slides

On Heidegger’s Ontology of Art

Abstract

基于其存在论差异思想,后期海德格尔思想具有两个终极指归,其一是存在发生学意义上的本有,其二是历史学意义上的前苏格拉底时代的希腊。正是围绕着这两个终极指归,海德格尔提出其存在真理观和历史学说。其存在真理观的要义在于将存在真理的本质确立为让存在者经由解蔽进入敞开域成其所是的自由以及比无蔽状态更源始的遮蔽状态即本有之显-隐二重游戏运作。由这一存在真理观出发,海德格尔将西方历史呈现为:前苏格拉底的希腊时代(人在艺术中对诸神命名,把握到了存在之真理)——形而上学时代(存在处于被离弃状态,这一离弃状态在现代科技中达乎极端)——将来的希腊复活时代。 艺术在海德格尔后期思想中具有核心地位。首先,就存在之真理...Based on his thinking about Ontological Difference, there are two ultimate directions in the later Heidegger’s thoughts. One of them is Ereignis in the sense of embryology of being, another is the Greece during pre-Socratic era in the sense of beings,that is the historical and national human beings. Precisely surrounding with these two ultimate directions, Heidegger proposes his view of truth of b...学位:文学硕士院系专业:人文学院_文艺学学号:1022013115238

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