UID/EAT/00472/2013Jazz in Europe is largely shaped by the mobility of its actors, and informed by both the experiences ofactors on the ground and their projection of what European identity is or should be. The mobility provided forEuropean Union Member States by the Schengen Area has exploded the ways in which Europeans perceive andcollaborate with each other. Jazz musicians and promoters identify mobility as part of their practices. Contextualfactors – such as easier accessibility to communication and mobility –contribute to reshaping the European jazzscene, by creating a new generation of jazz actors who seem more integrated within Europe and who more naturallydevelop collaborations with their counterparts from different countries. The official discourse of the EU oftenstresses the notion of ‘Europeanness’ as a set of fundamental abilities. Promoting mobility of its citizens is a keyaspect to ultimately inform the notion of a Pan-European ideal. However, contrasts between European counties,such as geographical and economic peripherality and centrality, and differentiated cultural and education policies,still stand as significant challenges to those who operate in the field. The fact that mobility opportunities for artistsacross Europe are still irregular raises a number of questions around music practices, identity, aesthetics, and therole of the different actors within the ecology of jazz in Europepublishersversionpublishe
