper will be useful for readers.                                                                              Surakarta, October, 2011                            Rahmat Rozin Afada  ix  TABLE OF CONTENT    PAGE OF TITLE ...........................................................................................  i  APPROVAL ...................................................................................................  ii ACCEPTANCE ..............................................................................................  iii TESTIMONY .................................................................................................  iv MOTTO ..........................................................................................................  v DEDICATION ................................................................................................  vi ACKNOWLEDGMENT ...............................................................................  vii TABLE OF CONTENT .................................................................................  ix ABSTRACT ....................................................................................................  xii CHAPTER I INTRODUCTION .............................................................  1 A. Background of the Study ..............................................  1 B. Literature Review .........................................................  6 C. Problem Statement ........................................................  6 D. Limitation of the Study .................................................  7 E. Objective of the Study ..................................................  7 F. Benefit of the Study ......................................................  7 G. Research Method ..........................................................  8 H. Research Organization ..................................................  10 CHAPTER II UNDERLYING THEORY ................................................  11 A. The Notion of Individual Psychological  ......................  11 B. Basic Principles oh Individual Psychological ..............  12 1. Inferiority Feelings and Compensation ..................  12 2. Striving for Superiority ..........................................  13 3. Fictional Finalism ..................................................  13 4. Style of Life ...........................................................  14 5. Social Interest ........................................................  16 6. Creative Power .......................................................  16 x  C. Structural Elements of the Movie .................................  17 1.  Narrative Elements ...............................................  17 a. Character and Characterization ........................  17 b. Setting ...............................................................  18 c. Plot ...................................................................  18 d. Point of View ...................................................  19 e. Theme ...............................................................  19 2. Technical Elements ................................................  20 a. Mise-en-Scene ..................................................  20 b. Cinematography ...............................................  22 c. Sound ................................................................  23 d. Editing ..............................................................  23 D. Theoretical Application ................................................  25 CHAPTER III STRUCTURAL ANALYSIS OF THE MOVIE ..............  26 A. Structural Elements of the Movie .................................  26 1. Narrative Elements ................................................  26 a. Character and Characterization ........................  26 b. Setting ...............................................................  36 c. Plot ...................................................................  39 d. Point of View ...................................................  42 e. Theme ...............................................................  43 2. Technical Elements ................................................  44 a. Mise-en-Scene ..................................................  44 b. Cinematography ...............................................  56 c. Sound ................................................................  62 d. Editing ..............................................................  63 B. Discussion .....................................................................  65 CHAPTER IV INDIVIDUAL PSYCHOLOGICAL ANALYSIS ...........  70 A. Individual Psychological of 300 Movie ........................  70 1. Inferiority Feelings and Compensation ..................  70 2. Striving for Superiority ..........................................  73 xi  3. Fictional Finalism ..................................................  74 4. Style of Life ...........................................................  75 5. Social Interest ........................................................  76 6. Creative Power .......................................................  78 B. Discussion .....................................................................  80 CHAPTER VI CONCLUSION AND SUGGESTION .............................  83 A. Conclusion ....................................................................  83 B. Suggestion ....................................................................  84  BIBLIOGRAPHY ..........................................................................................  86 APPENDIX .....................................................................................................  89                     xii  TABLE OF FIGURES  Figure 1.  King Leonidas ..............................................................................  27 Figure 2.  Quen Gorgo ..................................................................................  29 Figure 3.  Captain Artemis. ...........................................................................  30 Figure 4.  The Loyalist. .................................................................................  31                    Figure 5.  Daxos. ...........................................................................................  31 Figure 6.  Dilios. ...........................................................................................  32 Figure 7. Stelios. ..........................................................................................  33 Figure 8.  Astinos. .........................................................................................  33 Figure 9.  King Xerxes. .................................................................................  34 Figure 10. Theron. .........................................................................................  35 Figure 11.  Ephialtes. ......................................................................................  36 Figure 12.  Persian Messenger ........................................................................  36 Figure 13.  a puny baby of Spartan. ................................................................  37 Figure 14.  Persian messenger arrived at Sparta. ............................................  37 Figure 15. Sparta. ...........................................................................................  38 Figure 16.  Sparta. ...........................................................................................  38 Figure 17.  Sparta. ...........................................................................................  38 Figure 18.  Persia. ...........................................................................................  38                             Figure 19.  Hot Gates. .....................................................................................  39 Figure 20. Hot Gates. .....................................................................................  39                             Figure 21. Spartan’s costume.... ....................................................................  44 xiii  Figure 22.  King Xerxes’s throne. ..................................................................  45                             Figure 23.  Ponds of Sparta. ............................................................................  45 Figure 24.  Bracers ..........................................................................................  45 Figure 25.  Spear as a weapon. .......................................................................  46      Figure 26.  Sword as a weapon. ......................................................................  46 Figure 27.  Shield as a protector. ....................................................................  46                         Figure 28. Sandals to protect the foot. ...........................................................  47   Figure 29. Neklace .........................................................................................  47   Figure 30.  Arm Cuff ......................................................................................  47                           Figure 31.  Coin earring ..................................................................................  48   Figure 32. Coin bracelet ................................................................................  48             Figure 33.  Apple ............................................................................................  48  Figure 34.  Spartan’s costume ........................................................................  49 Figure 35.  Spartan’s sandals ..........................................................................  49  Figure 36.  make-up I ......................................................................................  50   Figure 37. . Make-up II ....................................................................................  50 Figure 38. Hard Lighting ...............................................................................  51 Figure 39. Soft Lighting ................................................................................  51 Figure 40.  Frontal Lighting ............................................................................  52 Figure 41. Side Lighting ................................................................................  52 Figure 42. Back Lighting ...............................................................................  53 Figure 43. Under Lighting ............................................................................. 53 Figure 44. Top Lighting ................................................................................. 54 xiv  Figure 45 Source Lighting ............................................................................ 54 Figure 46 Leonidas as a king          ............................................................... 55 Figure 47 Leonidas and his family ............................................................... 55 Figure 48 Leonidas has strong body ............................................................. 55                    Figure 49 Slow Motion ................................................................................. 57 Figure 50 Fast Motion I ................................................................................ 57 Figure 51 Fast Motion II ............................................................................... 57 Figure 52 High Angel Posisition .................................................................. 58 Figure 53 Low Angel I ................................................................................. 59 Figure 54 Low Angel II ................................................................................ 59 Figure 55 Extremely long shot ..................................................................... 60 Figure 56 Mediun long shot .......................................................................... 60 Figure 57 Medium short frame ..................................................................... 61 Figure 58 Close-up ....................................................................................... 61 Figure 59 Extremely close-up ....................................................................... 62 Figure 60 Axis of action ............................................................................... 63 Figure 61 Establishing shot I ........................................................................ 63 Figure 62 Establishing shot II ....................................................................... 63                                  Figure 63 Reverse shot I ............................................................................... 64 Figure 64 Reverse shot II .............................................................................. 64    Figure 65 the eye line match I ...................................................................... 64 Figure 66 the eye line match II ..................................................................... 64 Figure 67 Match on action I .......................................................................... 65 xv  Figure 68 Match on action II ........................................................................ 65 Figure 69 Cross cutting I .............................................................................. 65 Figure 70 Cross cutting II ............................................................................. 65                                         xvi  ABSTRACT RAHMAT ROZIN AFADA. A320060106. “ STRIVING FOR SUPERIORITY OF KING LEONIDAS IN ZACK SNYDER’S 300 MOVIE : AN INDIVIDUAL PSYCHOLOGICAL APPROACH”, MUHAMMADIYAH UNIVERSITY OF SURAKARTA RESEARCH PAPER, 2011  The problem of this study is to reveal how striving for superiority on the major character. The objectives of the study are to analyze the movie based on the major character in Zack Snyder’s 300 movie based on Individual Psychological Analysis. The study is a literary study, which can be categorized into a qualitative study. The object of this study is Zack Snyder 300 movie. The data sources are primary and secondary data sources. The primary data sources the movie 300 script and the secondary data are related to the primary data that support the analysis such as some books of psychology and website related to the research. The method used for collecting data is library research and documentation. The technique of data analysis is descriptive analysis. Based on the analysis, the writer draws some conclusions as follows: first, Zack Snyder’s 300 movie tells about the major character as king Leonidas is strive for his superiority to go out of his condition. Second, every people has many ways to striving for superiority. In 300 movie, the major character, king Leonidas does some efforts to strive his superiority that represents a case study of individual psychology.          Consultant I             Consultant II     Dr. Phil . Dewi Candraningrum, S.pd.M.Ed.         Titis Setyabudi, S.S.M.Hum.   The Dean of Teacher  Training  and Education Faculty     Drs. H . Sofyan Anif, M.Si. NIK.547   

STRIVING FOR SUPERIORITY OF KING LEONIDAS IN ZACK SNYDER’S 300 MOVIE : AN INDIVIDUAL PSYCHOLOGICAL APPROACH

http://eprints.ums.ac.id/15518/1/COVER.pdf

STRIVING FOR SUPERIORITY OF KING LEONIDAS IN ZACK SNYDER’S 300 MOVIE : AN INDIVIDUAL PSYCHOLOGICAL APPROACH

Abstract

Similar works

Full text

Available Versions

UMS Digital Library - Selamat datang di UMS Digital Library