Magistrsko delo obravnava srednjeveško figuralno stavbno plastiko s profanimi motivi
na Slovenskem. Za boljše razumevanje teme so na začetku predstavljene funkcija stavbne
plastike in kamnoseške delavnice. Sledi obsežnejši sklop analize izbranih motivov. Ti so
analizirani glede na njihovo pojavnost v času, geografskem prostoru in glede na njihovo
ikonografijo. Obravnavana stavbna plastika spada časovno v obdobje med okoli 1200 in
okoli 1500, geografsko pa je omejena na današnji slovenski prostor. Za boljšo
preglednost so motivi obravnavani najprej po stoletjih, nato po pokrajinah (Štajerska s
Prekmurjem, Gorenjska, Primorska in osrednja Slovenija z Notranjsko in Dolenjsko).
Primeri zajemajo tako eno- kot večfiguralno stavbno plastiko, razdeljeni pa so glede na
skupne ikonografske motive. V besedilu obravnavamo tako človeške kot živalske figure,
zajeta pa je tudi njihova interpretacija. V zadnjem delu magistrskega dela so izbranim
motivom poiskane skupne karakteristike in njihova izhodišča ter primerjave v
srednjeevropski umetnosti. Magistrsko delo predstavlja vpogled v izbrano srednjeveško
figuralno stavbno plastiko s profanimi motivi na Slovenskem in s tem omogoča boljši
pregled ter boljše razumevanje posameznih ikonografskih motivov v sakralnih stavbah
in njihovega sporočila.This Master’s thesis discusses medieval architectural sculpture with profane motifs in
Slovenia. For a better understanding of the topic, the functions of architectural sculpture
and stonemason’s workshops are presented at the beginning. This is followed by a more
extensive analysis of the chosen motifs. The latter are analysed based on their
manifestation in time, in a geographical area, and based on the iconography. The
discussed architectural sculpture belongs to the period between ca. 1200 and ca. 1500
and is geographically limited to Slovenian space. For a better overview, the motifs are
first interpreted according to centuries, followed by regions (Styria with Prekmurje,
Upper Carniola, Slovene Littoral, and Central Slovenia with Inner and Lower Carniola).
The examples encompass architectural sculpture with single or multiple figures, and are
divided based on joint iconographical motifs. Consequently, the text addresses human
and animal figures and also includes their interpretation. The last part of the thesis
focuses on common features and their bases and comparisons in Central European art.
The Master’s thesis presents an insight into the chosen medieval figurative architectural
sculpture with profane motifs in Slovenia and thus enables a better overview and
understanding of individual iconographic motifs in religious buildings and their message
