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From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intextuality in Irma Vep and Les Mierables

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Publication date
1 October 2002
Publisher
OpenSIUC

Abstract

This essay compares Romantic literary theory as the road not taken to modernist film criticism, particularly as it pertains to contemporary French cinema

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    Last time updated on 12/08/2017