Enjoy a performance by the KSU Wind Symphony under the direction of Dr. Debra Traficante.https://digitalcommons.kennesaw.edu/musicprograms/2378/thumbnail.jp

Traficante, Debra

English

DigitalCommons@Kennesaw State University

musicKSU.comWednesday, February 24, 2021 | 7:30 PMDr. Debra Traficante, conductorSCHOOL   MUSICof heardwhere PASSION isKSU Wind SymphonyWelcome to the Dr. Bobbie Bailey School of Music at Kennesaw State University We offer a world class undergraduate education…training future performers, music educators, and leaders in the field of music. More than 285 majors and minors pursue degrees in performance, music education, composition, applied studies, theory, musicology, and ethnomusicology. Our programs and students stand out as the forerunners for the next generation of inspired musical scholars. We pride ourselves on our students’ accomplishments from successfully acing their first theory exams, perfecting their collective sounds in performances, to signing contracts for their first real jobs! KSU Bailey School of Music has a long-standing tradition of student ensemble performances at state, regional, and national music conferences. Our student ensembles are regularly featured at prestigious conferences throughout the country, including the Georgia Music Educators, National Collegiate Choral Organization, National Band Association, Southern Division College Band Directors National Association, and the American Choral Directors Association Southern Division and National Conferences. Our faculty are dynamic artists-performers-scholars who are conductors, teachers, composers, researchers, and artists who regularly perform with the Georgia Symphony Orchestra, Atlanta Opera, Atlanta Chamber Players, and the Atlanta Symphony Orchestra, to highlight just a few. KSU Bailey School of Music is a leader in music training regionally, nationally, and internationally. Start your journey … where talent is cultivated, creativity is nurtured, performers are inspired, and where passion is heard. Leslie J. Blackwell, DMA Interim Director, Bailey School of Music2020-2021Randall D. Standridge (b. 1976)Deus Ex MachinaKimberly Archer (b. 1973)Hymn To The DawnBruce Broughton (b. 1945)Shell GameDavid R. Gillingham (b. 1947)At Morning’s First LightRandall D. Standridge (b. 1976)Havana NightsProgramRandall D. Standridge (b. 1976)Deus Ex MachinaSome people say I suffer from an overactive imagination. That is not true. I don’t suffer from it at all. I enjoy every minute of it.I remember being in English class in high school, and learning about classical plays. Mrs. Eggburn (my fantastic 11th grade English teacher) mentioned the Deus Ex Machina, or God of the Machine. I’m not sure what she said after that because my mind was busy envisioning an ancient God brought into the modern age, with glowing neon eyes, speakers inside his mouth, and pulsing circuits growing out from his body into his temple built of circuit boards. It’s an image that has stayed with me ever since every time I hear that particular term.This work for concert band combines exotic scales, cinematic scoring, digital effects, and a dub-step feel to create a truly unique experience for the player and audience. Is it pop? Is it symphonic? Does it matter? Music is music and it’s either effective or it’s not.Deus Ex Machina was commissioned by the Georgia Music Educators District Six for their 9th-10th grade honor band. They were very kind by allowing me to write something that was far outside the norm, and I will always be grateful.Peace, Love, and Music.  —Randall D. StrandbridgeKimberly Archer (b. 1973)Hymn To The DawnHymn to the Dawn was originally the second movement of a work for brass quintet. It was composed in memory of Charlie Carter, staff arranger for the Florida State University Marching Chiefs, and one of my first composition teachers. Charlie became seriously ill while I was at graduate school. I was reluctant to face the severity of his illness and hesitated to call him in the hospital; as a result, he passed away before I had a chance to say goodbye. Although the title suggests moving forward, the music is meant to reflect on the unresolved nature of my relationship with Charlie.  —Kimberly Archer Program NotesBruce Broughton (b. 1945)Shell GameA Shell Game is a very old sleight-of-hand magic trick in which a pea or some other small object is moved between three cups or “shells.” The shells get moved around quickly by the operator and the trick is to figure out which shell the pea is under. However, when gambling is involved, it’s often a confidence game and illegal in most countries.Shell Game begins as a light-hearted magic game and quickly turns into something more frenzied. A short burst of notes, stated by many different instruments at the very start, represent the pea appearing under different shells. But the game soon quickens until it’s almost impossible to tell where the pea is until the very end. The burst of notes from the beginning declares the final appearance of the pea.  —Bruce BroughtonDavid R. Gillingham (b. 1947)At Morning’s First LightAt Morning’s First Light draws inspiration from hymns and poetry; Gillingham’s compositions offer an alternative approach to performance through his synthesis of artistic mediums. For instance, within At Morning’s First Light, his emotive sense of poetry and nature imbue the music with a sensorial experience. The light-footed quickness of woodwinds expresses the ineffability of the morning, raw and full of promise.Whether showing us the agony of war or the hopefulness of a new day, Gillingham is a master of expressionism. As Gillingham says, “I envision myself as a servant of humanity expressing a myriad of emotions, thoughts and feelings that cannot be expressed through words.” And, so it is with At Morning’s First Light.   —Jenica Marie Moore[Program Notes, continued]Randall D. Standridge (b. 1976)Havana NightsMy musical tastes are wildly eclectic. One moment, you might find me enjoying Beethoven’s symphonies and the other you might find me head-banging to Iron Maiden. I have never been a musical snob and I value and love the entire array of sounds, rhythms, and textures that the world of music, in all its forms, has to offer.One genre I have a particular affection for is mambo. Being introduced to the style when I was in high school, I was enchanted with the melodies, rhythms, and excitement that it generates. As I dug more deeply into the style, I was introduced to the work of Yma Sumac, Tito Puente, Pérez Prado, and others. I was absolutely enchanted.Havana Nights is a concert work for Wind Ensemble, but it was also conceived as a short ballet. The action takes place in the mambo clubs of Havana as our heroine (Havanna) dances her way through the night life. She encounters another young dancer and the two begin a flirtatious, seductive conversation through the art of movement. As the ballet comes to a close, Havanna casts one final, gleeful look at her would-be suitor before escaping into the night.This work was commissioned by District 10 of the Ohio Music Educators Association for their 2018 District 10 OMEA Honor Band. I would like to thank them for trusting my creativity and allowing me to create something “entirely else” for Wind Ensemble. Thank you for letting me use my musical voice.Also, this work is dedicated to one of my composition professors, Dr. Tom O’Connor. I absolutely could not have done any of this without your guidance, advice, and encouragement. I am forever in your debt.Peace, Love, and Music.  —Randall D. Standridge[Program Notes, continued]Flute/PiccoloJennifer Bolanos-   AlemanZa’Kiya Brown*Casey Ann LaneCaitlin LeamonLaura LeshMelia WhiteOboeJacyRae CagleRobert Simon*ClarinetJasmine AvecillaTaylor CarstensCallie Christiansen*Ethan FournierAustin LatimerMonica LucasLucas MagalhaesLuiza PinedaMary Claire WilderBass ClarinetLeslie Sullivan*BassoonEmily Atkeison*Alto SaxophoneAlex BarasoainSteven Lane*Alexis RussellIsabella IrizarryTenor SaxophoneGiana KleberTyler RobersonBaritone SaxophoneMalcolm LoweFrench HornDylan EstellaSarah Harding*Charles HubbardJoel ThorntonTrumpetAustin DeRosaMary DunnConnor FoleyJosh MintzTywon RowellCandice Simmons*TromboneDylan ChastainAustin CokerIsmael Contreras*Natalie HyltonCade SextonIan TaylorChristopher LackeyEuphoniumIsaiah Devoe*Amaan DhannaniMajor FrankBee IvieHunter SchleisMitchell ShymanTubaAndrew BrakeAdam Firment*PercussionBen Bouland*Mack JeffersonJake NorwoodBrandon PortalatinTyrell SmithMalloy Sparling*Indicates Principal ChairKSU Wind Symphony PersonnelDebra TraficanteDr. Debra Traficante serves as Associate Director of Bands and Associate Professor of Music at Kennesaw State University. In this position, Dr. Traficante founded and continues to guide and direct all aspects of the KSU Marching Band, “The Marching Owls,” which premiered in fall 2015. She also created and provides the vision and direction for the KSU Basketball Band. Professor Traficante is the Conductor of the KSU Wind Symphony; she teaches instrumental conducting, wind band literature, arranging and pedagogy, and marching band technique courses while also advising music education students. She serves as the Kappa Kappa Psi and Tau Beta Sigma advisor. Dr. Traficante also served on the brass staff, instructed the conductors for Boston Crusaders from 2014-2016, and co-conducts the Youth Band of Atlanta with Freddy Martin.Dr. Traficante formerly served as Assistant Professor of Music/Assistant Director of University Bands at the University of Oklahoma where she conducted the Symphony Band, and assisted in directing the “Pride of Oklahoma” Marching Band. She also taught graduate conducting lessons, graduate wind literature, served as the lead teacher for undergraduate conducting and methods, and oversaw music education students, while serving on many committees within the School of Music.Dr. Traficante frequently judges, guest conducts, clinics ensembles across the United States, and, in 2005, conducted at the International World Association for Symphonic Bands and Ensembles Conference in Singapore. She is an Educational Artist with Yamaha, and since 2014 has taught in various countries throughout Europe at the Yamaha Bläsorchester Conferences. Dr. Traficante is also endorsed by Remo, Vic Firth, and Sabian.BiographyDavid Kehler, Director of BandsDebra Traficante, Associate Director of Bands/Director of Athletic BandsJoseph Scheivert, Interim Assistant Director of BandsFounded in 1996 as a small community concert band, the KSU Band Program continues to see rapid growth and expansion. Now encompassing five major ensembles with over 450 participating students, the KSU Bands have become one of the largest programs in Georgia. Our ensembles are comprised of the finest music majors in the School of Music, as well as students that represent every college and degree program from both the Kennesaw and Marietta campuses, and include the KSU Wind Ensemble, KSU Wind Symphony, KSU University Band, KSU Basketball Band and “The Marching Owls.” Learn more: marchingowls.kennesaw.edukennesaw state university bands

Wind Symphony

Enjoy a performance by the KSU Wind Symphony under the direction of Dr. Debra Traficante.https://digitalcommons.kennesaw.edu/musicprograms/2393/thumbnail.jp

musicKSU.comMonday, April 12, 2021 | 7:30 PMDr. Debra Traficante, conductorSCHOOL   MUSICof heardwhere PASSION isKSU Wind SymphonyWelcome to the Dr. Bobbie Bailey School of Music at Kennesaw State University We offer a world class undergraduate education…training future performers, music educators, and leaders in the field of music. More than 285 majors and minors pursue degrees in performance, music education, composition, applied studies, theory, musicology, and ethnomusicology. Our programs and students stand out as the forerunners for the next generation of inspired musical scholars. We pride ourselves on our students’ accomplishments from successfully acing their first theory exams, perfecting their collective sounds in performances, to signing contracts for their first real jobs! KSU Bailey School of Music has a long-standing tradition of student ensemble performances at state, regional, and national music conferences. Our student ensembles are regularly featured at prestigious conferences throughout the country, including the Georgia Music Educators, National Collegiate Choral Organization, National Band Association, Southern Division College Band Directors National Association, and the American Choral Directors Association Southern Division and National Conferences. Our faculty are dynamic artists-performers-scholars who are conductors, teachers, composers, researchers, and artists who regularly perform with the Georgia Symphony Orchestra, Atlanta Opera, Atlanta Chamber Players, and the Atlanta Symphony Orchestra, to highlight just a few. KSU Bailey School of Music is a leader in music training regionally, nationally, and internationally. Start your journey … where talent is cultivated, creativity is nurtured, performers are inspired, and where passion is heard. Leslie J. Blackwell, DMA Interim Director, Bailey School of Music2020-2021 Ralph Vaughn Williams (1872-1958)Sea SongsRick Kirby (b. 1945)Sea GlassV.F. Safranek (1867-1955)Atlantis: The Lost ContinentSuite in Four PartsNo. 1 - Nocturne and Morning Hymn of PraiseNo. 2 - A Court FunctionNo. 3 - “I Love Thee” (The Prince and Aana)No. 4 - The Destruction of AtlantisYukiko Nishimura (b. 1967)Sailing!Andrew Boysen, Jr. (b. 1968)Song of the Sea MaidensJohan de Meij (b. 1953)Aquarium for Symphonic Band Op. 5ProgramRalph Vaughn Williams (1872-1958)Sea SongsWritten in 1923 for the following year’s Wembley Exhibition, Sea Songs is a march medley of three well-known sea shanties: Princess Royal, Admiral Benbow, and Portsmouth. Written in typical march form with a trio, it was published simultaneously for brass band and wind band, and was later transcribed by the composer for symphony orchestra. It should be noted that Sea Songs was originally intended to be the final movement of Vaughan Williams’s Folk Song Suite.—Nikk Pilato, conductorRick Kirby (b. 1945)Sea GlassWorn by the waves and recycled by the sea, sea glass is a product of both nature and man. Bottles, jars, and glass carelessly discarded are tumbled by the ocean to form these colorful gems of the shore.As a young boy growing up on the seacoast of New Hampshire, I developed a love for the sea. On most summer days, my mother would pack my brother and me into the car of a neighbor and travel the few miles to our local beach. We would arrive at the beach around 9 a.m. and spend the morning swimming, body surfing and building sand castles. We’d have lunch and then, as was dictated by the norm of the day, would have to spend an hour ashore before we could return to the water. It was during this time that we would often search for small crabs hiding under smooth beach stones, discover exotic seashells, and pick up sea glass.In the late ‘50s, sea glass was plentiful because we had not yet decided to stop polluting the ocean with our trash. However, a beautiful by-product of our polluting ways was beautiful sea glass. Shards of broken bottles and other glass items were polished by the sea and sand to create a smooth, opaque finish. White glass, brown glass, and green glass were common. The most prized and the rarest sea glass were the blues and the reds. We would give our collected sea glass to my mother who would take it home and place it in clear bottles. She would place them on window sills which allowed the sun to create beautiful colored patterns on the floors of our house.I’m not sure what happened to those wonderful bottles filled with sea glass, but I would love to have one on the sill of one of my windows today.—Rick KirbyProgram NotesV.F. Safranek (1867-1955)Atlantis: The Lost ContinentSuite in Four PartsNo. 1 - Nocturne and Morning Hymn of PraiseNo. 2 - A Court FunctionNo. 3 - “I Love Thee” (The Prince and Aana)No. 4 - The Destruction of AtlantisAtlantis is a continent mentioned in Plato’s History, and ex tended across the Atlantic Ocean approximately from Europe to Yucatan. It is the subject of an exhaustive volume by Ignatius Donnelly and has also served as inspiration for several novelists. It is believed that this continent was the home of a great race which conquered and civilized the world. The Azore Islands are considered to be the tops of its lofty mountains, and are all that now remains above water of the great country.—V.F. SafranekYukiko Nishimura (b. 1967)Sailing!The music of Sailing! is characterized by an atmosphere that is vibrant and full of energy. The piece depicts a ship’s journey on the ocean, the colors of which can readily change from a rich, welcoming blue to a dark, menacing gray. Sometimes the ship is sprayed by the waves; sometimes the ship floats blithely along a sea of tranquility. The combination of staccatos and slurs, in particular, expresses sensations of happiness and joy in the ocean journey. I can only hope that the conductor and the players have an opportunity to witness the excitements of the ocean firsthand.—Yukiko Nishimura[Program Notes, continued]Andrew Boysen, Jr. (b. 1968)Song of the Sea MaidensSong of the Sea Maidens was commissioned by John Bell and the Park Hill Senior High School Symphonic Band for their performance at the 1992 Midwest International Band and Orchestra Clinic.Song of the Sea Maidens is a programmatic work which tells the story of sailors who, while on a peaceful trading voyage, are caught in a violent storm that sweeps their ship off course. The sailors struggle against the storm, but eventually the waves become too powerful and the sailors are no longer able to maintain their position. They are pushed toward the dangerous cliffs of a remote island, but are unable to detect the impending disaster because of the storm. Sea Maidens, living on the cliffs off the island, see the sailors in troubled water below and begin to sing. The sailors hear the song in the distance, softly at first, but growing louder. As the song surges above the roar of the waves, the sailors realize the danger they are in and quickly direct their ship around the island. The storm soon dissipates and the sailors are once again left to the tranquility of the sea.—Andrew Boysen, Jr.Johan de Meij (b. 1953)Aquarium for Symphonic Band Op. 5The suite Aquarium is Johan de Meij’s third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements, of which the second and third merge uninterruptedly into each other.1. Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish)2. Andante/Adagio (Sea Horse and Zebra fish)3. Finale: Allegro giocoso (Guppy & Co.)The neon tetra motif functions as a kind of ‘leitmotiv’ and describes the beautifully colored, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements. The electric eel, in fact, is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The angel fish is represented by elegant chord clusters.In the second movement, the sea horse emerges out of the water vegetation and starts a dialogue with the zebra fish, which is represented by one melodic phrase in unison, getting more and more threatening by adding parallel fifths and octaves. Simultaneously with the sea horse motif, the neon tetra theme emerges, this time in 3/4 time and in E flat minor.[Program Notes, continued][Program Notes, continued]The third movement starts with only two instruments (trumpet and xylophone), but as is often the case with guppies, their number rapidly increases.Piccolo and alto saxophone introduce the guppy theme, followed by several instrumental combinations. Every theme from the first movement “swims by” once more, after which the principal motif leads us to a brilliant ending.Aquarium was commissioned by the Dutch Music Foundation “Fonds voor de Scheppende Toonkunst.”—Program Notes from scoreFlute/PiccoloJennifer Bolanos-   AlemanZa’Kiya Brown*Casey Ann LaneCaitlin LeamonLaura LeshMelia WhiteOboeJacyRae CagleRobert Simon*ClarinetJasmine AvecillaTaylor CarstensCallie Christiansen*Ethan FournierAustin LatimerMonica LucasLucas MagalhaesLuiza PinedaMary Claire WilderBass ClarinetLeslie Sullivan*BassoonEmily Atkeison*Alto SaxophoneAlex BarasoainSteven Lane*Alexis RussellIsabella IrizarryTenor SaxophoneGiana KleberTyler RobersonBaritone SaxophoneMalcolm LoweFrench HornDylan EstellaSarah Harding*Charles HubbardJoel ThorntonTrumpetAustin DeRosaMary DunnConnor FoleyJosh MintzTywon RowellCandice Simmons*TromboneDylan ChastainAustin CokerIsmael Contreras*Natalie HyltonCade SextonIan TaylorBass TromboneChristopher LackeyEuphoniumIsaiah Devoe*Amaan DhannaniMajor FrankBee IvieHunter SchleisMitchell ShymanTubaAndrew BrakeAdam Firment*PercussionBen Bouland*Mack JeffersonJake NorwoodBrandon PortalatinTyrell SmithMalloy Sparling*Indicates Principal ChairKSU Wind Symphony PersonnelDebra TraficanteDr. Debra Traficante serves as Associate Director of Bands and Associate Professor of Music at Kennesaw State University. In this position, Dr. Traficante founded and continues to guide and direct all aspects of the KSU Marching Band, “The Marching Owls,” which premiered in fall 2015. She also created and provides the vision and direction for the KSU Basketball Band. Professor Traficante is the conductor of the KSU Wind Symphony; she teaches instrumental conducting, wind band literature, arranging and pedagogy, and marching band technique courses while also advising music education students. She serves as the Kappa Kappa Psi and Tau Beta Sigma advisor. Dr. Traficante also served on the brass staff, instructed the conductors for Boston Crusaders from 2014-2016, and co-conducts the Youth Band of Atlanta with Freddy Martin.Dr. Traficante formerly served as Assistant Professor of Music/Assistant Director of University Bands at the University of Oklahoma where she conducted the Symphony Band, and assisted in directing the “Pride of Oklahoma” Marching Band. She also taught graduate conducting lessons, graduate wind literature, served as the lead teacher for undergraduate conducting and methods, and oversaw music education students, while serving on many committees within the School of Music.Dr. Traficante frequently judges, guest conducts, and clinics ensembles across the United States, and, in 2005, conducted at the International World Association for Symphonic Bands and Ensembles Conference in Singapore. She is an Educational Artist with Yamaha, and since 2014 has taught in various countries throughout Europe at the Yamaha Bläsorchester Conferences. Dr. Traficante is endorsed by Remo, Vic Firth, and Sabian.Learn more: marchingowls.kennesaw.eduBiographyDavid Kehler, Director of BandsDebra Traficante, Associate Director of Bands/Director of Athletic BandsJoseph Scheivert, Interim Assistant Director of BandsFounded in 1996 as a small community concert band, the KSU Band Program continues to see rapid growth and expansion. Now encompassing five major ensembles with over 450 participating students, the KSU Bands have become one of the largest programs in Georgia. The ensembles are comprised of the finest music majors in the School of Music, as well as students that represent every college and degree program from both the Kennesaw and Marietta campuses. The KSU Brand Programs includes the KSU Wind Ensemble, KSU Wind Symphony, KSU University Band, KSU Basketball Band and “The Marching Owls.” Learn more: marchingowls.kennesaw.edukennesaw state university bands11470-578-6151 | arts.kennesaw.edu/musicCollege of the ArtsDr. Ivan Pulinkala (Dean)Prof. Harrison Long (Senior Associate Dean)Dr. Peter Fielding (Associate Dean)Prof. Geo Sipp (Director, School of Art & Design)Prof. Marsha Barsky (Chair, Department of Dance)Dr. Leslie J. Blackwell (Interim Director, Bailey School of Music)Prof. Chuck Meacham (Chair, Department of Theatre & Performance Studies)

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Wind Symphony

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