A performance by University Philharmonic Orchestra and University Band under the direction of Nancy Conley and Joseph Scheivert.https://digitalcommons.kennesaw.edu/musicprograms/2418/thumbnail.jp

Conley, Dr. Nancy

Scheivert, Dr. Joseph

English

DigitalCommons@Kennesaw State University

musicKSU.comTuesday, April 27, 2021 | 7:30 PMSCHOOL   MUSICof heardwhere PASSION isKSU University Philharmonic Orchestra and University BandDr. Nancy Conley, conductorDr. Joseph Scheivert, conductorWelcome to the Dr. Bobbie Bailey School of Music at Kennesaw State University We offer a world class undergraduate education…training future performers, music educators, and leaders in the field of music. More than 285 majors and minors pursue degrees in performance, music education, composition, applied studies, theory, musicology, and ethnomusicology. Our programs and students stand out as the forerunners for the next generation of inspired musical scholars. We pride ourselves on our students’ accomplishments from successfully acing their first theory exams, perfecting their collective sounds in performances, to signing contracts for their first real jobs! KSU Bailey School of Music has a long-standing tradition of student ensemble performances at state, regional, and national music conferences. Our student ensembles are regularly featured at prestigious conferences throughout the country, including the Georgia Music Educators, National Collegiate Choral Organization, National Band Association, Southern Division College Band Directors National Association, and the American Choral Directors Association Southern Division and National Conferences. Our faculty are dynamic artists-performers-scholars who are conductors, teachers, composers, researchers, and artists who regularly perform with the Georgia Symphony Orchestra, Atlanta Opera, Atlanta Chamber Players, and the Atlanta Symphony Orchestra, to highlight just a few. KSU Bailey School of Music is a leader in music training regionally, nationally, and internationally. Start your journey … where talent is cultivated, creativity is nurtured, performers are inspired, and where passion is heard. Leslie J. Blackwell, DMA Interim Director, Bailey School of Music2020-2021Allegro from Sonata No. 1Georg Philipp Telemann (1681-1767), arr. Kirt N. MosierDreamingBrian Balmages (b. 1975)ChicharraNicolas Repetto (b. 1979)  Theme from Schindler’s List John Williams (b. 1932), arr. Robert Longfield, duet part arr. Amy Barlow Esther Kim, violin Tyler D. Lovelace, violaHalo Theme (from “Halo Suite”)Marty O’Donnell (b. 1955), Michael Salvatori (b. 1954), arr. Bob PhillipsPhilharmonic Orchestra Program John Williams (b. 1932), arr. Johnnie VinsonSelections from Star Wars: The Rise of Skywalker (2019)Reinhold Gliere (1875-1956), arr. Anthony SusiRussian Sailor’s Dance (1927/2021)Mark Lortz (b. 1970)Radiance (2018)Danny Elfman (b. 1953), arr. Paul MurthaThe Simpsons (1990/2008)James Sochinski (b. 1947)Sweet Land of Liberty (1988)Arr. Johnnie Vinson (b. 1944)Disney Film Favorites (2012)Brian Balmages (b. 1975)Arabian Dances (2009)George Gershwin (1898-1937), arr. Paul MurthaRhapsody in Blue (1924/2020)John Philip Sousa (1854-1932)The Stars and Stripes Forever (1896)University Band Program Allegro from Sonata No. 1Georg Philipp Telemann (1681-1767), arr. Kirt N. MosierThe music of Georg Philipp Telemann, a leading German composer in the first half of the 18th century, marked a transition between the Baroque style of J. S. Bach and the early classical style of Haydn and Mozart. Telemann was a largely self-taught musician who began composing and performing at an early age. He entered the University of Leipzig as a student of law, but a roommate’s discovery of his compositions launched his musical career, and by the age of 21 he was the musical director in Leipzig. He served as Kapellmeister in a series of appointments in Soreau, Eisenbach, and Frankfurt am Main until 1721, when he settled in Hamburg as the town music director.Telemann was an inspiration to musicians throughout Germany because his compositions focused not on technical difficulty, but on accessibility to all musicians and music lovers. He composed operas, passions, cantatas, oratorios, songs, and instrumental music, and his popularity was fostered by the widespread publishing of his music. His career was characterized by innovative compositional styles and, unlike his predecessors, a creativity unfettered by the appointments he held. —Neil A. Kjos Music CompanyDreamingBrian Balmages (b. 1975)My two children, Jacob and Collin, have been very inspirational to me in life and music. One night, after they had fallen asleep, my wife Lisa and I went upstairs and peeked into their rooms. Watching them curled up sleeping made a huge impact on me. I tried to imagine what they may be dreaming about as I watched them sleeping peacefully. The resulting imagery became the inspiration for this lyrical, impressionistic style work. —Brian BalmagesPhilharmonic Orchestra Program Notes[Program Notes, continued]ChicharraNicolas Repetto (b.1979)Chicharra was commissioned by the Mount Tahoma Chamber Orchestra. Argentine-born composer and violinist Nicolas Repetto shares these performance notes in the score:Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. The syncopated, driving rhythms initiated by the low strings are contrasted by lyrical lines played in the violin and viola sections. A contrasting, lyrical B section, in 6/8, almost waltz-like, shows a softer side of this dance journey.Theme from Schindler’s List John Williams (b. 1932), arr. Robert Longfield, duet part arr. Amy BarlowThe most successful movie composer ever, John Williams, has penned some of the most emotional orchestral music of the past 40 years. When his longtime collaborator, the director Steven Spielberg, showed him Schindler’s List, the composer felt it would be too challenging to score. He said to Spielberg, “You need a better composer than I am for this film.” Spielberg responded, “I know. But they’re all dead!” The great violinist Itzhak Perlman was brought in to play the heartbreaking main theme. He was amazed at the authenticity of John Williams’s sound, evoking the traditional Jewish music of central Europe. Williams won a well-deserved Academy Award for Best Original Score for the film, his fifth Oscar.—Classic FM ViolinLauren Deaver, BiologyMatthias Kosse, Music CompositionTyler D. Lovelace, Music Education and PerformanceChidimma Onyirimba, NursingAlma Ortiz Herrera, Construction EngineeringClay Rogers, Music EducationParker Shane, HistoryAnahla Sparks, PsychologyAidan Thompson, Music EducationNatalie Tipsword, BiologyMichael Woodward, Software EngineeringViolaJacqui Endozo, Business ManagementEmily Hight, BiochemistryEsther Kim, Music Education and PerformanceStephane Nazaire, Music EducationCelloSurafel Assefa, Computer ScienceKayla Brown, Digital AnimationKailyn Drawdy, Exercise ScienceAlex Gavitt, Music PerformanceMatthew McCrory, Modern Language and CultureAdrian Mendoza Trejo, Theater and Performance StudiesKim Morgan, BusinessMiguel Trejo, BiologyDouble BassLelani Jackson, Undeclared/Music InterestPercussionAnna Gugel, Music EducationKSU Philharmonic Ensemble AssistantMiguel TrejoPhilharmonic Orchestra PersonnelPiccoloCaitlin Leamon*, French and    International BusinessFluteEmily Atkeison, Music EducationZa’Kiya Brown, Music EducationGrace Gant, NursingDanny Khoury, Mathematics EducationCaitlin Leamon, French and    International BusinessStef Stubbs, Criminal Justice and    BiologyElizabeth Turner, BiochemistryOboeMaura May, Theatre and Performance    StudiesJhoseline Rios, BiologyBassoonMiller Anderson, Computer Game    Design and DevelopmentElizabeth Pope, BiologyClarinetCallie Christiansen, Music    CompositionEthan Fournier, Music EducationCallie Healy*, BiologyRae King, M.Ed. Special EducationEthan Ranasinghe, AccountingHeather Sillence, Integrated Health   ScienceBass ClarinetTimothy Hunt, Construction    ManagementAlto SaxophoneSlater Carpenter, Mechatronics    EngineeringMalcolm Lowe, Music CompositionPatrick Vickers, NursingTenor SaxophoneSean Hargis, Mechanical EngineeringBaritone SaxophoneSam Trybus, HistoryTrumpetAndrew Bluhm, Computer    EngineeringMycah Brooks, History EducationVanessa Camilli, Business    ManagementKevin Cortez, Mechanical EngineeringSarah Goforth, Criminal JusticeMatthew Mullis, MarketingOrin Waller, Mechanical EngineeringHornDanielle Gonsoulin, AccountingKaris Morris, Hospitality ManagementLogan Mossor, Art and Music    PerformanceNate Nichols, Political ScienceDanielle Romaine, NursingRamon Spears, Mechanical    EngineeringJoy Wooten, PsychologyTromboneRaul Chavez-Nonthe, Civil EngineeringMatthew Clark, Media & EntertainmentAndrew Provost, Social ScienceUniversity Band PersonnelEuphoniumMeagan Denton, Computer Game Design and DevelopmentBlair Dilbeck, Information SystemsDylan Mossor, Computer Game Design and DevelopmentMalachi Norton, Business ManagementMitchell Shyman, Modern Language and Culture - Chinese EducationTubaWoody Bond, MarketingChaz Dooley, Computer EngineeringKahlil Phillips, Computer EngineeringDaniel Rodriguez, Computer SciencePercussionBrandon Buckhalter, MarketingJohn Chapman, Industrial EngineeringChris Krautheim, Computer ScienceJohn Perry, Political ScienceArsalaan Sayani, Information TechnologyViolinLauren Deaver, BiologyAlma Ortiz Herrera, Construction EngineeringNatalie Tipsword, BiologyMichael Woodward, Software Engineering* - Student Assistant[University Band Personnel, continued]Nancy ConleyNancy Conley is the Assistant Professor of String Music Education at Kennesaw State University, where she teaches coursework in string technique, pedagogy, and literature. In addition, Dr. Conley supervises student teachers, leads the KSU String Project, and conducts the KSU Philharmonic. She also serves as the faculty advisor to the KSU collegiate chapter of the American String Teachers Association (ASTA).Dr. Conley received the Ph.D. in Music Education with a viola performance cognate from Michigan State University, the M.M. in Performance from Binghamton University, and the B.M. in Music Education and Performance from Ithaca College. Before pursuing her doctoral degree, Dr. Conley was a public school music educator in Central New York, where she taught elementary, middle, and high school instrumental music for 17 years. An active performer while teaching, Dr. Conley played with the Binghamton Philharmonic, Tri-Cities Opera Company, and the Edgewood String Quartet. While teaching at the Crane School of Music, she was a member of the Orchestra of Northern New York in Potsdam. She currently plays with string quartets in the Atlanta area.Before moving to Georgia, Dr. Conley taught at the Crane School of Music at the State University of New York in Potsdam, and directed the National String Project. Prior to joining the faculty at KSU, Dr. Conley was the Director of Music Education at Clayton State University.Dr. Conley has conducted honor orchestras in Georgia and New York State, has served as a clinician at a variety of school music festivals, and is a frequent clinician in Atlanta-area schools.BiographiesJoseph ScheivertDr. Joseph Scheivert is the Interim Assistant Director of Bands at Kennesaw State University, where he works with “The Marching Owls” and KSU Basketball Band, conducts the University Band, and is an Assistant Professor in the Bailey School of Music. Dr. Scheivert has previously served as Interim Director of Athletic Bands at UNC Charlotte. He completed the D.M.A. in Wind Conducting program at the University of Iowa, and served as a drill writer, arranger, and instructor of the Hawkeye Marching Band. His dissertation research focused on policies and procedures developed by the Big Ten Conference marching bands in response to issues such as social media use, copyright concerns, and hazing. He has recently presented at The Midwest Clinic and the College Band Director National Association (CBDNA) Athletic Band Symposium.Dr. Scheivert previously taught instrumental music at international schools in Asia, first at International School Eastern Seaboard in Sri Racha, Thailand, followed by the Senri and Osaka International Schools of Kwansei Gakuin in Osaka, Japan. Both appointments afforded him opportunities to conduct diverse levels of performers, establish new ensembles and classes, and travel with students both domestically and internationally. He also taught choral and general music in Lewes, Delaware.Dr. Scheivert earned a Master of Music Education degree from Pennsylvania State University and served as Graduate Assistant for Athletic Bands. He also earned his undergraduate degree in music education from Penn State. Originally from Spring Grove, Pennsylvania, Dr. Scheivert joined the Kennesaw community in 2019 with his wife, Jennifer, and their four children: Kathryn, Jacob, Samuel, and Benjamin.[Biographies, continued]12470-578-6151 | arts.kennesaw.edu/musicCollege of the ArtsDr. Ivan Pulinkala (Dean)Prof. Harrison Long (Senior Associate Dean)Dr. Peter Fielding (Associate Dean)Prof. Geo Sipp (Director, School of Art & Design)Prof. Marsha Barsky (Chair, Department of Dance)Dr. Leslie J. Blackwell (Interim Director, Bailey School of Music)Prof. Chuck Meacham (Chair, Department of Theatre & Performance Studies)

University Philharmonic Orchestra & University Band

https://digitalcommons.kennesaw.edu/cgi/viewcontent.cgi?article=2418&amp;context=musicprograms

University Philharmonic Orchestra & University Band

Abstract

Similar works

Full text

Available Versions

DigitalCommons@Kennesaw State University