Bone Student Center Braden Auditorium Thursday Evening November 16, 2000 7:30 p.m

Dunbar, David, Conductor

Render, Chris, Conductor

Rosas, Rene, Conductor

Steele, Stephen K., Conductor

English

Bone Student Center Braden AuditoriumThursday EveningNovember 16, 20007:30 p.m

Dunbar, David

Render, Chris

Rosas, Rene

Steele, Stephen K.

ISU ReD: Research and eData

Illinois State University ISU ReD: Research and eData School of Music Programs Music 11-16-2000 University Band Symphonic Band Symphonic Winds David Dunbar Conductor Illinois State University Chris Render Conductor Rene Rosas Conductor Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp  Part of the Music Performance Commons Recommended Citation Dunbar, David Conductor; Render, Chris Conductor; Rosas, Rene Conductor; and Steele, Stephen K. Conductor, "University Band Symphonic Band Symphonic Winds" (2000). School of Music Programs. 2098. https://ir.library.illinoisstate.edu/somp/2098 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact ISUReD@ilstu.edu. I Music Department I LIIinois State University I I I I I I 'I I 'I I' I\ I UNIVERSITY BAND SYMPHONIC BAND SYMPHONIC WINDS David Dunbar, Chris Render Rene Rosas and Stephen K. Steele, Conductors The fifty-fourth program of the 2000-2001 Season Bone Student Center Braden Auditorium Thursday Evening November 16, 2000 7:30 p.m. I I Program Universi ty Band, Dav id Dunbar and Chris Render, Conductors fames C"rno~ I from Sym pho ni c Triptych (1983) Fanfare - Scherzo F irst Light on th e Chesapeake ( 1996) They Led My Lord A way ( 1990) Arsenal ( 1996) Pause Symphonic Band. Rene Rosas, Conductor Esprit De Corps ( 1985) Trauermusik ( 1844) ji-0111 Symphony No. 1 (1988) Hobb its Pause (born 194, James L. Hosa (born 1959) Adoniram l Gordol ( 1836 - 189)) arranged by Fred J. Allen Jan Vander Roal (born 1956) I Robert Jagl (born 193 Richard Wagn1· (18]3 - 188 · transcribed by John Bo, Joh an de Me,·; (born I 95 · Symphonic Winds, Stephen K. Steele. Conductor Pineapple Poll (1951) Opening Number Jasper 's Dance Poll 's Place Finale Amazing Grace Folksongs for Band, Suite No. 3 ( 1990) Droyl sden Wakes Lord Bateman Three Ships and Lisbon Arthur Sullivl ( I 842 - 190 arranged by Charles Mackerr Traditionl arranged by Frank Ticheli David Stanhol (born I 95 I I I Program Notes l s),mphonic Triptych was commissioned by the Eastern Hills League Band Directors Assoc iation for that group's Honors Band. whi ch the co111poser conducted in December I of 1983. As part of the comm iss ion . the composer was asked to use fo lk so ngs that were assoc iated with th e State of Ohi o and th e surrounding areas. The three songs that 111ake up thi s composit ion are: The Lo vely Ohio. He's Gone Away, and Old Da n Tucker. 'The composer offers the fo llowing for First Light on the Chesapeake . "There are few sights as breathtaking as a clear, summer 111orni11g's sunri se over the Chesapeake Bay. This piece paints a picture of those splendid I mo111e11ts. Fro111 the qui et, predawn stillness, through the gradual stirring of creatures of the air, land and water, all of these elements cu lminate in a triumphant chorus of nature 's glory as another day begins." I Adonirarn Judson Gordon was a Baptist 111inister who wrote several books of hymns before hi s death in 1895. They Led .lvfy Lord Away is an example of the call-response va riety of hymn with its recurring refrain "can you tell me where to f\nd Him?" This I setting for band, by Fred J. Allen, maintains the di gnity and plaintive searching qual ity of th e original hymn through the use of some of the many beautiful sonorities available in the modern concert band . I Arsenal was composed for the Fiftieth anniversary of the "Harmonie van het Spoonvegarsenaal", based in Mechelen, Belgium. It was premiered in the Mechelen Cultural Centre on May 11 , 1996 during the solemn ceremony, opening the anniversary 'I year. It is a "British Sty le" concert march , strict in tempo, but colorful in voicing. The strict militari an hymn-like statement can be heard all throughout this march. This piece also has beautiful themes and a broad melody in the trio. It is an exciting and almost I nationali stic concert march that highli ghts the woodwinds and euphonium sections. Based on "The Marines Hymn," Esprit De Co,ps is a kind of fantasy-march , as well as a I tribute to the United States Marine Band. It is also the composer 's salute to the Marine Corps in general. Fu ll of energy and drama, the composition has its solemn moments and its li ghter moments (for example, the quasi-waltz in the middl e of the piece). IOn December 14, 1844, the remains of Carl Maria von Weber were moved from English to German so il. Wagner composed Trauermusik for the torch-light process ion to Weber' s final resting pl ace, the Catho lic Cemetery in the Friedrichstadt. , ~agner took both melody and harmony from Weber' s opera Ewyanthe. The main section of the work is taken from the cavatina for Act II , scene 2 of the opera. Wagner 's choice of thi s passage may have been influenced by the numerous textural references to l death . Trauermusik is in fact Wagner 's "band transcription .. ofWeber's music. Johan de Meij' s first symphony, The Lord of the Rings, is based on the trilogy of that I I name by .1.R.R. To lkien. Thi s book has fasc inated many millions of readers since its p. ubli ca'.i on in 1955. The fifth _(and_ fin.al) 111 0. vement of the symphony, Hob_bits, expressel the ca1cf1ee and opt11111 st1 c chaiacte1 of the Hobb1ts 111 a happy folk dance. l he hyrnn tha follows the opening dance emanates the cleterrnination and nob lesse of the hobbit fo lk. The syrnphony does not encl on an ex uberant note, but is concluded peacefully and res igned. in keeping wi th the sy mbolic mood of the last chapter, "The Grey Havenl which find s Froclo and Gancl alf sailing away in a white ship and disappear· slow! beyond the hori zon. · The ballet Pineapple .Poll is a spoof of the Gilbert and Sulli van operettas. The plot Ji based on "The Bumboat Woman ' s Sto ry" of Gilbert's Bab Ballads, which was lat developed by Gilbert into H.!vlS. Pinafore. The story evo lves around Pineapple Po and her col leagues who are all mad ly in love with the capta in of the good ship 1-1. M.S. I-lot Cross Bun. In order to gai n aclrnittance to the ship, they disguise themselves i sailors' cloth es, a fact whi ch is kept secret from the aud ience until near the encl of th ballet. Accord ing to Charles Mackerras. the British conductor who composed this ballet, "The score is a patchwork quilt of tunes from most of the Gilbert and Sullival operas. Every bar of Pineapple Poll, even the short bridge passages, is taken from som opera or other." The hymn Amazing Grace was written by John Newton (1725-1807), a slaveshil captain who, after years of transporting slaves across th e Atlantic Ocean to the New World, suddenly saw through divine grace the evilness of his acts. Ticheli's Jobi interpretation was commi ss ioned by John Whitwe ll in loving memory of his father, Harvey Whitwell, and was first performed in 1994. Ticheli wrote : "I wanted my setting of Amazing Grace to refl ect the powerful simplicity of the words and melody - to be sincere, to be direct, to be honest - and not through the use of novel harmonies and clever tricks, but by traveling traditional paths in search of truth and authenticity. · I believe that music has th e power to take us to a place that words alone cannot. And so my own feelings about Amazing Grace reside in thi s setting itself. The harmony, texture, orchestration, and fo1'm are in separable, intertwined so as to be perceived as a single expressive entity." I I Each of David Stanhope's folksong suites is base_d on tunes from Great Britain and al are dedicated to the memory of Percy Grainger. Like the folk-music settings of that compos_er,_ they use original melodies as a means for harmonic and contrapuntal inventio1· 111 a vanat,on or passacag lia like form. Suite No. 3 consists of three settings: "Droylsden Wakes," a sentimental verse and chorus piece (Droylsclen is an old village in Lancashire); "Lord Bateman," a vigoroul virtuosic setting with constant metric changes; and "Three Ships and Li sbon ," a mixtu; of two folk tunes and a third original melody by the composer. In this last setting, one migl~t imagine the bells _of a distant town with th e_ listener and his party approaching; ca ente1 mg the town, the v1s1tors are overwhelmed with the ma_1est1c "Three Ships" melod. but nevertheless, they attempt to whi stle their own tunes over the top. 'Flute Angela Bielicke, Peoria Lindsey Braun, Bolingbrook I Becky Cardani. Litchfield , Sarah .lensby, Downers Grove Jen Pohlman, McHenry Dawn Renta, Des Plaines fl Alyssa Roge, Clarendon Hill s 'I Lindsey Shewmaker, Springfie ld Ad ri an Sperduto, Edward sv ill e I Eli zabeth Wilson. Somonauk Oboe flBecky Ferguson, Nomal •· Carrie Wycislak, Montgomery Bassoon fl .Jennifer Hinman, Tremont 1· Frank Payton , Normal ' I C!arinet 1 Kathryn Banas, Glenview Nicole LoPiccolo, Vernon Hill s fl .lean Richardson, Spring Grove I Ivory Sebastian, Aurora ·Allison Thakor, Woodridge Jennifer Worzala, Yorkville ,I Bass Clarinet Sarah Axon, Skokie ~i lto Saxophone Nicholas Baird, McHenry Tracy Dotson, LeRoy 11, Cynthia Harrer, McHenry l Erin Latta, Downers Grove Beth Ann Martin, Coal City ~, Brad ley Slover, Schaumber Tenor Saxophone rarah Clark, Aledo I I University Band Baritone Saxophone Megan Lomonof, Oak Lawn H om Ryan Krapf. Monee Judith Ronan. Norrnal Trumpet Laura Ad ri an, Somonauk Sarah Bloom. Bourbonnais Sharon Kautz, Decatur Jeff Klinker, San Diego, CA Jim Pesek, Lombard Megan Pont, Kewanee Melinda Willems, New Windsor Trombone Laurie Anderer, Libertyv ille Jessica Byrne, Burbank Joshua 1-Ioftinan, Rockford Andrew Knarr, Lexington Lisa Swantish, Burbank Euphonium Shami McNeilus, Sleepy Hollow Bryan Spiller, Lockport Tuba Justin Gund, Bradley Kari Junker, Varna Brian Weidner, ·McHenry Percussion Allison Brown, Glen Ellyn Mitch Mays, West Brooklyn Kay Mays West Brooklyn Scott Silder, Naperville Dorothy Such, Wheeling Krysta Tilges, Bridgeview Flute *Tracy Vires. Bartonville Emily Brooks, Galesburg Sarah Spengler, Peoria Kristen Shorkey, Mahomet Dorothy Such, Wheeling Nicole M Johnson, St. Charles (Jillian Powers, Bloomington Jessie Baginski, Decatur Lauren Fass i, Charleston Oboe *Amber Chess, Lake in the Hills Stacy Davidson, Marion Clarinet * Keelan Dehart, Springfield Jennifer Kindred, Taylorv ille Bernadette Thompson, Oak Lawn Christina Isaacs, Bloomington Jolrn Sullivan, Ellis Grove Emily Young, Naperville Bass Clarinet Sarah Axon, Skokie Bassoon Jessica Strack, Normal A Ito Saxophone -* Patrick Maag, Des Plaines Michael Constanza, Kankakee Elizabeth Briggs, Bloomington Beth Martin, Coal City Tenor Saxophone Travis Thacker, Normal Baritone Saxophone Amanda Miceli , Sleepy Hollow Symphonic Band Horn * David Geeseman. St, Joseph Angela Galvan. Naperville Bill Warren. Glenwood William Baffes. Skokie Trumpet * Brian N, Weidner. McHenry Ryan Elliott, Saginaw, MI Mary Jo Edwards. Smithton Jeff Grosso. Herscher Christopher A, Craine, Sheffield Erin Latta, Downers Grove Nick Zywica, Lockport Trombone *Justin Guncl , Bradley Jessica Heitz, Charles City, IA Nathan Durbin, Coal City Brock Warren, Washington Ellen Skolar, Schaumburg Euphonium *Nicholas Vivio, Naperville Daniel Buxbaum, Palatine Tuba * Abigail Bentsen, Moline Eric Jordan, Normal Percussion * Joseph Giovanazzi, South Chicago Neal Shippy, Pecatonica Bill Roberts, St. Charles Jon Scarpelli, Orland Park Gina Zunke, Kankakee ' * Principal I I I -I I I I I I I I I I 'I I I I F/ute Laurie Anderer, Libertyville IMegan Lomonof. Oak Lawn Stacey Lusk, Flora Christa Ruesink. Alsip *Leigh Ann Singer, Ottawa I Teryn True,_ Libertyville Oboe l.4manda Elston. Mendota l *Vanessa Passini. Blomington r -Flat Clarinet r yan Krap( Monee Clarinet ricia Boyer, Geneseo ,<.athryn Buchanan, Bloomington Robyn Canene, Naperville I Mindy Heshelman, Metamora llt=hristina Kempen, Frankfort Jessica Maple, Elmhurst l*Carly Stone, Normal 'Low Clarinet *Nancy Kerr, Bloomington liennifer Sims, East Moline C:: rik Tomlin, Aurora l assoon Katie Bartel, Westmont Kathryn Banas, Glenview I/to Saxophone onathan Simkus, Hawthorn Woods *Eric Stachelski, Joliet Jenor Saxophone Jeff Klinker, Geneva l aritone Saxophone etillo Arellano, Mendota I Symphonic Winds Horn David Bostik, Lockport John Hansen, Pontiac *Melan ie Paden, Washington Ch ri s Render, Houston , TX Trumpet Chad Cossens, Sterling Brian Denny, Pilesgrove. NJ Benjamin Linkon, Centralia *Chad Morris. St. Louis Joshua Myers, Danville Mathew Reynolds, Sterling Trombone Aaron Gradburg, Kankakee * Anthony Hernandez, Josh Palmer, Peoria Bass frombone Matt Kelm, Lockport Euphonium * Kent Krause, Joliet Brandon Hopkins, Chicago Tuba *Corey Beirne, Naperville I-leather Mulder, Wheaton Caprice Vargas, Aurora Percussion * Andy Bautista, Skokie Quintin Hecht, Galesburg Michelle Kopay, New Lenox Scott Simon, Belvidere Nathan Vavra, Morrison * Principal BANDS AT ILLINOIS STATE UNIVERSITY Wind Symphony and Symphonic Winds are select groups of th e fin est instrumentali sts at Illinois State Uni versity. performing outstanding and representati ve works in all style~ ~ from "classical" to "avant-garde." In additi on to campus programs. the Wind Symphonl tours annually. The Wind Symphony has been a featured performing ensemble at th~ American Bandmasters Association Con vention, the Illinois Music Edu cators Assoc iation Conference and the Co ll ege Band Directors Nati onal Association Nati oml ::i Convention . The Symphonic Band is compri sed of approximately 90 outstanding wind and percussio· ~ players from across campus. 11 perfo rm s quality band literature and presents two concerti each semester. This orga ni za ti on rehea rses two tim es per week. The University Band is comprised of non-musics major and music majors gaininl ex perience on a second ary in strument. This ensemble provides students the opportunit to continue playing whil e devoting the major portion of their tim e to other acad emi c di sciplines. This organization presents one concert at th e end of each term on campus. i: Chamber Winds are numerou s quartets and quintets which are coached by niembers o" ' th e applied music faculty at lSU. The collecti ve ensembles perform a diverse repertoire , and concertize both on and off campus. I The ISU Jazz Bands are select groups of approximately 20 musicians who make up full y instrumentated "big bands." Emphasis is placed upon the study of diverse jazz styl(I' and literature, ensemble performance and improvisation. Jazz Band I has been awarde outstanding performance honors in group and individual categories at numerous festivals across the Midwest. The Jazz Bands schedule numerous performances both C" , and off campus. I The Illinois State University Marching Band, "The Big Reel Marching Machine," has a long and proud history of performances at major events at home and across the Miclwel. I Each year, in addition to performing at all home football games and for over 4,000 hi school band members at the State of Illinois Invitational High School Marching Band Championship, the "Pride of Illinois" travels to an away !SU football game and I televi sed Chicago Bears game. In November of 1992 the band performed in exhibition f< 1 the Bands of America Grand Nationals at the Hoosier Dome in Indianapolis, IN. The !SU Pep Band provides spirit and enthusiasm at all !SU men's and women's hon , basketball games as well as various other events on campus and in the community. Membership is open to all students who participate in another band during the academic year. I 

Ensemble Concerts: University Band, Symphonic Band, Symphonic Winds; November 16, 2000

Bone Student Center Braden AuditoriumThursday EveningNovember 14, 20017:30 p.m

Illinois State University ISU ReD: Research and eData School of Music Programs Music 11-14-2001 University Band Symphonic Band Symphonic Winds David Dunbar Conductor Illinois State University Chris Render Conductor Rene Rosas Conductor Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp  Part of the Music Performance Commons Recommended Citation Dunbar, David Conductor; Render, Chris Conductor; Rosas, Rene Conductor; and Steele, Stephen K. Conductor, "University Band Symphonic Band Symphonic Winds" (2001). School of Music Programs. 2229. https://ir.library.illinoisstate.edu/somp/2229 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact ISUReD@ilstu.edu. 1, I I I I I, I I 1, I I I I School of Music Illinois State University UNIVERSITY BAND SYMPHONIC BAND I SYMPHONIC WINDS . David Dunbar, Chris Render Rene Rosas and Stephen K. Steele, Conductors I The forty-second program of the 2000-2001 Season Bone Student Cent'er Braden Auditorium Thursday Evening November 14, 2001 7:30 p.m. Program University Band Overture for Winds ( 1959) Chorale Prelude ( 1985) All Things Bright and Beautiful · Pageant ( 1953) Rolling Thunder ( 1916) Symphonic Band Variations on a Korean Folksong ( 1965) Folksongs for Band, Suite No. 3 ( 1990) Droylsden Wakes Three Ships and Lisbon A Movemenr for Rosa ( 1992) Symphonic Winds Celebration Overture ( 1955) Masquerade for Band ( 1966) Charles Carter (1926- 1999) Claude T. Smith ( 1932- 1987) Vincent Persichetti (1915 - 1987) Henry Fi 11 more (1881-1956) John Barnes Chance ( I 932-1972) David Stanhope (born 1952) Mark Camphouse (born 1954) Paul Creston ( 1906- 1985) Vincent Persichetti (1915- 1987) I I I I I I I I I I I I I I I I I I I I I I I I I I I I Program Notes Overture is defined in many dictionaries as an instrumental prel-ude or opening for an opera or other large work, and although to-ni ght it is not followed by an opera it does serve as a prelude to the works to come. Overture for Winds is in ABA form . The opening section's theme is light -and vigorous in rhythmic nature and blissful in tone color. The Baritone horn introduces a slower, expressive theme in the B section of this piece, which quickly continues in to a duet of sorts with the soprano voiced woodwinds and Baritone. The final section is a recurrence of the opening the-matic ideas that in turn develops into a spectacular climax. . The use of hymns or chorales as the basis of a larger work is not a twentieth century idea but dates back to the beginning of polyph-ony. During the Baroque Period, Bach perfected chorale preludes and the use of hymns or chorales for the basis of compositions.· Through the periods of music, hymn tunes have been used as the basis for sets of variat.ipns, particularly in English and American music. An old English melody provides the structure for Claude · T. Smith's wind band setting of this chorale prelude, All Things Bright and Beautiful. Pageant was commissioned by Edwin Franko Goldman for the American Bandmasters Association in 1953. The first perform-ance was on March 7th 1953, by the University of Miami Band, with Persichetti conducting, at the ABA Convention in Miami, Florida. This was one of Persichetti's earliest works for band, pre-ceding his Symphony No. 6 , whose fourth movement shares many compositional characteristics with Pageant (most notably the-matic writing for percussion and the technique of simultaneous recapitulation of themes). Pageant is in two-part form; the piece opens in a slow tempo with solo horn playing a three-note motif that recurs throughou_t the work, followed by a slow chorale section. The second part of the form is quick and lively (likened to a parade by the composer), with Persichetti's characteristic stylings, including concise sec-tions of articulate counterpoint , abrupt contrasts of texture, and timbral juxtaposition phrases. Rolling Thunder is a great circus march and has been considered a -staple in band repertory ever since its publication in the small military band editions. Circus musicians dubbed these fast-moving compositions 'Screamers', mostly because that is exactly I what they do musically. Screamers are motion in sound with mu-sical lineage found in the fast polkas, gallops, and can-cans of peasant campfires and public music halls. Rolling Thunder has I just two dynamics: forte and fortissimo as the low brass, led by I I I I the trombones, romp through and dominate the music. Henry Fillmore was a trombone player too, and somehow he knew it would all work - and .it does . . Variations on a Korean Folksong is a work in six sections; the opening pentatonic theme is followed by five distinct variations. The first variation features temple blocks and woodwinds, and also makes prominent use of the xylophone, vibraphone, and cymbals. Variation two is quiet and serene with the original mel-ody, now inverted, played by the oboe. The third variation is a fast march, the fourth is broad ·and solemn, and the fifth is more involved with various sections of the band playing one of the two phrases heard in the opening pentatonic theme. I I E I Each of David Stanhope's folksong suites is based on tunes from Great Britai11 and all are dedicated to the memory of Percy 11 . I Grainger. Like the folk-music settings of that composer, they use IJ original melodies as a means for harmonic and contrapuntal in-vention in a variation of passacagl-ia like form. '.'Droylsden Wakes" is a sentimental verse and chorus piece (Droyslden is an old village in Lancanshire); and "The Three Ships and Lisbon," are a mixture of two folk tunes and a third original melody by the -composer. In the last setting, one ,might imagine the bells of a dis-tant town with the listener and his party approaching; on entering the town, the visitors are overwhelmed with the majestic "Three Ships" melody, but nevertheless, they atte~pt to whistle their own tunes over the top. 11 I I 11 I, I A Movement.for Rosa , commissioned by the Florida Bandmasters Association, was composed and orchestrated over a three month period form August to November, 1992. This "movement" - a quasi-tone poem, contains three contrasting sections. Section I evokes Rosa Park's early years , from her birth February 4, 1913 in Tuskegee, Alabama, through her marriage in 1932 to Raymond Parks. Section II portrays years of racial strife in Montgomery and the quest for social equality. Section III is one of quiet strength and serenity. The hymn, "We Shall Over-come" (foreshadowed in section I and II in motivic fragmenta-tion) , is heard in its entirety near the end. The work's final meas-ures serve as an ominous reminder of racism's lingering presence in modern American society. Celehration Overture was commissioned by Edwin Franko Gol-man for the American Bandmasters Association in 1955. It con-sists of three sections: fast, slow, and fast-like the Italian Ba-roque overture. In style it differs considerably from its ancestor. Creston wrote the following regarding this composition: I was preoccupied with matters or melodic design , harmonic coloring, rhythmic pulse, and formal progression , not with limita-tions or nature or narrations or fairy talcs. The intrinsic worth of a mu sical work depends on_ the interrelation or music elements toward a unified whole. The overture emphasizes melodies that are short and highly rhyth-mic . The harmonies are sonorous, being added to the melody in parallel to provide color and depth. The result is a bright, festive work that fulfills the promise of the title. Vincent Persichetti's band woi•ks demonstrate the 'remarkable contrapuntal conciseness of his music which is basically tonal bu.t with an independence of movement which often creates polytonal combinations. Mosqueruclf'. a theme with ten variations, as is true in much of the composer' s music, incorporates complicated per-cussion parts which transcend their reinforcing functions to oc-cupy an equal position with the winds in the basic fabric of the composition. U11il'ersity Band Perso1111 el F/11I<' Ange la Biclickc. Peor ia Lind sey Braun. Bolingbrook Amy Clausius, Camp Point Jennifer Corban. Pontiac Leonore Pags:rnjan. Lincolnwood Jennifer Parker. Countryside Kris Sheridan. Glendale Heights Alli so i1 Stefanich. Normal Amanda Tunstall , Home\\'ood Deborah Walton. Bloomington 0/)(/e Jenifer Hibben. Rockford Lynn Ku1.iel , Carol Stream Bussoo,1 Frank Payton J(. Normal Clcrrinel Kathleen Flynn, Oak Lawn Qadara Gross , Waukegan Robert Rake Jr. , Sprii1gfield Deanna Staley, Mokena Lindsey Thomas, Decatur Bass Clarirret Josh Anderson, Farmington Aito Saxophone Tracy Dotson. Le Roy Mary Young, Pekin Tenor Sa.wphone Dorothy Such, Wheeling Baritone Saxophone Monica Viii , Bloomington Tmn111 et David Appelbaum, Springfi e ld Joseph Bonnette. Pekin Russe ll Haugen. Aurora Jodi Urn . Ri ver Forest Renee Rust, Secor Mike Severin Downers Grove Hom Stacey Garrison , Alton Erin Lallo. Downers Grove Joshua Powell , Bloomingt on Judith Ronan . Normal Tro111/Jrin e James Hultgren . Hoffman Estates Andrew Knarr. Lexington Susan Linker. Carol Stream Matthew Noonan , Bloomington David Sidarous. Roselle Tom Womack , Morris E11pho11i11111 Dan Buxbaum. Palatine Sarah Spengler, Peoria Tuba Justin Gund , Bradley Erick Somodi , Lansing Percussion B,ryan Jones, West Chicago Kay Mays, West Brookl yn Mitch Mays, West Brooklyn I I I I ;I ;I I .1 I I I I I I I I I I I I I I I I I I I I Symphonic Band Personnel Flute Emil y Brooks, Galesburg Lauren Fassi, Charleston Sarah Jensby, Downers Grove Tracey Lio , Villa Park Randi Schockency, Canton Gilli an Stengel, Bloomington Jill Van De Werken , Bolingbrook *Tracy Vires, Barton ville Oboe ''Stacy Davidson , Mari on Amanda Elston, Mendota Amy Evans, Springl'ield Bassoon '' Jess ica Strack, Normal l:h -Clt11 in l' I Sarah Axon . Skokie Cf urine/ Sarah Ax on. Skokie Elizabeth Buehlman . Gurnee Christina Isaacs , Bloomington Jennifer Kindred, Taylorville ;,Jess ica Maple. Elmhurst Loi s Tucker. Alton /lu ss Clarinl'I Mary Young, Pekin Alto Sa.w1il1one Eli zabeth Briggs , Bloomington '' Kara Manes , Springrield Ten or Sa.w11fwne Adchayo Gorpon, Chicago /iuri1011l' Sa.wphone Robert Rake , Springfield *principal French Hom * Angela Ga lvan, Naperville Rebecca Munster, Le Roy Abbey Pitt s, Ottawa Tr11111pet * Joseph Bennett , East Moline Michael Greenlief, Monmouth Erin Lall o. Downers Grove Delynn Mull, Machesney Park Com er Brian Id a. Schau111burg Sharon Kautz , Decatur Tm111hone ''Ro y Magnuson , Geneseo Sarah M_ansberry , Nor111al Andn:v.: Peraza, Hi ghwood Noah Schu stctl, Buffalo Grove Ellen Skolar, Schaumburg Ryan Styck, Chillicothe Brock Warren. Washington Kell y Woll". Morrison Bass Troni/;one John Lolland . Decatur /:'11p/11111i11111 Daniel Buxbaum, Palatine ' *Carey Warren , Pontiac Tuba Tabitha Boorsma, York ville -Bryan Fli ck, Chillicothe ''Erick So111odi, Lansing Percussion Courtney Hinthorne, El Paso fvlichellc Kopay, New Lenox Eboni Rankin , Alsip ''Nea l Shippy, Pecatonica Kri s Wingo, Galesburg Piano Joel Dickerson, Morton Sy111pho11ic Wi11ds Perso1111el Piccolo Tcryn True. Libcrt y,· illc F/111e Megan Lumonof. Oak L1wn Stephani e Morgan. Pontiac ~Christa Ruesink , Alsip Sarah Spengler. Peo ria Jonathan Si mku s. Hawtlltlrn Woods Dnrnthy Such. Whcel111g Ol}()c/English Hom Emil y Portner. Tinley Park ' C'arri eWycislak , Montgomery Bc1ssoo11/Co111 mbas.1·11011 Hi llary Miller, Sterling *Chad Taylor, Ottawa Clarine!IE-j/at Clarin e/ Josh Anderson, Farmington Brian Beddigs. Park Forest Robyn Canene, Napervi I le '' Joseph Conway, Sterling Mindy Heshelman , Metamora Chri stin a Kempen, Frankfort Randall Pollok, Champai gn Carrie Schauland, New Lennox Carl y Stone. Bloomington Bass Clarine1/Contra Clarinet Paul Sprecher, Canton '' Kristina Toma. Nort hbrook Alto Sa.wphone Jell Klinker, San Diego , CA 'Toby Thomas , Tremont Tenor Sa.wpho11e Travis Thacker, Normal Bari/one Saxophone Amanda Miceli, Sleepy Hollow Hom Da,·id Geese m:m. St. Joseph *13randon Helem. South Holland Joshua Pmvell. 131oomington William Warren. Glenwood Tmn1pet Mary Jo Ed,1·ards, Smithton Ryan Elliott. Saginaw *Daniel Hi lcs, l'darquctte I lt gs Ryan Mansbery. Chapel llill Myles Akee m Sing leton , Joliet Tm111bone Ju sti n Gund., Bradley 'Tony Hernandez, East Moline Dan Maslowski. Mokena Benjamin Michael , Wheaton Bass Tro111/Jone Nathan Durbin , Morris E11phoni11111 ·Ju stin Bertschi, Normal *Brandon Hopkins, Chicago Kent Krau se, Joliet Tuba Stanley Dobrovolskis, Chicago *Caprice Vargas, Aurora Will Young, Des Plaines Percussion '''.ln imie Abney. Spring Valley Ch ri s Dolson , Peoria Bill Roberts , St. Charles Scott Simon, Belvidere Ben Stiers, Mackinaw *principal I I I I I I I I I 

Ensemble Concerts: University Band, Symphonic Band, and Symphonic Winds; November 14, 2001

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University Band Symphonic Band Symphonic Winds

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