The article investigates how SKAM negotiates between feelings of individual shame and a sense of global guilt. By analyzing the opening and closing sequences, as well as the Syrian refugee theme in the second season, I argue that the series operates with an understanding of love and solidarity in which one has to tend to the self before one can turn to others. In terms of politics, the series prioritizes identity politics, yet continually reminds the viewer of issues pertaining to geopolitics as well. It is especially through Noora and William that issues of ideal politics vs. realpolitik are treated. The couple, I maintain, may be understood from the perspective of a national allegory in which the woman embodies the nation’s spirit, while the man represents its institutionalization – as a nation state. The series’ goal is to create healthy individuals who may in turn fight for world justice
