Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes
Abstract
The installations of Juan Muñoz stand out for the recovery of the statuary under an allegorical approach, embodied in a range of figures subjected to depersonalization strategies, whose analysis in relation to their image and scenic staging, explains the questioning of identity in the receptor. Self-recognition expectation, derived from conventional theatrical representation device, becomes problematic by reflecting a multiple, fragmented and strange identityinfo:eu-repo/semantics/publishedVersio