Put before the labyrinth and proliferation of critical perspectives,
studies and readings on Virginia Woolf, entangled in articulations of teleologies
and epistemologies, the critic faces a question: from where should she/he
start writing, on what and from which critical perspective? These were the
circumstances that dictated my choice of writing on “A Sketch of the Past”,
published in Moments of Being – A Collection of Autobiographical Writing, (1976,
1985) and of analysing the narrative strategies used by the author to tell herself,
to construct her identity and power, giving voice and authority to herself as a
discursive formation
