The Eurovision Song Contest (ESC) is an annual event which attracts millions
of viewers. It is an interesting activity to examine since the participants of
the competition represent a particular country's musical performance that will
be awarded a set of scores from other participating countries based upon a
quality assessment of a performance. There is a question of whether the
countries will vote exclusively according to the artistic merit of the song, or
if the vote will be a public signal of national support for another country.
Since the competition aims to bring people together, any consistent biases in
the awarding of scores would defeat the purpose of the celebration of
expression and this has attracted researchers to investigate the supporting
evidence for biases. This paper builds upon an approach which produces a set of
random samples from an unbiased distribution of score allocation, and extends
the methodology to use the full set of years of the competition's life span
which has seen fundamental changes to the voting schemes adopted.
By building up networks from statistically significant edge sets of vote
allocations during a set of years, the results display a plausible network for
the origins of the culture anchors for the preferences of the awarded votes.
With 60 years of data, the results support the hypothesis of regional collusion
and biases arising from proximity, culture and other irrelevant factors in
regards to the music which that alone is intended to affect the judgment of the
contest.Comment: to be published in JASS
