In this article I inquire into the question of cultural continuity against the background of the problem of modernity through the medium of the specific case of New Confucian philosophy. I reflect on the import of the concept of "culture" from a historical point of view and investigate how the Hegelian notion of "Spirit" was employed by modern Confucian philosophers such as Mou Zongsan and Tang Junyi as a conceptual strategy in the face of the structural and semantic discontinuities resulting from modernization. I single out the symbolic May Fourth Movement in order to approach Mou's and Tang's attitude towards historical (dis) continuity and point towards the contemporary significance of their philosophical undertaking
