Flückiger, Barbara

Heller, Franziska

ZORA

University of ZurichZurich Open Repository and ArchiveWinterthurerstr. 190CH-8057 Zurichhttp://www.zora.uzh.chYear: 2010Bibliography on the Digitization of Archival FilmFlückiger, B; Heller, FFlückiger, B; Heller, F (2010). Bibliography on the Digitization of Archival Film. script.com:Epub ahead of print.Postprint available at:http://www.zora.uzh.chPosted at the Zurich Open Repository and Archive, University of Zurich.http://www.zora.uzh.chOriginally published at:script.com 2010, :Epub ahead of print.Flückiger, B; Heller, F (2010). Bibliography on the Digitization of Archival Film. script.com:Epub ahead of print.Postprint available at:http://www.zora.uzh.chPosted at the Zurich Open Repository and Archive, University of Zurich.http://www.zora.uzh.chOriginally published at:script.com 2010, :Epub ahead of print.AFRESA links digitization of archival filmfile:///U|/03_Endversion_PDF/links_afresa.html[25.01.2011 10:46:50]Links Digitization of Archival FilmCompiled by Prof. Dr. Barbara Flueckiger and Dr. Franziska Heller, Institute of Cinema Studies,University of Zurich, within the framework of the research project AFRESA, funded by a grantfrom the Swiss Confederation's Innovation Promotion Agency CTI in collaboration with theImaging and Media Lab of the University of Basel, the companies Swiss Effects Film GmbH andSondor.Categories: Guides / Case Studies / Organizations / Reports / State of the Art Please report errors or suggestions to Barbara Flueckiger  GuidesACE. Links to Relevant TopicsFurther links to relevant topics: conservation, preservation, digitizationAdelstein, Peter (2004). IPI Media Storage Quick Reference. Rochester: Image PermanenceInstitute.Quick reference chartCode of Ethics FIAFEthical guidelines for the handling of audiovisual heritageCopyright DataCopyright probes/case studies, Charlie Chaplin, The Abbott & Costello TV series, further links toforeign copyright laws (outside the US)Cultural Heritage Digital. Good PracticeRecommendations for best practice, digitization of the cultural heritage (in general), downloads,partly in GermanDigitization GuidelinesTechnical information for the digitization of historical material (still images and audiovisualmaterial)Joanneum DiamantDescription of film defectsFilm ForeverFilm stocks, film identification, damage, handling, storage, glossaryImage Permanence InstituteFurther literature about photochemical preservation, bibliography: stability and storage issueswith PDF-documentsImaging & Media Lab. Scripts. University of Basel.Scripts: Imaging, image/imaging technology, black/white photography, color photography, FAQsabout color, sampling, in GermanAFRESA links digitization of archival filmfile:///U|/03_Endversion_PDF/links_afresa.html[25.01.2011 10:46:50]King, James C.: Adobe. Why Color Management?Color-management, introduction, Adobe, consistency, conversion, Photoshop basic workflow,gamut differences, rendering, ICC, CRTs, white/black point, printer, quantization, compression,interpolation, errors and problemsMeinel, Christoph (2007): Damage and Handling of Audiovisual Material.Damage, handling of audiovisual material, survey and guide, long term storage, biologicaldegradation processes, further literature, links and organizations, film, magnetic tapes, vinyldiscs, optical discs, migration, in GermanNational Film and Sound Archive - PreservationNFSA preservation site, guide: care for audiovisual materials (audio, film, video, photographs),services, technical research: papers, film preservation handbookPuglia, Steve: PADI-CostsCosts of long-term access to digital information, data storage, emulation, preservation, migration,obsolescence, further literature, articles and linksRay Edmondson / Unesco (2004): Audiovisual Archiving: Philosophy and PrinciplesEthical, philosophical and memopolitical implications/challenges of digitization: obsolescence,artefact value, marketing, access, ethical challenges, internet, copyright, historicalcontextualization, technological memory, terms and definitions, tension: physical carrier,conceptual descriptors, content, key-concepts of audiovisual heritage, historical emergence,characteristics of the institutions, specifics of audiovisual archives (see table in appendix),context-dependence, management principles, appendix: glossary, formats and obsolescenceThe Film Preservation Guide (2004). San Francisco : The National Film Preservation FoundationFilm preservation (handling, identification, pragmatics and ethics)The Image Permanence Institute Preservation CalculatorPreservation calculatorVenice CharterRole of the original, restoration ethics, in GermanVideo Preservation WebsiteVideo preservation, further links to guidelines: migration, create use copy, videotape storage,history of imaging technology, conversion: analog videotapes to digital, museum with links to allthe major video equipment image repositories, library, video guide by Charles Bensinger (1981)Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the WebPossibilities and limitations of the digitization, cultural heritage in general (esp. print,manuscripts), loss of information, costs, accessKodak: Film/Video GlossaryGlossary and surveyMagnetic Tapes. Know-HowBasic principles of magnetic tape, video tapes and data technology in the internet, further links toan alphabetical survey of materials and equipment, esp. AGFA, BASF, museum of magnetic tapesMemoriav. Inventory by Mariann SträuliInventory of Swiss archives by Mariann SträuliPoynton, Charles: FAQs about Color.Color specification and image coding, computer graphics, image processing, video and thetransfer of digital images to print, physical spectral power, CIE system, other color systems,linear and nonlinear, standards, SMPTE, EBU and ITU-R (formerly CCIR), CMY, CMYK, furtherlinks to the problem of color space conversions, FAQs about gamma, color physics, radiometryand photometrySchmidts, Rudi (2010): Grundlagen Color-GradingColor and color-grading in the digital domain, in GermanAFRESA links digitization of archival filmfile:///U|/03_Endversion_PDF/links_afresa.html[25.01.2011 10:46:50]Beagrie, Neil / Greenstein, Daniel: A Strategic Policy Framework for Creating and PreservingDigital Collections.Policy framework from 1998 for digital collections, case studies, many further links to institutionsand initiativesLibrary of Congress Preservation Documentation 1993Film preservation, state of the art 1993, historical report/snapshot 1993, memopolitics in the US,technical background, film bases, emulsions, color fading, storage, US institutions, federalfunding, benefits of film preservation, public access, copyright Case Studies / ProjectsACE Digital Film RestorationFurther links: restoration case studies, digital restoration of "Opernball", the Ozu-restorationproject, "Tokyo Story", software "Limelight"ACE PreservationFurther articles, links, case studies: history and definition of preservation, film restoration,institutions and organizations, restoration of "Metropolis", sound restoration of "The Man WhoKew Too Much", restoration of "Die Jagd nach dem Tod", restoration of the soundtrack "TheMistress of Atlantis"Beelden voor de toekomst / Images for the FutureNational Dutch project for mass-digitization of audiovisual heritageChapman, Stephen: Counting the Costs of Digital Preservation: Is Repository Storage Affordable?Costs and affordability of digital collections, case studiesFilm Restoration Case Study: Martin KoerberPhilological research for film reconstruction, in GermanPalm, Jonas: The Digital Black HoleCosts of long-term preservation of digital files, general costs of (mass-)digitization, costs ofaccess, management/administration costs for the data and storage, scanning processes and theircosts, fluid definition of "true quality"Presto Space A/V Archive Digitization & Storage GuideA/V archive, information, management tools on digital technology for the storage of film, videoand audio content and associated metadata, tutorials, articles, glossaryPresto Space ProjectGeneral information about mass digitization/digital preservation: technical solutions for acomplete digital preservation, all kinds of audio-visual collections, adaptable to different Europeanmemopolitical interests. asset-management, industrial, semi-automated systems, access,audiovisual material as historical, cultural and commercial assetsRestoration "Lola Montez", Munich FilmmuseumRestoration case study: "Lola Montès", Munich Filmmuseum, in GermanRestoration "Lola Montès", Cinémathèque FrançaiseDifferent versions, several photochemical elements, digitization, alignement of the different copies(dating from different generations), Cinema Scope, formats, sound restoration, colors, furtherlinks, in FrenchSci-Fi Japan, "Mothra" restoredRestoration case study: "Mothra"Restoration: "Prettier than ever - The Wizard of Oz"Restoration case study, documentary, TechnicolorSci-Fi Japan, "Rashomon" restoredRestoration case study: "Rashomon"Shaman ProjectAFRESA links digitization of archival filmfile:///U|/03_Endversion_PDF/links_afresa.html[25.01.2011 10:46:50]Devlopment of a digital long-term preservation framework for libraries and archives, sustainingheritage access through multivalent archivingStreaming Case-Study: "Rose of Rhodesia"Streaming case study of historic material: "Rose of Rhodesia"Taglia Italia ArchivePhilological research, online-archive of Italian censorship cards, in ItalianCineric. Restoration and PreservationRestoration case study: "Dr. Strangelove", 4 K workflowClassic Film Festival PreservationFilm preservation associated with the Cinecon FestivalEarly Alfred Hitchcock Movies in Need of RestorationArticle about the Hitchcock restoration and online donation projectFilm RestorationRestoration case study "Bucking Broadway", in FrenchHometheaterforum "Dr. Strangelove"Restoration case study "Dr. Strangelove", distribution via Blu-Ray, discussion of the job qualityRescue HitchcockOnline donation project for the restoration of early Hitchcock filmsSony Pictures Museum "Dr. Strangelove"Restoration case study: "Dr. Strangelove" OrganizationsACE. Association des Cinémathèques Europ&e acute;ennesAssociation of the European Cinémathèques, events, statues, goals, activities, education, job-serviceAMIA. The Association of Moving Image ArchivistsAssociation of Moving Image Archivists, non-profit organization, collaborations, education, annualconference, newsletter, debates, standards, AMIA codes of ethicsHaghefilm FoundationA learning laboratory for film preservation and curatorshipNational Film & Sound Archive AustraliaNational film and sound archive AustraliaCinecon FestivalClassic Film FestivalGerman Association of RestorersActivities and information about German restorers (more general, not esp. focused on audiovisualmaterial), in German Reports / State of the ArtCave, Dylan (2008): Born Digital -- Raised an Orphan? Acquiring Digital Media through an AnalogParadigm In: Muse, Volume 8, Number 1, Spring 2008.Digital long-term preservation, digital born media, technical and cultural strategiesCinémathèque Suisse. RestorationRestoration in the Cinémathèque Suisse, criteria for selection, (lab) partners in the restoration, inGerman and FrenchGracy, Karen F. (2003): Documenting the Process of Film Preservation. In: The Moving Image.AFRESA links digitization of archival filmfile:///U|/03_Endversion_PDF/links_afresa.html[25.01.2011 10:46:50]Volume 3, Number 1, Spring 2003, pp. 1-41.Analysis of values and selection criteria using ethnograpic methods and fieldwork, social reality offilm archivistsImage Permanence InstitutePhysical-chemical preservation, state of the art research, trainingNew York Times: Kodak will retire Kodachrome. 23/06/2009.Photochemical material in the digital age, Kodak politics, state of the art 2009Owen, J.S. Mackenzie (2006): Authenticity and Objectivity in Scientific Communication:Implications of Digital Media. In: Sonja Neef, José van Dijck and Eric Ketelaar (eds): Sign Here!Handwriting in the Age of New Media. Amsterdam: Amsterdam University Press. 60-75.Digitization and its consequences for modes of communication - notions and construction of theoriginalResource 411- PreservationVideo preservation, film preservation, digitization, digital preservation, videotapes, digitalarchiving, television preservation, color-transfer analog-digitalStephen G. Nichols/ Smith, Abby (2001): The Evidence in Hand: Report of the Task Force on theArtifact in Library Collections. 35-38.Role of artifacts/originals in libraries 1800-2000, collections, print/paper, audiovisual material,sound, still and moving images, broadcast media, criteria for selection, distinction of value,copyright vs. preservation? case-studiesTurci, Arianna (2006): The Use of Digital Restoration within European Film Archives: A CaseStudy. In: The Moving Image. Volume 6, No 1, Spring 2006. p. 111-124.Historical development, beginnings and acceptance of digital restoration in European archives,state of the art in 2005King, Susan: Classic Hollywood: Rare Films on Display at Cinecon 46Cinecon Classic Film Festival 2010, Society for CinephilesOwen, J.S. Mackenzie (2005): The Scientific Article in the Age of Digitization. Amsterdam.Digitization and communication, aspects of the originalSturm, Julia (2001): Special Effects. Hightech in the ShireColor and color-grading in the digital domain, in GermanThompson, Kristin (2008): Digital Grading and the Color of Middle-Earth.Color and color-grading in the digital domainlast update: september 28, 2010

Bibliography on the Digitization of Archival Film

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Bibliography on the Digitization of Archival Film

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