This study explores the online experience of k-pop (Korean Pop Music) and its international fan base. Through ethnographic participation and observation on the Allkpop k-pop gossip website and the 6Theory fan forums, I examine the rituals of devotion and allegiance to k-pop music idols. These rituals are central to forming bonds of social solidarity and community in the absence of face-to-face interaction. Due to their significant role in online k-pop interaction, fans refer to their favorite idols by using the term “bias,” indicating forms of judgment about cultural life. As a form of cultural capital, fans use these biases to differentiate and distinguish themselves as competent and experienced members of the scene
