Mal Mazou, Oumarou

Oumarou Mal MAZOU

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Hermēneus Revista de traducción e interpretación

Retranslating Fulani (Cameroon) Mbooku poems

Repositorio Documental de la Universidad de Valladolid

INTRODUCTION“The Europeans are not good: A Fulbe Mbooku poem of protest” is aFulani oral poem first transcribed and translated by Paul Kazuhisa Eguchi andpublished as a scholarly paper in 1992. The 164-line poem, recorded by Eguchihimself on 15th November 1976, was composed by the mbooku poet SiddiYambaram. Mbooku is a form of oral poetry specific to the Fulani people, wholive in the Far North of Cameroon. The poets sing in a group consisting of a fewsingers led a soloist with no instrumental accompaniment. The subject matter isoften critical of misbehavior in society but may also praise good deeds andheroes. It is mainly characterized by the humorous use of figures of speech,parables, puns and repetition. Contrary to the griots and praise singers of mosttraditional African societies, Mbooku poets (or mboo’en) are members of thenoble class and do not sing for money or gifts; they are proud and considerthemselves entertainers. Today the genre has completely disappeared due to thelack of interest among the younger generations as well as the lack of modernmeans of conservation that may guarantee its survival.© Fatiso Herme¯neus, TI, 17, pp. 409-414RETRANSLATING FULANI (CAMEROON) MBOOKU POEMSOumarou Mal MAZOUUniversité de LiègeISSN: 1139-7489La retraducción de los poemas mbooku de la lengua fulani de CamerúnRETRANSLATIONBefore studying the retranslation of an excerpt of Eguchi’s text, it maybe worthwhile to reflect on retranslation itself. What is retranslation? A simpleanswer to this question would be “the act of translating a work that haspreviously been translated into the same language, or the result of such an act,i.e. the retranslated text itself” (Baker 2009: 233). This can be done in severalways: by “re-translat[ing] an original text which has already been translated inthat foreign language, translat[ing] in a new language from a translation (asopposed to from the original text), or carry[ing] out a back-translation into theoriginal language from a translation” (Elise 2014: n. p.). In our case, theretranslation is based on both the original text and its first translation intoEnglish. Of course, the decision to retranslate the text into a new Englishversion gives rise to another question: Why? As Venuti (2013: 98) rightlystated, a retranslation is an added value in that it contributes to advancing bothTranslation Studies and Literature “through the inscription of a differentinterpretation”. I1 chose to retranslate this poem in order to make it moreliterary. This aspect was downplayed in Eguchi’s translation as his researchcentered on the musical, historical and anthropological aspects of the poem:“The aim of this paper is to present a Fulɓe Mbooku poem of protest against theforeign invasion and loss of Fulɓe sovereignty which occured at the beginningof this century” (Eguchi 1992: 465). My intention is neither to evaluate nor toamend Eguchi’s work. I simply deem it necessary to make the poem more‘poetic’ by incorporating certain patterns, such as the use of stanzas and versemeter as well as images and stylistic devices into the translation.410© Fatiso Herme¯neus, TI, 17, pp. 409-414OUMAROU MAL MAZOURETRANSLATING FULANI (CAMEROON) MBOOKU POEMS1 Many thanks to Christine Pagnoulle for reading the poem and for her valuable comments and sugges-tions.FULANI EXCERPT AND EGUCHI’S ENGLISH TRANSLATION411© Fatiso Herme¯neus, TI, 17, pp. 409-414OUMAROU MAL MAZOURETRANSLATING FULANI (CAMEROON) MBOOKU POEMSFulani poem transcriptionKo mbi’iru-noo-mi ɓe mbooɓaayi.Ko ɓe mbanngi ɓe tefi balmi.Ko mbi’iru-noo-mi ɓe mbooɗaayi.Turooɓe yimɓe mbaɗa bamɗe,yimɓe ɓe’e mbalaa akiri.Raneeɓe baaba nya”irde,naa be,boroɗɗe, be borgooje, juulnitooɓe juulniiɓe.Nde ɓe mbanngi ɓe tefi balmi.Zamanu keeke fakataake.Famarɓe mboya, ɓe mboyni en.Ɓe ngoodi toro, ɓe torri en.Ko mbi’iru-noo-mi, ɓe mboodaayi. Fii raneeɓe jaaliiɓe,raneeɓe ɓure wullaandu.Ko mbi’iru-noo-mi ɓe jaaliiɓe.Annditee lee ɓe mbooɗaayi.Nde ɓe mbanngi, ɓe tefi balmi. Konu darnani ɓe, ɓe mbanngi.Kuma, be kumi laamiiɓe.Ɓe loslosnii ɓe nder maayo,ɓunndu Kahfu kon tagana.Bolidooɓe e seydanji,(…)Katuwal waɗi jalnaare,meemi leebura kaɓɓaaɗo,yaaɓi winnde saakiingo.Naati Caanaga konu somi,comko cifanii haɓre.Tayri duunde njaareendi.Ɓunndu Baali ko mbaali.Habaru heewti nder Marwa,kiiri yeynugo haa jenngi:“Jawmu ɓaaru fuu tookna.”Marwa tookni kurol muuɓum. Tammo ban kaɓe kooseeje. Tugga koppi ɓe ngoorna kuri.Jaka Nasaara haɓataako. ŋara galnodi labbon mum,tammo ban kaɓe fuunaange,kaɓe Hayaatu wad-noo ɗum,caamna ngorgu, nguboo sewngo.Ibba Saŋe e canngin-no.English translationWhat I have been saying is that they are not good.Since they came out into the world, they looked for arms.What I have been saying is that they are not good.It is they who made people bend down and made them donkeys.The people were forced to carry without payment. The white people are masters with spurs.They wore red fezzes, and carried blankets.It is they who torture the circumcised adults again.Since they came out into the world, they looked for arms.In these days no one can stop the machines.When these young people shout, they made us cry.They have money, and they troubled us.What I have been saying is that they are not good.The story of the white people, the conquerors.The white men cannot be appealed to the court.What I have been saying is that they were conquerors.You should know that they are not good.Since they, came out into the world, they looked for arms.The war made them powerful as they are.They made fools of chiefs saying: “What?”They are those who came out of a river.They were created in the Kahfu cave.They can talk with Satans.(…)What happened in Katuwal makes me laugh.They insulted the laborer who was forced to carry things.The white men reached the market place.They went into the Chaanaga river and got tired.They were hindered by the river but thought how to fight.They crossed the sand hill.They stayed overnight at the Baali well.The news about them reached Maroua.The chief announced from the evening till late at night, saying:“Let every archer poison his arrows.”The Maroua people poisoned thgir arrows.They thought it was just like attacking the hill pagans.They knelt down and sent the arrows at the white men.Actually they were not able to fight the white men.Thenara men sharpened their spearheads.They thought it was just like attacking the people living in the east.They thought it just a fight of Hayaatu’s days.They tried to gallop on horses and throw spears.The white men camped at Ibba Sape.SOME COMMENTS ON EGUCHI’S TRANSLATIONSeveral aspects, such as rhythm, structure, form and content, of this firstEnglish translation of the poem beg commentary. The rhythm of the source text (ST)is ignored in the target text (TT), the English verses being longer than those of theFulani original. Also, neither the ST nor the TT is divided into stanzas. Both are pre-sented side by side in running form. Eguchi does include a total of 11 footnotes (forthe whole poem) to explain certain details. Taking these comments into considera-tion, let me now propose my retranslation of this excerpt, using Eguchi’s TT as astarting point, but relying too on my understanding of the original text.412© Fatiso Herme¯neus, TI, 17, pp. 409-414OUMAROU MAL MAZOURETRANSLATING FULANI (CAMEROON) MBOOKU POEMSKofiingel hofi ansar’en,neeɓaay nii ɓe piyi bunndukru. Njaawi, ɓe njowi kolkolma, njoofi mayruwa dow maɓɓe.Siddi Geereme don saydi,caydinoodo e foondannde.Marwa doggiri gal Zayka.ŋara doggiri dow Makabay.Nyannde nden boo mi ɗon waali.Cemtudum wadi keeddiɗam,doggani wari meemi-mmi.O wi’i-mmi: “Ngorgi, war ndoggen.Woodi ngaska ngi’-noo-mi.Njemma tawen ka naaten ka.”“Alla wadi mi semtaayi.Miin mi naatataa ngaska.Haɓre haɓannde haa Miskin.Koo yaadu mi daara nde.”(Eguchi, vv.1-24; 125-164, pp. 470-478)The one who knelt down took position among the Sara soldiers.Soon they shot the guns.Hastily they shot the machine guns.They poured machine gun bullets over the Fulbe warriors.Siddi Geereme became a martyr on the spot,the victim of the confrontation against them.The Maroua warriors ran away toward Zayka.The ŋara warriors ran up to the Makabay hill.On this day I was sleeping.shameful thing happened to my neighbor.He came to me running, and touched me.He told me: “My friend, let us run away.I found a cave.Let us go to find it, and go into it.”“As is my character, I do not feel ashamed.I will not go into a cave.The war is taking place in Miskin.I can run away from them even on foot.”(Eguchi, vv.1-24; 125-164, pp. 471-479)Eguchi’s TranslationWhat I have been saying is that they are not good.Since they came out into the world, they looked for arms.What I have been saying is that they are not good.It is they who made people bend down and made them donkeys.The people were forced to carry without payment.The white people are masters with spurs.They wore red fezzes, and carried blankets.It is they who torture the circumcised adults again.Since they came out into the world, they looked for arms.In these days no one can stop the machines.When these young people shout, they made us cry.They have money, and they troubled us.WhatIhave been saying is that they are not good.My RetranslationWhy do I say they are not good?When they came they came fully armed.Why do I say they are not good?Those who bend people and make donkeys.People without salary.White men, masters of spurs.Not with fezzes but in their capes.Who circumcised adults another time.When they came they came fully armedIn the age when machinesCannot be stopped.Children cry, we the adults do too.They have money and make us harried.413© Fatiso Herme¯neus, TI, 17, pp. 409-414OUMAROU MAL MAZOURETRANSLATING FULANI (CAMEROON) MBOOKU POEMSThe story of the white people, the conquerors.The white men cannot be appealed to the court.WhatIhave been saying is that they were conquerors.You should know that they are not good.Since they, came out into the world, they looked for arms.The war made them powerful as they are.They made fools of chiefs saying: “What?”They are those who came out of a river.They were created in the Kahfu cave.They can talk with Satans.(…)What happened in Katuwal makes me laugh.They insulted the laborer who was forced to carry things.The white men reached the market place.They went into the Chaanaga river and got tired.They were hindered by the river but thought how to fight.They crossed the sand hill.They stayed overnight at the Baali well.The news about them reached Maroua.The chief announced from the evening till late at night, saying:“Let every archer poison his arrows.”The Maroua people poisoned thgir arrows.They thought it was just like attacking the hill pagans.They knelt down and sent the arrows at the white men.Actually they were not able to fight the white men.Thenara men sharpened their spearheads.They thought it was just like attacking the people living in the [east.They thought it just a fight of Hayaatu’s days.They tried to gallop on horses and throw spears.The white men camped at Ibba Sape.The one who knelt down took position among the Sara soldiers.Soon they shot the guns.Hastily they shot the machine guns.They poured machine gun bullets over the Fulbe warriors.Siddi Geereme became a martyr on the spot,the victim of the confrontation against them.The Maroua warriors ran away toward Zayka.The ŋara warriors ran up to the Makabay hill.On this day I was sleeping.shameful thing happened to my neighbor.He came to me running, and touched me.He told me: “My friend, let us run away.I found a cave.Let us go to find it, and go into it.”“As is my character, I do not feel ashamed.I will not go into a cave.The war is taking place in Miskin.I can run away from them even on foot.(Eguchi, v.1-24; 125-164, pp. 470-478)Why do I say they are not good?The story of White men, the victorious.Those who are above the law. Why do I say they are victorious?Do recognize they are not good!When they came they came fully armed.War made them powerful and they came.How! They turned our kings into cows!Those who pulled themselves from rivers.They were made for the Kahfu Cavern.Those who talk with the devils(…)Katwal witnessed something funny.They hit a chained labourer.The Whites crossed the marketplace.They came to Tsanaga River and got tired.Though tired, they thought of how to fight.They then crossed the mountain of sand.They spent night at the Well of Sheep.The news spread in all Maroua.Till late into the night:“Anyone who gets arrows Should have them poisoned.”Maroua then poisoned its arrows.And they thought it was as easy As fighting hill pagans.They aimed and arrowed the White men,But the White man is unbeatable.Ngara people sharpened their spears.Thinking it was like the battles of the East.Battles in which Hayaatou fought.A ride on horse, a throw of spear.But the White men hadIbba Sannge besieged.Who knelt fought on the other side Very soon they shot the guns,And then quick another shot,And fired bullets on people.There became Siddi of Guereme a martyr,Attempting to fight them.Maroua escaped through Zayka.Ngara escaped on Makabay.And that day I was on my bed.A shameful thing happened to my neighbor,Who ran, came to me and touched me:“Dear friend come and let’s run.There is a hole I saw around.CONCLUSIONHaving translated and published five extensive poems as scholarly arti-cles, Eguchi’s work is a very important source for the retranslation of Fulani(Cameroon) mbooku poems not only into English but also into many other lan-guages. Two additional scholars, the German Viet Erlmann and the Cameroo-nian Abdoulaye Oumarou Dalil, have published two transcriptions and transla-tions into German and French, respectively. Therefore, new retranslations willbe a way of giving this endangered oral literature a second chance and will alsobe of great value for Translation Studies and world literature. The same may besaid of other ‘minor’ literatures belonging to other oral traditions.BIBLIOGRAPHICAL REFERENCESBaker, Mona & Saldanha Gabriela, eds. Routledge Encyclopedia of Translation Studies.London/New-York: Routledge, 2009.Eguchi, K. Paul. “The Europeans are not good: a Fulɓe Mbooku Poem of Protest.” SenriEthnological Studies 31 (1992): 465-480.Elise. “What is Re-translation?”  Bookworm Translations. 25 August 2014. Available at:http://www.bookwormtranslations.com/what-is-re-translation/ [Consulted 31August 2014].Erlmann, Viet. Booku, Eine literarisch-musikalische Gattung der Fulbe des Diamaré(NordKamerun). Berlin: Verlag von Dietrich Reimer, 1979.Oumarou Dalil, Abdoulaye. Mbooku. Poésie peule du Diamaré (Nord-Cameroun).Paris: L’Harmattan, 1988.Venuti, Lawrence. Translation Changes Everything. New York: Routledge, 2013.414© Fatiso Herme¯neus, TI, 17, pp. 409-414OUMAROU MAL MAZOURETRANSLATING FULANI (CAMEROON) MBOOKU POEMSIn the night let’s find it and hide in it.”Thank God I didn’t go such ashamed. “Me I’ll not hide into a hole,For a war happening in Miskin.Even if walking, I’ll escape from it.”

Retranslating fulani (Cameroon) mbooku poems

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