This paper examines the concept of ‘Tibet (Tib. bod)’ in the spiritual autobiography of the celebrated Tibetan Buddhist author, Shabkar Tsokdruk Rangdröl (1781–1851). I use both literal and literary modes of analysis in conjunction with Steven Grosby’s and Lama Jabb’s definitions of ‘nation’ to demonstrate how Shabkar initially builds a vivid persona— the ‘Singer of Tibet’—that is rooted in the Tibetan landscape, but then shifts to a different persona— ‘Shabkar’—that transcends Tibet altogether and embraces a sense of Buddhist universalism. Throughout the process, Shabkar evokes deities and historical figures that are fundamental to Tibetan historical, cultural, and religious memory and alludes to customs and tropes central to Tibetan culture, such as orality, song, and the bardic tradition. In addition to demonstrating the efficacy and potency of literary tropes in creating the sense of an imagined nation, this essay makes a contribution to the ‘Where is Tibet?’ debate by exploring how Tibetan identity is articulated in one of the great masterpieces of classical Tibetan Buddhist literature
