This study, employing a postsecular theoretical prism, analyzes the spiritual theses given expression through the historical fiction of Mexican-American, or Chicano, author Luis Alberto Urrea and exiled Persian Bahá\u27í author Bahiyyih Nakhjavani. This study examines three novels: Nakhjavani\u27s The Woman Who Read Too Much, Urrea\u27s The Hummingbird\u27s Daughter, and its sequel Queen of America. These novels express world-views in which the spiritual has particular importance, not as a supersession of quotidian reality but in an integral partnership with it, the baseline upon which postsecular thought is built. This study concludes that such an expression of world-views signals towards the change in socio-political philosophy which philosopher and scholar Jürgen Habermas iterates in Faith and Knowledge, his acceptance address for the 2001 Peace Prize awarded by the German Publishers and Booksellers Association. As per Habermas, a significant change is occurring in twenty-first century Western society; this change, I argue, is evident in the spiritually charged transnational historical fiction of Urrea and Nakhjavani
